PhantomKnight
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Post by PhantomKnight on Aug 16, 2019 13:54:02 GMT -5
DEATH PROOF (2007)
Often regarded as Quentin Tarantino's worst film, Death Proof is a throwback to grindhouse genre filmmaking but of course with that dash of Tarantino storytelling sensibility. I'm gonna be upfront: I actually like this movie. To be fair, I do concede that it's one of the weaker entries into the writer-director's filmography, but it at least offers up more entertainment value for me than the one I do have at the bottom of my list (Reservoir Dogs).
Okay, so the first half hour is the weakest part of the film and feels very aimless. It has the typical Tarantino dialogue to carry us through, but it isn't until Stuntman Mike shows up in the bar when things start to pick up. It feels weird saying that a movie meant to ultimately be fueled by female-empowerment by the end doesn't get interesting until the male presence shows up -- but in all honesty, the first group of girls isn't as compelling as the second group, and perhaps that's by design. Regardless, even as a crazed killer, Kurt Russell still has his innate charm and magnetism on full display here, and he helps that first half build pretty wonderfully to that first bit of carnage at the halfway mark. But then the second half has more of the "Tarantino confidence", so to speak. Like I already said, his second batch of girls are more charismatic and have more interesting conversations and the pacing is much improved while Stuntman Mike isn't around. And much like the first half, it pays off with a pretty spectacular old school-style car chase that's just exhilarating to watch. Plus, seeing how Stuntman Mike behaves once the tables are turned on him is actually kind of hilarious and Russell really sells how pathetic the character becomes.
So I'd say Death Proof offers up a nice amount of entertainment value to be considered a success, all told. It's nowhere near some of Tarantino's strongest work, but nor do I think it's his weakest. It's a fun throwback.
***/****
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Deexan
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Post by Deexan on Aug 16, 2019 23:13:05 GMT -5
Remember being distinctly unimpressed.
He's no Blomkamp.
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PhantomKnight
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Post by PhantomKnight on Aug 17, 2019 10:37:26 GMT -5
Correct. Cause Tarantino's actually made some good movies.
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Doomsday
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Post by Doomsday on Aug 17, 2019 11:02:57 GMT -5
Correct. Cause Tarantino's actually made some good movies. No love for District 9?
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PhantomKnight
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Post by PhantomKnight on Aug 17, 2019 11:10:04 GMT -5
Nope. District 9 isn't all that good, either.
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Neverending
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Post by Neverending on Aug 23, 2019 0:38:40 GMT -5
GOTTI (2018)The camera is in focus and the audio is clean. At least it has that going for it. There's a scene in which Gotti kills a guy while the theme to Shaft plays. There's that too. The issue here is the lack of purpose. Aside from Gotti being a flamboyant media personality, which the movie doesn't even bother to portray, the only notable thing about him is killing a mob boss to then become the last high-profile mob boss. Other than that, he was your typical street thug. If you're gonna do a movie, center it on Gotti having the power and cojones to kill a mob boss and how that decision landed him in jail for good. Instead we get something "about family" with John Travolta and Kelly Preston nonsensically hamming it up. The movie is even dedicated to the memory of one of Gotti's dead sons. How fucking tasteless is this fucking movie? This shit ain't worth mocking. It's boring with no story whatsoever and it's glorification of some asshole.
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PhantomKnight
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Post by PhantomKnight on Aug 23, 2019 10:41:40 GMT -5
This shit ain't worth mocking. It's boring with no story whatsoever. Nailed it.
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Doomsday
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Post by Doomsday on Aug 24, 2019 18:08:31 GMT -5
I think you're giving Gotti way too much credit. This movie is a master class in horrid filmmaking. PG Cooper is going to be teaching a class on this movie at USC one day and it will be a required course when our kids major in film there. It's the closest a movie has come to 'hilariously bad' since Nic Cage's Left Behind. I had a great time watching it because absolutely nothing works in the movie. The writing, editing, lighting, and not to mention the acting are all so incredibly wrong and the fact that this thing was Travolta's pet project for years is just the icing on the cake. And how did you know about the post-credits dedication? I watched it on Amazon and when it ended I called my friend to tell him to watch it immediately but didn't hit stop. While I was talking to him I saw the 'Dedicated to...' shot and I just about fell out of my chair laughing. For once I'm not the curmudgeon on a movie, this is great so-bad-it's-funny entertainment.
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Neverending
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Post by Neverending on Sept 13, 2019 15:22:19 GMT -5
STRIPPED TO KILL (1987)From Roger Corman comes a stripper movie that saved money on its budget by consisting 90% of its runtime on stripping scenes. It’s supposed to be about an undercover cop investigating the murder of an exotic dancer, but who has time for that when there’s naked women to droll over? At least the ending is hilarious.
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PhantomKnight
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Post by PhantomKnight on Oct 1, 2019 14:22:45 GMT -5
THE INCREDIBLE HULK (2008)
Still my least favorite MCU film. This was the first time I'd seen this in full since seeing it in theaters eleven years ago, and part of me was actually hoping my opinion would change for the better, but it wasn't to be so. You know what, though -- the first half hour or so in Brazil is actually pretty decent and sets up a potentially interesting movie. But the moment Bruce Banner leaves Brazil, the film just takes a nosedive into blandness. There's definitely a sense of over-course correction here because people thought Ang Lee's didn't have enough action (among other things), but by trying to cram as much action as possible into this one, the filmmakers make it feel indistinguishable from any other underwritten action movie. It also proves that the character of The Hulk isn't interesting enough to hang a whole movie on. He works well when he's supporting other heroes, but by himself, all he has is just trying to stay calm. And after a while, that gets dull. But on top of that, the plot isn't really engaging in any way and General Ross's plan to manufacture Hulk-like supersoldiers makes no sense because he has no way of ensuring control over them, as proved by how volatile Tim Roth's character turns out to be. And then Liv Tyler in this movie...woof. I don't think she's even trying with her performance. There's just no range of emotion from her at all. While The Incredible Hulk may be bad, but fortunately, it's something of an outlier because the rest of the MCU is uniformly solid for the most part.
*1/2 /****
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Doomsday
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Post by Doomsday on Oct 1, 2019 14:29:20 GMT -5
The Incredible Hulk is just so forgettable, that might be it's biggest crime.
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Neverending
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Post by Neverending on Oct 1, 2019 16:06:58 GMT -5
We’re gonna pretend Thor: Dark World isn’t the worst MCU movie?
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PhantomKnight
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Post by PhantomKnight on Oct 1, 2019 16:22:40 GMT -5
We’re gonna pretend Thor: Dark World isn’t the worst MCU movie? Dark World has more entertainment value to me than Incredible Hulk.
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Fanible
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Post by Fanible on Oct 1, 2019 18:45:49 GMT -5
Incredible Hulk doesn't exist. It's the one definitive skippable MCU movie.
Thor: Dark World could be argued a "filler episode" in the MCU, but its ties to Ragnarok and Endgame still make it worth watching. Even if only once. You don't need to watch Incredible Hulk at all.
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Neverending
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Post by Neverending on Nov 4, 2019 20:25:55 GMT -5
TWO MULES FOR SISTER SARA (1970)This movie used to be on TV all the time when I was a kid. I still think of it as one of Eastwood's Greatest Hits Western alongside the Dollars Trilogy, High Plains Drifter and Josey Wales. It's about Eastwood and "a nun" (played by Shirley MacLaine) helping the Mexicans fight the French. It's directed by Don Siegel, Eastwood's main collaborator after Sergio Leone. The film is very much in the spirit of Spaghetti Westerns (it even features a badass score by Ennio Morricone) but Siegel's direction is lifeless and the script could have been spiced up a bit. I can see why its been dismissed by PG Cooper's Generation Z. With so much content on Disney+, who has time for this shit?
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Doomsday
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Post by Doomsday on Nov 4, 2019 20:44:58 GMT -5
I used to watch that back in the day with my old man, they would play it on TNT with High Plains Drifter. Yeah, not really a movie that needs to be seen unless you're an Eastwood/Siegel completist.
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Nilade
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Post by Nilade on Nov 5, 2019 1:29:37 GMT -5
Correct. Cause Tarantino's actually made some good movies. No love for District 9? I like District 9. The first time I watched it was as a bootleg, the subtitles were missing for the alien dialogue and I thought the movie was supposed to be like that. I still really enjoyed it.
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Nilade
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Post by Nilade on Nov 5, 2019 1:36:09 GMT -5
Incredible Hulk doesn't exist. It's the one definitive skippable MCU movie. Thor: Dark World could be argued a "filler episode" in the MCU, but its ties to Ragnarok and Endgame still make it worth watching. Even if only once. You don't need to watch Incredible Hulk at all. You do need to watch it. You can't fully understand The Leader, or the impact he's made in the films, without first seeing his origin. Oh, wait...
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Doomsday
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Post by Doomsday on Nov 7, 2019 18:39:43 GMT -5
Universal Soldier: RegenerationTo call the Universal Soldier series a legitimate action franchise is a bit of a stretch. Actually it's a huge, enormous Stretch Armstrong stretch. Rambo, Terminator, Rocky, those are franchises. Universal Soldier got its start in the early 90s as a JCVD vehicle directed by Roland Emmerich and co-starring Dolph Lundgren when some people in Hollywood were still trying unsuccessfully to make him a thing. It had a couple direct to video sequels before they tried to revamp the 'franchise' with Universal Solder: The Return, a movie I haven't seen but by all accounts is unwatchable. Fast forward a decade and Universal Soldier: Regeneration quietly, stealthily dropped into our laps. Once again starring JCVD and Dolph Lundgren, it's a movie that should have sucked. Trying to relaunch a terrible franchise should only amounted in another crap mountain. To my surprise though Regeneration isn't crap. In fact, it's the best film of the franchise and an all-around awesome B-action movie. A team of innumerable terrorists take over the Chernobyl power plant and threaten to blow it up. Leading the charge is a mad scientist in control of a stolen and upgraded Universal Soldier (a UFC fighter named Andrei something, I don't follow any of that). They've also kidnapped the children of a Ukranian prime minister (topical!). The US and Russian forces get their asses kicked time and again even after sending in other UniSols who are summarily dispatched by the upgraded one so eventually they have to track down Luc Deveraux, still trying to reintegrate into polite society with the help of a nice scientist lady. They pump him full of chemicals, reactive him and send him to kill everybody and rescue the children. Along the way he finds a clone of Lundgren's Andrew Scott. The two share a pretty awesome fight scene, you just need to ignore the fact that there's 0 reason for Lundgren's character to be here, it makes no sense that he's back and the only reason they have him is because Dolph still has the tiniest amount of name recognition among 40-something action junkies. Anyways, you can probably guess what happens. By no means is this a great film but it's a surprisingly raw and entertaining action flick that has a high body count, bullet count, fight count, thrown through walls count, pretty much anything that someone looking for an action escape might want to find. It's a really good sendoff of 80s/early 90s action movies that were just fists and bullets before Fast and Furious came along and made cars driving through planes and gliding down buildings all the rage. This movie also ignores all other Universal Soldier movies that came between itself and the first one so I guess you can say it helped launch the retcon phase we all know and love today. It had a follow-up, Universal Soldier: Day of Reckoning which is a big piece of shit but Regeneration is a hell of a good time. Neverending , if you haven't seen this put it on the list so you can watch it and tell me how wrong I am.
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thebtskink
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Post by thebtskink on Nov 7, 2019 20:50:22 GMT -5
Has anyone here seen the movie JCVD?
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Doomsday
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Post by Doomsday on Nov 7, 2019 21:01:22 GMT -5
I haven't but I heard that's also surprisingly good.
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frankyt
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Post by frankyt on Nov 7, 2019 21:01:49 GMT -5
Never miss a muscles from Brussels movie. There are some really cool scenes where you get to understand how self aware he is. Not that you never thought he was but the proof is great.
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Doomsday
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Post by Doomsday on Dec 18, 2019 18:05:24 GMT -5
The Patriot (2000)The Patriot, one of Deexan 's top 3 all time favs. It was the summer of 2000 and a 15 year old Doomsday who was just a few months shy of stumbling across the CS forums was beyond excited for the release of two movies that were both gunning for the title of Greatest Movie of All Time; Gladiator and The Patriot. This was back in the day when Mel Gibson was still a huge, enormous star, years before his sugartits and Jew ranting mic drop. We already saw Mel slaughter those limey bastards in Braveheart and being given the chance to watch him do it with bayonets and tomahawks was the sweetest gift you could give a kid like me. I'll be honest, I enjoyed the hell out of The Patriot when it first came out, I saw it 2 or 3 times in theaters and watched it a bunch on my brand spanking new DVD player. I still remember John Williams' cheery score and how it perfectly timed each heroic entrance of Gibson on screen. He single handedly won the Revolutionary War after all, how could he not have his own score? Holy shit, where to begin with this gem. Everything about it is so Hollywood and easily digestible, it's like an R-rated family action movie set in colonial times. Benjamin Martin is a respected family man and rocking chair aficionado whose wife unfortunately died way back when so he raises his family on his large farm by himself. He has some African American farm hands with him but they're NOT SLAVES! They're freed men, you see. Benjamin Martin is one of the good guys, he doesn't have slaves even though he lives in North Carolina in the 1700s (I'm serious, there's some dialogue dedicated to this). His son Gabriel (Heath, RIP) joins the resistance against the British crown and after some bad stuff goes down everyone realizes that Benjamin is actually a hardcore warrior who mercilessly killed a bunch of folks in the French and Indian* Wars years earlier and now he's going to show the British what's what. Benjamin is still a father though and he has to balance his paternal duties with winning a war only he can win. With Shakespearean dialogue like 'I'm not a child,' 'You're MY child!' you know that Benjamin is teetering on the razor's edge of family and patriotic duty. Fortunately he chooses patriotism (this is The Patriot after all) and sends his family away because those Brits aren't going to kick their own asses. In the meantime we get tomahawk chops to the forehead, cannon balls ripping off limbs, bayonets to the bellies and as much hoo-rah Americanism as you can handle. Like I said, the movie is called The Patriot. Joking aside, The Patriot is not a very good movie at all but goddamn is it entertaining. It's the definition of high budget, big spectacle camp. The dialogue is blissful cheese, every role is hammed up to the 10th degree and just the notion that Mel Gibson basically founded the nation by winning the war is so over the top I'm surprised this isn't aired every 4th of July for every flyover state American to enjoy. The fact that this movie came out 2 years after Saving Private Ryan is a bit perplexing because they're such polar opposites. Now I'm not the biggest fan of SPR but there's no denying that it changed the way that war movies are made (back in Spielberg's 'game changer' days before his 'War Horse and BFG' days). Naturally war movies now had to have a first-hand realistic feel to it but in the hands of a filmmaker like Rolland Emmerich, the director at the helm of The Patriot, it became a product that almost felt cartoonish. Jason Isaacs portrays an unhinged British colonel who burns entire families and villages to get to Benjamin (despite the fact that nothing even close to that had ever been recorded as being done by anyone in the British army) and chews up and spits out every line of dialogue with the intensity of a bad Bond villain. I'm convinced that everyone from Gibson and Emmerich down the line were absolutely positive that this was going to be a big player all around, from the box office to award wins. I can't remember how well it did financially, I assume it did fine but of course no one got any serious critical acclaim because the movie is ridiculous. No one that is except John Williams whose score was nominated for an Oscar. I guess he's the big winner here. The Patriot is a big, stupid, fun movie that's too new and violent to be enjoyed by the old folks who still watch movies like In Harm's Way and Sands of Iwo Jima but maybe one day the old folks of 2050 will sit down and force their grandchildren to sit through this. And their grandkids will hate every minute of it. *French and Native American Wars? French and First Nations Wars? Good thing our woke patrol citizens were only 3 years old when this movie came out.
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Neverending
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Post by Neverending on Dec 18, 2019 18:56:54 GMT -5
The Patriot (2000)The Patriot, one of Deexan 's top 3 all time favs. It was the summer of 2000 and a 15 year old Doomsday who was just a few months shy of stumbling across the CS forums was beyond excited for the release of two movies that were both gunning for the title of Greatest Movie of All Time; Gladiator and The Patriot. This was back in the day when Mel Gibson was still a huge, enormous star, years before his sugartits and Jew ranting mic drop. We already saw Mel slaughter those limey bastards in Braveheart and being given the chance to watch him do it with bayonets and tomahawks was the sweetest gift you could give a kid like me. I'll be honest, I enjoyed the hell out of The Patriot when it first came out, I saw it 2 or 3 times in theaters and watched it a bunch on my brand spanking new DVD player. I still remember John Williams' cheery score and how it perfectly timed each heroic entrance of Gibson on screen. He single handedly won the Revolutionary War after all, how could he not have his own score? Holy shit, where to begin with this gem. Everything about it is so Hollywood and easily digestible, it's like an R-rated family action movie set in colonial times. Benjamin Martin is a respected family man and rocking chair aficionado whose wife unfortunately died way back when so he raises his family on his large farm by himself. He has some African American farm hands with him but they're NOT SLAVES! They're freed men, you see. Benjamin Martin is one of the good guys, he doesn't have slaves even though he lives in North Carolina in the 1700s (I'm serious, there's some dialogue dedicated to this). His son Gabriel (Heath, RIP) joins the resistance against the British crown and after some bad stuff goes down everyone realizes that Benjamin is actually a hardcore warrior who mercilessly killed a bunch of folks in the French and Indian* Wars years earlier and now he's going to show the British what's what. Benjamin is still a father though and he has to balance his paternal duties with winning a war only he can win. With Shakespearean dialogue like 'I'm not a child,' 'You're MY child!' you know that Benjamin is teetering on the razor's edge of family and patriotic duty. Fortunately he chooses patriotism (this is The Patriot after all) and sends his family away because those Brits aren't going to kick their own asses. In the meantime we get tomahawk chops to the forehead, cannon balls ripping off limbs, bayonets to the bellies and as much hoo-rah Americanism as you can handle. Like I said, the movie is called The Patriot. Joking aside, The Patriot is not a very good movie at all but goddamn is it entertaining. It's the definition of high budget, big spectacle camp. The dialogue is blissful cheese, every role is hammed up to the 10th degree and just the notion that Mel Gibson basically founded the nation by winning the war is so over the top I'm surprised this isn't aired every 4th of July for every flyover state American to enjoy. The fact that this movie came out 2 years after Saving Private Ryan is a bit perplexing because they're such polar opposites. Now I'm not the biggest fan of SPR but there's no denying that it changed the way that war movies are made (back in Spielberg's 'game changer' days before his 'War Horse and BFG' days). Naturally war movies now had to have a first-hand realistic feel to it but in the hands of a filmmaker like Rolland Emmerich, the director at the helm of The Patriot, it became a product that almost felt cartoonish. Jason Isaacs portrays an unhinged British colonel who burns entire families and villages to get to Benjamin (despite the fact that nothing even close to that had ever been recorded as being done by anyone in the British army) and chews up and spits out every line of dialogue with the intensity of a bad Bond villain. I'm convinced that everyone from Gibson and Emmerich down the line were absolutely positive that this was going to be a big player all around, from the box office to award wins. I can't remember how well it did financially, I assume it did fine but of course no one got any serious critical acclaim because the movie is ridiculous. No one that is except John Williams whose score was nominated for an Oscar. I guess he's the big winner here. The Patriot is a big, stupid, fun movie that's too new and violent to be enjoyed by the old folks who still watch movies like In Harm's Way and Sands of Iwo Jima but maybe one day the old folks of 2050 will sit down and force their grandchildren to sit through this. And their grandkids will hate every minute of it. *French and Native American Wars? French and First Nations Wars? Good thing our woke patrol citizens were only 3 years old when this movie came out. I watched this movie is History class. I’m serious. Box office wise, it got its ass beaten by the now-forgotten Perfect Storm starring George Clooney and Marky Mark. I was one of those people that watched Perfect Storm. My only vivid memory of the experience was the entire audience being awe-struck by the Pearl Harbor trailer. The one with the FDR speech as the kamikaze fly through Hawaii. Lol.
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Doomsday
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Post by Doomsday on Dec 18, 2019 19:19:37 GMT -5
People don't remember how hyped Pearl Harbor was before it was released. I remember reading little Altavista and Geocities-based think pieces on how it was destined to be an Oscar contender and could be the next From Here To Eternity. Then the movie came out.
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