IanTheCool
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Post by IanTheCool on Feb 10, 2015 7:59:20 GMT -5
Next year:2003
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SnoBorderZero
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Post by SnoBorderZero on Feb 10, 2015 11:04:46 GMT -5
The Lord of the Rings: The Return of the King - How epic Hollywood films should be done in this age.
Mystic River - Likely would've won Best Picture any other year. One of Eastwood's best and great performances all around.
Lost in Translation - Really strong film debut for Sofia Coppola. So good it almost makes us forget her performance in "The Godfather Part III", almost.
Elephant - Stirring and effective.
Oldboy - I don't love the film, but its influence is undeniable. Often imitated, but rarely emulated. And Spike Lee is a bum for remaking it.
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PG Cooper
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Post by PG Cooper on Feb 10, 2015 11:14:15 GMT -5
1. The Lord of the Rings: The Return of the King: A critical and financial juggernaut that ended the defining trilogy of the era.
2. Oldboy: Still the poster child for Korean cinema. An energetic and creative film which struck a chord with highbrow critics and genre fans.
3. Mystic River: Redefined Eastwood as a filmmaker and sparked what is arguably his finest period as a director. Also influenced a number of crime dramas set in Boston.
4. Pirates of the Carribean: The Curse of the Black Pearl: Launched a huge franchise and created one of the biggest characters of the decade.
5: X2: X-Men United: Raised the bar for comic book films.
Honourable mentions:
Kill Bill Volume One: Awesome movie but I don't know that it's important.
Big Fish: It's Tim Burton doing something different, but it seems pretty small in the grand scheme of things.
Lost in Translation: I suppose this is the poster child for Bill Murray's serious side, but otherwise there isn't much here and given the way Sofia Coppola's career has been headed lately I'm not sure this will really stand the test of time.
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Post by Fiverrabbit2014 on Feb 10, 2015 13:39:50 GMT -5
1. Big Fish 2. Finding Nemo 3. Brother Bear 4. Kill Bill Volume One 5. X2: X-Men United 6. Final Destination 2 7. Darkness Falls 8. The Texas Chainsaw Massacre 9. Charlies Angels: Full Throttle 10. The Jungle Book 2
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IanTheCool
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Post by IanTheCool on Feb 10, 2015 22:49:47 GMT -5
Mystic river? are you kidding me? Why?
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Jibbs
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Post by Jibbs on Feb 10, 2015 23:49:22 GMT -5
The Lord of the Rings - The Return of the King Pirates of the Caribbean: Curse of the Black Pearl Oldboy Finding Nemo The Room
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PG Cooper
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Post by PG Cooper on Feb 11, 2015 9:24:49 GMT -5
Mystic river? are you kidding me? Why? Because A. it launched the most critically praised era of Eastwood's filmography, and B. it started the trend of similar crime stories, often set in Boston. Gone Baby Gone, The Departed, The Town, Prisoners, The Drop, The Place Beyond the Pines, and the videogame Heavy Rain all owe some level of debt to Mystic River. I know you hate Mystic River, but the film is important.
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Deexan
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Post by Deexan on Feb 11, 2015 9:39:45 GMT -5
The Lord of the Rings: The Return of the King Pirates of the Caribbean: Curse of the Black Pearl Oldboy Finding Nemo Lost In Translation
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SnoBorderZero
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Post by SnoBorderZero on Feb 11, 2015 14:41:07 GMT -5
Mystic river? are you kidding me? Why? Because A. it launched the most critically praised era of Eastwood's filmography, and B. it started the trend of similar crime stories, often set in Boston. Gone Baby Gone, The Departed, The Town, Prisoners, The Drop, The Place Beyond the Pines, and the videogame Heavy Rain all owe some level of debt to Mystic River. I know you hate Mystic River, but the film is important. Yeah, I think most people would agree "Mystic River" is very, very good if not great. Haven't watched it in awhile, but it is undoubtedly among the top 5 films of 2003.
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Post by Deleted on Feb 11, 2015 15:04:15 GMT -5
I never knew Ian was so anti-Mystic River.
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IanTheCool
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Post by IanTheCool on Feb 11, 2015 18:51:01 GMT -5
Mystic river? are you kidding me? Why? Because A. it launched the most critically praised era of Eastwood's filmography, and B. it started the trend of similar crime stories, often set in Boston. Gone Baby Gone, The Departed, The Town, Prisoners, The Drop, The Place Beyond the Pines, and the videogame Heavy Rain all owe some level of debt to Mystic River. I know you hate Mystic River, but the film is important. Not good enough. Not important. It started a wave of films set in boston? That's pretty weak.
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thebtskink
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Post by thebtskink on Feb 11, 2015 19:14:17 GMT -5
That distinction belongs to Blown Away
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Dracula
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Post by Dracula on Feb 11, 2015 19:25:02 GMT -5
Mystic River
Spring, Summer, Fall, Winter... and Spring
Lost in Translation
Elephant
Oldboy
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IanTheCool
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Post by IanTheCool on Feb 11, 2015 19:45:16 GMT -5
Really?
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thebtskink
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Post by thebtskink on Feb 11, 2015 21:27:33 GMT -5
Alright, time to fix this:
Finding Nemo Lost in Translation Love Actually - started the ensemble romantic comedy craze Oldboy The Room : I can think of no better statement to the arthouse makeup of this list than the ultimate failed arthouse film.
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PG Cooper
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Post by PG Cooper on Feb 11, 2015 22:57:29 GMT -5
Because A. it launched the most critically praised era of Eastwood's filmography, and B. it started the trend of similar crime stories, often set in Boston. Gone Baby Gone, The Departed, The Town, Prisoners, The Drop, The Place Beyond the Pines, and the videogame Heavy Rain all owe some level of debt to Mystic River. I know you hate Mystic River, but the film is important. Not good enough. Not important. It started a wave of films set in boston? That's pretty weak. I like how you pick one almost arbitrary point of my post and use it to totally dismiss the rest of it. I literally listed half a dozen films and a videogame that are indebted to Mystic River. They're all very similarly themed crime dramas, the borrowed setting is just a detail emphasizing that it was Mystic River specifically that these films were inspired by. It also ushered in the final great stretch of Eastwood's career and that period deserves representation. Million Dollar Baby and Letters from Iwo Jima was out, so it's gotta be this. Hate the movie all you want, it IS important
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IanTheCool
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Post by IanTheCool on Feb 12, 2015 8:03:01 GMT -5
I guess I'm just not convinced that Mystic River started the trend, but maybe it did. And if it did then I'm okay with it. I also dont think that a film kick starting a director's or actor's careers needs inclusion either. The actually important films that they make when their career is in full swing should. Also, my hating the movie isn't really what its about, I've hated lots of movies but agreed with their inclusion, the most notable of which is Scarface which I was completely on board for.
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Deexan
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Post by Deexan on Feb 12, 2015 8:09:03 GMT -5
I've never seen the film so I can't really comment, but what I will say is that I disagree with everything Ian is saying as a matter of principle.
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PG Cooper
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Post by PG Cooper on Feb 12, 2015 11:09:34 GMT -5
I guess I'm just not convinced that Mystic River started the trend, but maybe it did. And if it did then I'm okay with it. I also dont think that a film kick starting a director's or actor's careers needs inclusion either. The actually important films that they make when their career is in full swing should. Also, my hating the movie isn't really what its about, I've hated lots of movies but agreed with their inclusion, the most notable of which is Scarface which I was completely on board for. I'd say it's far and away the most important film Eastwood has made in the last twenty years, many even consider it Eastwood's best film. Post 9/11 anciety also spawned a lot of films about the consequences of seeking vengeance without knowing all of the facts, and no film captures that better than Mystic River. On another note, I really don't agree with the inclusion of The Room. I get that it's a pretty infamous movie, but it feels wrong to include a "so bad it's good movie" when genuinely good films which are also important will be ignored. I also feel like the novelty of this will fade away in time. I'm also not really sold on Finding Nemo. The movie was popular sure and it made a lot of money, but it didn't prove anything that Pixar already hadn't with Toy Story, Toy Story 2, and Monsters Inc. We also already have The Incredibles, and Toy Story, Toy Story 3, and Wall-E are also guaranteed to make the list. Do we really need that much Pixar?
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Post by Deleted on Feb 12, 2015 11:34:19 GMT -5
I'm not a huge fan of The Room, but you have to consider the amount of midnight showings, live-screenings where people brought their own spoons (and other household memorabilia), and huge cult following that it has earned over time. Just because its not highbrow entertainment should not preclude its entry into the CS pantheon. If you doubt its popularity or influential nature, then by all means, check out the Wiki page: en.wikipedia.org/wiki/The_Room_(film)#Other_mediaI'm also not sure if I "get" why Elephant should be included. Because it won the Palme d'Or? Or it supposedly influenced a similar act of high school violence? Because of the subject matter? I don't see how or why those are reasons. By that token, you could make an argument that every topical film is culturally relevant. BTW--Mystic River should be included based on the unintentionally hilarious "oh my god" scream. Personally, I've always found the movie to be hopelessly cynical.
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Dracula
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Post by Dracula on Feb 12, 2015 15:00:50 GMT -5
I'm not a huge fan of The Room, but you have to consider the amount of midnight showings, live-screenings where people brought their own spoons (and other household memorabilia), and huge cult following that it has earned over time. Just because its not highbrow entertainment should not preclude its entry into the CS pantheon. If you doubt its popularity or influential nature, then by all means, check out the Wiki page: en.wikipedia.org/wiki/The_Room_(film)#Other_mediaI'm also not sure if I "get" why Elephant should be included. Because it won the Palme d'Or? Or it supposedly influenced a similar act of high school violence? Because of the subject matter? I don't see how or why those are reasons. By that token, you could make an argument that every topical film is culturally relevant. BTW--Mystic River should be included based on the unintentionally hilarious "oh my god" scream. Personally, I've always found the movie to be hopelessly cynical. First of all, the room's fandom is completely derivative of Plan 9's fandom and Rocky Horror's fandom, as cult nonsense goes those will have a much longer legacy. As for Elephant, my vote was based more on its stylistic legacy than anything. Its a great representative of Van Sant's detached "Death Trilogy." As for Mystic River... I dunno, I don't really have an overly concrete argument for its direcct influence but I have an. Inate feeling it will be relevant for a long time.
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Post by Deleted on Feb 12, 2015 15:35:35 GMT -5
I think you're diminishing The Room's "importance". Unsurprisingly. What you're saying is highly reductive and a little insulting, honestly, considering that most people like The Room to some degree, if not mostly ironically. Like the Troma movies, it is based on your ability to laugh at film as a medium. "Cult nonsense" isn't always a bad thing, unless you believe cinema is to be oh-so-serious all the time. You could make the argument that most "cult" movies have the same kind of audience, but it doesn't necessarily make them the same, nor does it make them "less important" because it's become a common midnight movie. Didn't we already establish one other movie in the same way?
I also contributed a link exemplifying the influential nature of the movie with several examples of what it has inspired. On the other hand, I haven't seen much of anything to promote Elephant, aside from a very weak argument promoting it as some kind of stylistic jumping-off point for Gus Van Sant. However, a case could be made for Mystic River. There have been a multitude of Boston-based movies since then. Even then, there are other movies that have featured Boston just as prominently (and well before), almost as a character unto itself; e.g. The Friends of Eddie Coyle.
For the record, I'm not championing The Room. I personally have nothing invested in this, nor do I care enough to "lobby" for it. I am merely showing that it's not nearly as ridiculous as it might seem. Also, representative is not "influential" or important. Putting a film in the list simply because its "stylistically representative" of a director's style sounds superficial. No one is walking around talking about how they were "deeply" influenced by Elephant. If nothing else, most directors would prefer the striking independence of Mala Noche. In that case, you could make an argument for Paranoid Park being "influential" too. That one is highly indicative of Van Sant's style, right?
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Jibbs
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Post by Jibbs on Feb 13, 2015 19:21:44 GMT -5
And for the record, I was kidding when I said "The Room."
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Fanible
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Post by Fanible on Feb 13, 2015 19:32:00 GMT -5
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Post by Deleted on Feb 13, 2015 19:44:35 GMT -5
For the record, mine will be:
Oldboy Lost in Translation The Lord of the Rings: The Return of the King Pirates of the Caribbean: Curse of the Black Pearl
...and Mystic River, I guess?
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