iverdawg
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Post by iverdawg on Dec 2, 2014 17:10:29 GMT -5
I voted for Shaun but honestly, Spaced was what really launched Edgar Wright, Nick Frost and Simon Pegg's careers.
Also, I don't see how a lot of the movies are more important than the phenomenon that was Passion of the Christ.
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Dracula
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Post by Dracula on Dec 2, 2014 17:14:32 GMT -5
The Incredibles is when 3-D animation began really stretch its legs. What Monsters, Inc. did for textiles and fur, Incredibles did for rendering actual humans, using realistic motion and combining all the element they tested in previous movies. . It's a huge technical leap forward in the industry. I think I'm pretty obviously going to be on the losing side of this one, but mere technical evolution seems like a kind of weak reason to me. I mean, The Polar Express (a movie I think is pretty ghastly) came out the same year and arguably did more innovative things with animation. Shaun of the Dead launched the career of Edgar Wright who has become one of the most important filmmakers of modern comedy. Not only was Shaun of the Dead his breakthrough, but it captures the themes and style of all of his subsequent features. We placed Videodrome in the list for being David Cronenberg's manifesto and Shaun of the Dead can be seen as Wright's. It also helped bring geek humour with a focus on details to prominence and was the first great spoof film in a long time. We all operate in fairly geeky circles and I think that might be inflating our notion of just how important Edgar Wright is. The dude is basically the Kevin Smith of the 2000s. I don't mean that as a slight and I say it as someone who likes Kevin Smith, but let's be real... both of these guys don't have much influence outside of a fairly narrow fanbase. Genre parodies were not invented by Shaun of the Dead, Mel Brooks and others had been doing them for decades.
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PG Cooper
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Post by PG Cooper on Dec 2, 2014 17:26:50 GMT -5
Shaun of the Dead didn't invent genre parodies, but it was the first genre parody to actually try since the first Scream, and if you don't count that than it goes all the way back to The Naked Gun. I'd also argue that the comedy style of geek pandering and sometimes subtle references had a direct influence on 21 Jump Street, The Lego Movie, and Wreck-It Ralph, as well as TV shows like Community and even Big Bang Theory.
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Knerys
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Post by Knerys on Dec 2, 2014 17:33:19 GMT -5
think I'm pretty obviously going to be on the losing side of this one, but mere technical evolution seems like a kind of weak reason to me. I mean, The Polar Express (a movie I think is pretty ghastly) came out the same year and arguably did more innovative things with animation. First, that film was motion capture, which doesn't require animators to animate physical movements. They're basically dressing a virtual skeleton. Second, one of the biggest complaints of that movie was how dead eye and wooden of all of the humans characters looked. Yeah it's colorful, but it nothing to actually advance animation techniques. Incredibles gave you everything in a movie that worked on all levels.
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Neverending
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Post by Neverending on Dec 2, 2014 17:56:12 GMT -5
I don't see how a lot of the movies are more important than the phenomenon that was Passion of the Christ. I wish the old CS still existed so I could bump my 2004 thread where I predicted the impact of The Passion. It took 10 long years but the number of random, and successful, religious movies this year is evidence that Mel Gibson opened the gates that Martin Scorsese closed in 1988. Would we have Noah and Exodus without Gibson? Of course not. Would we have Kirk Cameron without Gibson? Of course not. Would we have the random religious movies like "Heaven Is For Real" and "God Is Not Dead" without Gibson? Of course not. But iverdawg, unfortunately, you're talking to deaf ears.
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Post by Deleted on Dec 2, 2014 17:57:16 GMT -5
I don't see how Edgar Wright is "the 2000s Kevin Smith". That seems lazy and reductive.
One: he still makes movies with themes, purpose; two: his cinematography, music, and acting are all twenty times better; three: he's made more than one good movie (Smith has Chasing Amy and a few mediocre comedies); four: he's not Kevin Smith.
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Neverending
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Post by Neverending on Dec 2, 2014 17:59:54 GMT -5
I don't see how Edgar Wright is the 20th centuries' Kevin Smith. Dracula is the guy who compared Marvel to the Wu Tang Clan. Edgar Wright now is what Sam Raimi was in the 1980's and '90s. Ant-Man was supposed to be his Spider-Man but he fucked up.
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Post by Deleted on Dec 2, 2014 18:01:02 GMT -5
That makes more sense.
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Neverending
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Post by Neverending on Dec 2, 2014 18:04:52 GMT -5
Judd Apatow is the new Kevin Smith. People just can't tell because Apatow knows a thing or two about cinematography and editing.
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thebtskink
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Post by thebtskink on Dec 2, 2014 19:25:46 GMT -5
Eternal Sunshine Primer Incredibles Bourne Supremacy Shaun of the Dead Replacing Shaun with Passion of the Christ
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IanTheCool
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Post by IanTheCool on Dec 2, 2014 19:36:23 GMT -5
I voted for Shaun but honestly, Spaced was what really launched Edgar Wright, Nick Frost and Simon Pegg's careers. Also, I don't see how a lot of the movies are more important than the phenomenon that was Passion of the Christ. Thank you! We really need to give this one more consideration. Okay, so apparently there has been a lot of discussion on this. Let me get some food and read and catch up.
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IanTheCool
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Post by IanTheCool on Dec 2, 2014 19:48:16 GMT -5
Anchorman Saw Eternal Sunshine Fahrenheit 9/11 The Incredibles Also, how is Deexan the only one to choose Anchorman so far? Its one of, if not THE, defining comedies of the decade. It deserves a place more than Shaun of the Dead. Collateral was mentioned earlier, and while the movie is a pretty general movie, it is often cited as a influential film for digital cinematography, so it shouldn't be discounted. Saw was also massively influential. Please remember everyone, these are not your favourite movies of the year, they are our best objective choices for most important.
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Dracula
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Post by Dracula on Dec 2, 2014 19:54:59 GMT -5
I might be willing to consider throwing support towards The Passion, but only if Fahrenheit 9/11 also gets in. Consider this: Time Magazine was thinking about making Mel Gibson and Michael Moore the joint Man of the Year award in 2004 as a symbol of the political divide. Gibson ended up dropping out and they ended up giving it to Bush, but that still says something.
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PG Cooper
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Post by PG Cooper on Dec 2, 2014 20:02:18 GMT -5
Also, how is Deexan the only one to choose Anchorman so far? Its one of, if not THE, defining comedies of the decade. It deserves a place more than Shaun of the Dead. Anchorman is popular, but I can't think of how it influenced other comedies and it also doesn't seem overly representative of the rest of Ferrell's comedies. Shaun of the Dead seems to be more of a clear influenced and set the standard for one of the most important comedic directors of the decade. It helped usher in the torture porn era, and the films were popular for a while, but they've since dropped off the map and no one cares. The original was re-released on Halloween for it's tenth anniversary to mass indifference. I agree in terms of The Incredibles. I get that the film was an improvement in computer animation, but it seems more like a logical step than a leap forward. As for The Passion of the Christ...I'm okay with it. The film certainly was a big deal in it's day, but no one really talks about it today, though that is in part because of Gibson's personal choices. Neverending made the argument about movies like Noah and Exodus, but I don't know if this movie was really the cause. It's an okay choice though, and I guess I'd be willing to drop Collateral for it if it comes to that.
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IanTheCool
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Post by IanTheCool on Dec 2, 2014 20:47:12 GMT -5
Also, how is Deexan the only one to choose Anchorman so far? Its one of, if not THE, defining comedies of the decade. It deserves a place more than Shaun of the Dead. Anchorman is popular, but I can't think of how it influenced other comedies and it also doesn't seem overly representative of the rest of Ferrell's comedies. Shaun of the Dead seems to be more of a clear influenced and set the standard for one of the most important comedic directors of the decade.
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Jibbs
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Post by Jibbs on Dec 2, 2014 20:53:41 GMT -5
I guess I'm ok with Anchorman. Fahrenheit 9/11 is a good choice. I don't agree with Passion of the Christ.
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thebtskink
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Post by thebtskink on Dec 2, 2014 21:11:28 GMT -5
You don't have that much discussion about your film in the year it was released unless your film is important. That's why Passion deserves to be in more than anything.
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Neverending
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Post by Neverending on Dec 2, 2014 21:32:56 GMT -5
Anchorman is too popular to ignore.
The Passion of the Christ is still influential in religious circles.
The Notebook? Mean Girls?
Saw may have launched "a fad" but all horror sub-genres go in cycles. Wait 10 years and you'll see Torture Porn come back.
Also, in all the Farenheit discussion we forgot one VERY important movie: SUPER SIZE ME. I would argue that Super Size Me had a greater impact that Farenheit. George W. Bush won re-election. But McDonalds had to re-invent itself.
So...
My 5 choices
If they matter
Anchorman Mean Girls The Passion of the Christ Saw Super Size Me
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thebtskink
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Post by thebtskink on Dec 2, 2014 21:46:19 GMT -5
I'd also remove The Incredibles for Fahrenheit, although I loathe that movie.
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Jibbs
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Post by Jibbs on Dec 2, 2014 22:08:57 GMT -5
The Passion of the Christ is still influential in religious circles. But we're discussing important movies.
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thebtskink
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Post by thebtskink on Dec 2, 2014 22:16:21 GMT -5
Jibbs, I understand.
But Dracula made a good point.
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Neverending
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Post by Neverending on Dec 2, 2014 22:32:22 GMT -5
No one willing to consider Super Size Me? You can't turn a blind eye to it. Have you been to McDonalds in the last 10 years?
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Post by Jibbs on Dec 2, 2014 22:34:20 GMT -5
Let me know when people stop going and having heart attacks.
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Neverending
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Post by Neverending on Dec 2, 2014 22:38:26 GMT -5
Let me know when people stop going and having heart attacks. Let me know when congress passes a bill. See. I can play this game too. Fahrenheit changed nothing. NOTHING. And don't you dare give it credit for Obama. Super Size Me had immediate effect, and 10 years later, McDonalds is Starbucks with burgers & fries.
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IanTheCool
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Post by IanTheCool on Dec 2, 2014 22:50:41 GMT -5
I thought we decided a long way back we weren't doing docs?
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