Jibbs
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Post by Jibbs on Nov 6, 2014 22:06:58 GMT -5
My vote is:
There Will Be Blood 300 Juno No Country For Old Men Sunshine
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Dracula
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Post by Dracula on Nov 6, 2014 22:12:05 GMT -5
Question: why are so many people leaning towards Superbad rather than Knocked Up. To me Knocked Up is a lot more emblematic of the "schluby 20-something" format that the whole Apatow brand leans towards and has generally been more influential.
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Jibbs
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Post by Jibbs on Nov 6, 2014 22:18:13 GMT -5
They're both pretty stupid and I never hear them referenced, even after only 7 years.
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thebtskink
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Post by thebtskink on Nov 6, 2014 23:02:08 GMT -5
My vote is: There Will Be Blood 300 Juno No Country For Old Men Sunshine Same
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PG Cooper
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Post by PG Cooper on Nov 6, 2014 23:21:39 GMT -5
Question: why are so many people leaning towards Superbad rather than Knocked Up. To me Knocked Up is a lot more emblematic of the "schluby 20-something" format that the whole Apatow brand leans towards and has generally been more influential. Because Superbad perfectly captures what it's like to be a teenager of the generation. The fact that the story is essentially about high school geeks trying to be cool by scoring some booze is very relateable. Of all the "high school" films in recent memory, Superbad is the one that feels the most authentic, oddly enough. Knocked Up is the other pregnancy movie from 2007. It may have been Seth Rogen's break out role, but given his work in The 40 Year Old Virgin and Superbad, it's reasonable to assume he would have had a breakout at some point with or without Knocked Up.
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thebtskink
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Post by thebtskink on Nov 7, 2014 1:45:55 GMT -5
If Michael Cera gets on this list more than once there is no justice in the world. Guy can't act beyond one very specific annoying character
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Dracula
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Post by Dracula on Nov 7, 2014 2:10:46 GMT -5
Question: why are so many people leaning towards Superbad rather than Knocked Up. To me Knocked Up is a lot more emblematic of the "schluby 20-something" format that the whole Apatow brand leans towards and has generally been more influential. Because Superbad perfectly captures what it's like to be a teenager of the generation. The fact that the story is essentially about high school geeks trying to be cool by scoring some booze is very relateable. Of all the "high school" films in recent memory, Superbad is the one that feels the most authentic, oddly enough. Knocked Up is the other pregnancy movie from 2007. It may have been Seth Rogen's break out role, but given his work in The 40 Year Old Virgin and Superbad, it's reasonable to assume he would have had a breakout at some point with or without Knocked Up. But doesn't Knocked Up perfectly capture being an underachieving 20 something? You look at most of the Apatow-esque films that came in the wake of 2007 (Forgetting Sarah Marshall, Funny People, Bridesmaids, I Love You Man, This is 40, Zach and Miri Make a Porno, Neighbors, Sex Tape) and they all have more in common with Knocked Up. It established the whole "Rom-com with dick jokes" formula. Superbad on the other hand was mostly an entry in the usual "one crazy night" formula, it did it very well, but I feel like it was a well worn subject already in 2007 and afterwards it was the 20-30 set that dominated the R-rated comedy, not the high school set.
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IanTheCool
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Post by IanTheCool on Nov 7, 2014 7:53:13 GMT -5
I think that 40 Year Old Virgin is more the one that kicked off the Apatow era.
Okay, when I get home from work, I'll see where we're at, find the most popular choices among this myriad, and post the next year.
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Post by Neverending on Nov 7, 2014 8:55:34 GMT -5
This is why we shouldn't do modern years. I understand where Ian is coming from. 2008 has The Dark Knight. 2009 has Avatar. 2010 has a long list of potential classics. But... you're right. He should have stopped at 2005. But it's too late now. But doesn't Knocked Up perfectly capture being an underachieving 20 something? You look at most of the Apatow-esque films that came in the wake of 2007 (Forgetting Sarah Marshall, Funny People, Bridesmaids, I Love You Man, This is 40, Zach and Miri Make a Porno, Neighbors, Sex Tape) and they all have more in common with Knocked Up. It established the whole "Rom-com with dick jokes" formula. I agree with you... but... people have their selfish reasons for rejecting the movie. You HAVE to make room for There Will Be Blood, No Country For Old Men, Sunshine and other movies that people don't actually care about. 2007 was the other day. We KNOW what Hollywood and the mainstream think: TRANSFORMERS - Theater attendance is at an all-time low, but people in large quantities will waste $11-per-ticket to watch a dumb, noisy, and mostly computer generated movie. Please, Hollywood, make more and more and more of these. JUNO - Yay. The "quirky" Indie movie is popular. ENCHANTED - Princesses are cool again. KNOCKED UP - More Seth Rogen, please. SUPERBAD - Michael Cera will be around forever and ever.
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Post by Neverending on Nov 7, 2014 9:06:48 GMT -5
What are you talking about? Michael Cera was amazing in The Social Network.
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PG Cooper
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Post by PG Cooper on Nov 7, 2014 13:16:15 GMT -5
Because Superbad perfectly captures what it's like to be a teenager of the generation. The fact that the story is essentially about high school geeks trying to be cool by scoring some booze is very relateable. Of all the "high school" films in recent memory, Superbad is the one that feels the most authentic, oddly enough. Knocked Up is the other pregnancy movie from 2007. It may have been Seth Rogen's break out role, but given his work in The 40 Year Old Virgin and Superbad, it's reasonable to assume he would have had a breakout at some point with or without Knocked Up. But doesn't Knocked Up perfectly capture being an underachieving 20 something? You look at most of the Apatow-esque films that came in the wake of 2007 (Forgetting Sarah Marshall, Funny People, Bridesmaids, I Love You Man, This is 40, Zach and Miri Make a Porno, Neighbors, Sex Tape) and they all have more in common with Knocked Up. It established the whole "Rom-com with dick jokes" formula. Superbad on the other hand was mostly an entry in the usual "one crazy night" formula, it did it very well, but I feel like it was a well worn subject already in 2007 and afterwards it was the 20-30 set that dominated the R-rated comedy, not the high school set. Knocked Up feels less like the movie that inspired all of those films, and more like just another in the trend. They all blend together. Superbad actually stands out in this regard. Plus, people seem to connect with stuff that speaks to their teenage years more so than anything else. You HAVE to make room for There Will Be Blood, No Country For Old Men, Sunshine and other movies that people don't actually care about. Just because the the average joe doesn't care too much about movies like No Country for Old Men doesn't mean they aren't important. Less people may care about those films, but those few care a lot more than the average fan of say, Transformers does.
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Post by Neverending on Nov 7, 2014 13:52:49 GMT -5
Just because the the average joe doesn't care too much about movies like No Country for Old Men doesn't mean they aren't important. I fail to see how No Country For Old Men or There Will Be Blood are important. What exactly did they accomplish besides being good movies? Especially since small and independent movies no longer matter in cinema. Everyone just sees them OnDemand or on Netflix. It was only a year ago when that Coen Bros movies, whatever the heck it was called, was released and nobody cared. It didn't even get awards attention. And don't get me started on "Her." The sad truth is... Hollywood these days focus on blockbusters and all the groundbreaking stuff is happening on television. I'll take Breaking Bad over any "important" movie that has been released in the last few years.
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Dracula
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Post by Dracula on Nov 7, 2014 13:54:59 GMT -5
But doesn't Knocked Up perfectly capture being an underachieving 20 something? You look at most of the Apatow-esque films that came in the wake of 2007 (Forgetting Sarah Marshall, Funny People, Bridesmaids, I Love You Man, This is 40, Zach and Miri Make a Porno, Neighbors, Sex Tape) and they all have more in common with Knocked Up. It established the whole "Rom-com with dick jokes" formula. Superbad on the other hand was mostly an entry in the usual "one crazy night" formula, it did it very well, but I feel like it was a well worn subject already in 2007 and afterwards it was the 20-30 set that dominated the R-rated comedy, not the high school set. Knocked Up feels less like the movie that inspired all of those films, and more like just another in the trend. They all blend together. Superbad actually stands out in this regard. Plus, people seem to connect with stuff that speaks to their teenage years more so than anything else. I would argue that it did inspire them, or at least secure this as an ongoing trend and prove that The 40 Year Old Virgin wasn't just a fluke. Additionally, I feel like it says more about our times and about this brand of comedy in general than Superbad does. Teenagers have been procuring alcohol to seem cool at parties for generations, but this prolonged adolecence is a reletively recent phenomenon and that's a big reason why Knocked Up was still relevant when A.O. Scott penned that viral "The Death of Adulthood" article earlier this year. The fact that Superbad stands out more just kind of proves to me that it didn't have the same degree of influence.
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Dracula
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Post by Dracula on Nov 7, 2014 13:57:38 GMT -5
Just because the the average joe doesn't care too much about movies like No Country for Old Men doesn't mean they aren't important. I fail to see how No Country For Old Men or There Will Be Blood are important. What exactly did they accomplish besides being good movies? Especially since small and independent movies no longer matter in cinema. Everyone just sees them OnDemand or on Netflix. It was only a year ago when that Coen Bros movies, whatever the heck it was called, was released and nobody cared. It didn't even get awards attention. And don't get me started on "Her." The sad truth is... Hollywood these days focus on blockbusters and all the groundbreaking stuff is happening on television. I'll take Breaking Bad over any "important" movie that has been released in the last few years. Because movies are important for other reasons beyond earning back money on investment.
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Post by Neverending on Nov 7, 2014 13:58:25 GMT -5
Like I said... Superbad is the Porky's and American Pie for PG Cooper's generation. It matters to his people and his people alone. But since his people will be the future... I guess it'll matter to everyone eventually. But for now, yeah, I'm with Dracula. Knocked Up is more "important."
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PG Cooper
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Post by PG Cooper on Nov 7, 2014 16:55:08 GMT -5
I fail to see how No Country For Old Men or There Will Be Blood are important. Well I'm sorry to hear that.
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IanTheCool
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Post by IanTheCool on Nov 7, 2014 18:54:22 GMT -5
Okay, so bringing everything together, these seem to be the movies: There will Be Blood, No Country, 300, Sunshine, and then either Juno or 4 months and whathaveyou in the 5th spot.
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Post by IanTheCool on Nov 7, 2014 19:00:10 GMT -5
This is why we shouldn't do modern years. I see your point, but I think its an interesting exercise to try to predict the importance of films even though we are only slightly removed from them.
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Dracula
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Post by Dracula on Nov 7, 2014 19:10:38 GMT -5
Sunshine doesn't belong there. I really like that movie, but I also remember seeing it in an empty theater and I doubt many non-film buffs would recognize the name. Since then it's found a little bit of a following on video, but most discussion of it enevitabley devolves into a discussion about whether or not the ending is forgivable. Beyond that though, I don't think the influence is really there. One could maybe make an argument that it was a precursor to Gravity and Intersteller, but really I don't think it did a whole lot that other space movies hadn't already tried.
I'd replace that with 4 Months, 3 Weeks, and 2 Days and then put Knocked Up in the fifth slot (or Superbad if you must, one of the two Apatow comedies NEEDS to make it in IMO).
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IanTheCool
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Post by IanTheCool on Nov 7, 2014 19:14:54 GMT -5
I agree Sunshine is great, but I dont think its made a big footprint.
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donny
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Post by donny on Nov 7, 2014 20:56:50 GMT -5
I'm okay with Sunshine not being in there. I think No Country should be in there tho.
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Post by Neverending on Nov 7, 2014 21:38:53 GMT -5
Let's put BOTH Apatow movies in the list. I mean... are we gonna have this same argument in 1993 when TWO Spielberg movies are in consideration? Or what about 1974 when there's TWO Mel Brooks movies and TWO Coppola movies. I mean... whatever. Let's just agree on:
Juno Knocked Up No Country For Old Men There Will Be Blood Superbad
Everybody should be happy with that. Two Apatow's. A quirky comedy. And two "important" movies. Whatever. Pick another year, Ian. And make it a good one.
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Jibbs
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Post by Jibbs on Nov 7, 2014 22:12:12 GMT -5
Ugh, I'm impatient. Whatever. Let's just put these in and call it a day, geez:
Transformers National Treasures: Book of Secrets Dan in Real Life Live Free or Die Hard Next
Closure. Last post.
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IanTheCool
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Post by IanTheCool on Nov 7, 2014 23:15:43 GMT -5
Okay: There Will be Blood No Country 300 Superbad (sorry drac, this one has more support) 3 weeks 2 days 8 minutes
Are we okay with this?
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thebtskink
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Post by thebtskink on Nov 7, 2014 23:33:11 GMT -5
Yes
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