Neverending
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Post by Neverending on Jun 18, 2019 12:50:24 GMT -5
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PG Cooper
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Post by PG Cooper on Jun 18, 2019 13:22:16 GMT -5
Me: Here's a 15 minute video on silent movies. Neverending: Ugh. Why waste our time with this garbage? Also Neverending: Here's 90 minutes on X-Men comics.
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Neverending
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Post by Neverending on Jun 28, 2019 0:50:03 GMT -5
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PG Cooper
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Post by PG Cooper on Jun 29, 2019 9:17:29 GMT -5
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Post by Wyldstaar on Jun 29, 2019 11:40:27 GMT -5
Me: Here's a 15 minute video on silent movies. Neverending : Ugh. Why waste our time with this garbage? Also Neverending : Here's 90 minutes on X-Men comics. It beats spending 90 minutes at a movie theater watching Fox desperately trying to keep a dying franchise going despite their own incompetence. Now they've ruined Phoenix TWICE!
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PG Cooper
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Post by PG Cooper on Jun 29, 2019 11:43:59 GMT -5
Me: Here's a 15 minute video on silent movies. Neverending : Ugh. Why waste our time with this garbage? Also Neverending : Here's 90 minutes on X-Men comics. It beats spending 90 minutes at a movie theater watching Fox desperately trying to keep a dying franchise going despite their own incompetence. Now they've ruined Phoenix TWICE! That may well be, but did Neverending have to attack silent movies first? No. No he did not.
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Deexan
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Post by Deexan on Jun 29, 2019 13:50:31 GMT -5
Yeah but dat animated xmen title theme doh.
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PG Cooper
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Post by PG Cooper on Jun 29, 2019 13:58:48 GMT -5
Yeah but dat animated xmen title theme doh. That music does rip.
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Post by Neverending on Jun 29, 2019 14:32:30 GMT -5
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Dracula
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Post by Dracula on Jun 29, 2019 15:53:27 GMT -5
Very well made video Coop, not sure I'm entirely convinced by the argument though, at least not the cause and effect hook.
It would seem to me that the fact that those rise and fall gangster movies mainly became less prevalent because of The Godfather films' status as a towering achievements in cinema made trying to top them seemed kind of impossible and then when Scarface and OUATIA tried to take a stab at it they both ended up being critical and financial failures upon release and no one tried again, especially during the Spielbergian blockbuster ethos of the 80s.
It could also be argued that this is simply a function of gangsters of the traditional mafioso variety becoming less prevalent in American society. Violent kingpins probably still exist to some extent but they keep a lower profile or they operate south of the border. It could also be argued that the genre simply moved to television, where there's more time to show a rise and a fall. The Sopranos plays a bigger part in this all this than the video implies and Breaking Bad, Boardwalk Empire, and Narcos also come to mind.
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PG Cooper
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Post by PG Cooper on Jun 29, 2019 16:18:44 GMT -5
Very well made video Coop, not sure I'm entirely convinced by the argument though, at least not the cause and effect hook. It would seem to me that the fact that those rise and fall gangster movies mainly became less prevalent because of The Godfather films' status as a towering achievements in cinema made trying to top them seemed kind of impossible and then when Scarface and OUATIA tried to take a stab at it they both ended up being critical and financial failures upon release and no one tried again, especially during the Spielbergian blockbuster ethos of the 80s. It could also be argued that this is simply a function of gangsters of the traditional mafioso variety becoming less prevalent in American society. Violent kingpins probably still exist to some extent but they keep a lower profile or they operate south of the border. It could also be argued that the genre simply moved to television, where there's more time to show a rise and a fall. The Sopranos plays a bigger part in this all this than the video implies and Breaking Bad, Boardwalk Empire, and Narcos also come to mind. Good points. Part of why I have the comical aside near the end about OUATIA's dismal initial failure is to address the more pragmatic reasons for the decline of gangster films. Breaking Bad is interesting given, on the one hand, Walt spends a lot of the show as a bit of a bumbling dork and kind of an inept criminal in spite of his intelligence. He does eventually become the "cool" gangster ("I am the danger" and "Say my name" being memed to shit back in the day), but on closer inspection, almost everything that goes wrong for Walt in the last two seasons stem directly from him trying to be the macho alpha gangster archetype. If I recall, one of the next scenes right after his big "I am the danger" speech is Walt getting his ass beat by Mike in a bar. Basically every time he tries to be big dick on campus it backfires on him. Completely forgot about Boardwalk Empire though. The Sopranos and Goodfellas are both the toughest works to reconcile with my thesis given their massive legacy and influence, however I think the focus on a more workaday gangster distinguishes them enough.
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Dracula
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Post by Dracula on Jun 29, 2019 16:31:23 GMT -5
The Sopranos and Goodfellas are both the toughest works to reconcile with my thesis given their massive legacy and influence, however I think the focus on a more workaday gangster distinguishes them enough. I don't know, the characters in The Sopranos might not wear flashy suits all the time but I wouldn't necessarily call Tony a workaday gangster. He lives in a big mansion, he's more or less the figure in charge, and he lives by most of the usual codes of the gangster. The big difference is that he's living in the 90s rather than the 20s, and he basically inherited his position in an enterprise whose glory days might be on the way out and he also has to deal with more mundane family situations like taking his daughter on college tours. Also he rather notably doesn't (seem) to go out in a blaze of glory at the end.
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PG Cooper
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Post by PG Cooper on Jun 29, 2019 18:15:37 GMT -5
The Sopranos and Goodfellas are both the toughest works to reconcile with my thesis given their massive legacy and influence, however I think the focus on a more workaday gangster distinguishes them enough. I don't know, the characters in The Sopranos might not wear flashy suits all the time but I wouldn't necessarily call Tony a workaday gangster. He lives in a big mansion, he's more or less the figure in charge, and he lives by most of the usual codes of the gangster. The big difference is that he's living in the 90s rather than the 20s, and he basically inherited his position in an enterprise whose glory days might be on the way out and he also has to deal with more mundane family situations like taking his daughter on college tours. Also he rather notably doesn't (seem) to go out in a blaze of glory at the end. Fair enough. I'm not super well-versed in The Sopranos to be honest. My linking of it and Goodfellas was more based on interviews and readings commenting on Scorsese's influence on the show, as well as how Tony and his crew's general attitudes and behaviors seem comparable to the group dynamics in Goodfellas.
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Neverending
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Post by Neverending on Jun 29, 2019 19:13:00 GMT -5
Quite the hot take - although highly debatable since most people in North America didn’t see the full version of the movie till 2003. What killed the “classic mob movie”? The camp of Scarface, the re-focusing of Untouchables and the depiction of lower-level gangsters in Goodfellas. Plus the fact that the mafia isn’t as high-profile in society as it used to be. The culmination of all this is depicted in the long-forgotten Donnie Brasco starring Johnny Depp and Al Pacino. Your video should have centered on that. From the heights of Godfather to the audience indifference of Donnie Brasco and how more modern movies like The Departed are outliers.
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Post by PG Cooper on Jun 29, 2019 20:41:31 GMT -5
Quite the hot take - although highly debatable since most people in North America didn’t see the full version of the movie till 2003. What killed the “classic mob movie”? The camp of Scarface, the re-focusing of Untouchables and the depiction of lower-level gangsters in Goodfellas. Plus the fact that the mafia isn’t as high-profile in society as it used to be. The culmination of all this is depicted in the long-forgotten Donnie Brasco starring Johnny Depp and Al Pacino. Your video should have centered on that. From the heights of Godfather to the audience indifference of Donnie Brasco and how more modern movies like The Departed are outliers. That may well have been the focus had I started with "What happened to gangster movies?" But instead, my starting point was how OUATIA was built on traditional gangster films and yet also spat in their faces. I was really more interested in what Leone was doing with genre tropes. The larger argument about gangster movies grew from there. The film was one of the last gangster movies to really embrace that old school aesthetic yet viewed the gangster with mocking disdain. Donnie Brasco is also part of shift. It's not about the aging gangster, but the pretty boy undercover cop. There is something to be said though about that indifference you mention. Building on Drac's point about the acheivement of the Godfathers, there was something special about the New Hollywood gangster film that was lost by the time we got to lame derivatives like Blow. Anyway, you make a good point, but Once Upon a Time in America is a way more interesting movie to talk about than Donnie Brasco, so I feel I made the right call.
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Post by Deexan on Jun 29, 2019 21:10:51 GMT -5
No discussion of the mob can ever be complete without at least a passing reference to Fat Tony.
Hang ye head in shame.
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Post by PG Cooper on Jun 29, 2019 21:14:43 GMT -5
No discussion of the mob can ever be complete without at least a passing reference to Fat Tony. Hang ye head in shame. ...shit, you're right. I fucked up. I'm sorry.
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Post by Dracula on Jun 29, 2019 21:35:02 GMT -5
BTW, if you ever find yourself expanding on this idea you might want to watch New Jack City. Not a great movie, but it's sort of a combination of the "hood" movie, the Scarface rise and fall, and also that "equal focus on the cops" thing.
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Post by PG Cooper on Jun 29, 2019 21:45:31 GMT -5
BTW, if you ever find yourself expanding on this idea you might want to watch New Jack City. Not a great movie, but it's sort of a combination of the "hood" movie, the Scarface rise and fall, and also that "equal focus on the cops" thing. Noted. I may well return to this topic. Lord knows I have a lot of fucking gangster movies to pull footage from after making this.
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Neverending
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Post by Neverending on Jun 30, 2019 0:10:14 GMT -5
Once Upon a Time in America is a way more interesting movie to talk about than Donnie Brasco, so I feel I made the right call. The real Donnie Brasco was instrumental in the investigation that led to New York bringing down the Five Families and thus ending the era of the mafia as a superpower, which leads to your thesis of mafia movies losing their glamour in pop culture. You can’t really talk about one without acknowledging the other. By the 80’s people just didn’t give fuck anymore. Also, as Dracula stated, by the 80’s & 90’s the inner-city gangster became more prominent in media as that was dominating the news due to the drug wars. Movies like Scarface and New Jack City capitalized on that as well as traditional mob movies like Goodfellas and Godfather III which featured drugs as a plot point. And let’s not forget the countless action movies that pitted cops against drug dealers, which Untouchables is arguably part of. Not saying OUATIA isn’t a great topic but your video was arguing two completely things. That movie being the last old school mob movie had little bearing on the genre itself. That shift was happening regardless of whether the movie existed or not.
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Dracula
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Post by Dracula on Jun 30, 2019 1:42:02 GMT -5
Also, as Dracula stated, by the 80’s & 90’s the inner-city gangster became more prominent in media as that was dominating the news due to the drug wars. Movies like Scarface and New Jack City capitalized on that as well as traditional mob movies like Goodfellas and Godfather III which featured drugs as a plot point. And let’s not forget the countless action movies that pitted cops against drug dealers, which Untouchables is arguably part of. That brings up another good point: the gangster movies set in the roaring twenties were kinda sorta able to get away with glamorizing their criminals because they were only really rebelling against prohibition and by the thirties everyone kind of believed that prohibition was stupid. But in a gangster movie set in the modern era the gangsters would be trafficking in hard drugs, and glamorizing that just seems kind of irresponsible. The Godfather and Goodfellas both use the emergence of drugs as an organized crime product as something of a Rubicon, the crossing of which led to downfalls.
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Post by Neverending on Jun 30, 2019 4:21:13 GMT -5
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PG Cooper
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Post by PG Cooper on Jun 30, 2019 10:14:10 GMT -5
Once Upon a Time in America is a way more interesting movie to talk about than Donnie Brasco, so I feel I made the right call. I suppose they're related, though I was more interested in the increasing self-criticism of gangster morality than their literal power and influence. Good point. I think you could argue OUATIA is a part of this true, equating the prohibition era gangsters with modern drug dealers. It's hard to valorize the romanticism of the former when the latter is dominating the news landscape in terms of crime. You are right that the shift was happening even without Leone. I wasn't initially trying to argue a direct "cause and effect" narrative in a pragmatic sense and its possible that element of the video sort of got away from me. I was really more interested in Leone's thematic evisceration of the gangster archetype, and how, following Once Upon a Time in America, it's difficult to embrace the archetype so naively.
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Post by Neverending on Jun 30, 2019 16:08:28 GMT -5
I suppose they're related, though I was more interested in the increasing self-criticism of gangster morality than their literal power and influence. Good point. I think you could argue OUATIA is a part of this true, equating the prohibition era gangsters with modern drug dealers. It's hard to valorize the romanticism of the former when the latter is dominating the news landscape in terms of crime. You are right that the shift was happening even without Leone. I wasn't initially trying to argue a direct "cause and effect" narrative in a pragmatic sense and its possible that element of the video sort of got away from me. I was really more interested in Leone's thematic evisceration of the gangster archetype, and how, following Once Upon a Time in America, it's difficult to embrace the archetype so naively. By the way, you mentioned the ending, that could be your next video if you wanna whip out something quick. Some versions do end with Old Man Noodles which would support your thesis. You can talk about how that’s a superior conclusion than returning to the opium den. When I first saw the movie in the 1990’s it didn’t have the opium ending so I wasn’t exposed to the whole “it was a dream” theory till the 2003 DVD. I was fine with the Old Man Noodles ending so I don’t really disagree with you but the “it was a dream ending” is good too , I guess. Persuade me to take a side.
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Post by Neverending on Jun 30, 2019 20:11:01 GMT -5
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