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Post by Deleted on Feb 17, 2015 14:43:49 GMT -5
The Immigrant does have a lot of "fans"; I am one of them. It also has an 87% on RT.
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Neverending
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Post by Neverending on Feb 17, 2015 18:14:09 GMT -5
I can say with pride that I have not seen any film by the name Twilight in any fashion, and I will keep it that way. Oh, really. Deexan
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thebtskink
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It puts the lotion on its skin or else it gets the hose again.
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Post by thebtskink on Feb 17, 2015 22:08:03 GMT -5
Let me also tag thebtskink . I know he has seen the other Twilight. Dude name dropped The Other Sister and ya'll didn't even blink. I sure have. With Richard Russo presenting. He didn't like the final product.
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Nilade
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Post by Nilade on Feb 18, 2015 4:53:18 GMT -5
Here's where were at:
Boyhood - 4 Birdman - 2 Gone Girl - 2 Mr. Turner - 2 The Raid 2 -2 Captain America: The Winter Soldier - 1 Dawn Of The Planet Of The Apes - 1 Godzilla - 1 Guardians Of The Galaxy - 1 Inherent Vice - 1 Nymphomaniac Vol:1 - 1 Selma - 1 Snowpiercer - 1 The Babadook - 1 The Grand Budapest Hotel - 1 The Rover - 1 Top Five - 1 Whiplash - 1 Wild - 1 Winter Sleep - 1
I've been trying to stay out of this because 2014 has been the one year where I've probably seen the least amount of movies that year in the past 2 decades, and I've probably only seen half of the winners, but I am up to speed on this thread, and I'll keep my comments to what I do know based on what I have seen this year.
Best Action Movie - The Raid 2 - While Captain America had some great action sequences, and might have been an overall better finished product (to the majority), there's no denying that there was not one single weak action sequence in The Raid 2. Every sequence was choreographed to perfection with little CGI (mainly blood). This movie knew what it was and executed it, while not flawlessly, better than the rest of the films on the list.
Best Horror Movie - The Babadook - Good to see this movie get some recognition. I would agree 100%, but I still haven't seen Under The skin.
Most Under-rated - Wild - I don't know if I would call this film under-rated. The was a lot of buzz about the book, the film, and Reese Witherspoon's performance before it even became wide release, plus it's garnished two major Academy Award nominations. Maybe it didn't break any box office records, but this isn't the last we've heard of this film. Also, I would've chosen The Babadook over Oculus for being one of the nominees. You chose it as a superior horror film, and it was. The Babadook was a good concept done well, and Oculus was a great concept done bad. Plus, The Babadook didn't have half as much the marketing power in the states that Oculus had. It might not have won the most under-rated, I honestly haven't seen most of the movies on the list, but it did deserve to be on that list more than Oculus.
Just my opinions above. This thread made for a pretty good read on a late Tuesday night.
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Dracula
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Post by Dracula on Feb 18, 2015 8:11:55 GMT -5
Best Action Movie - The Raid 2 - While Captain America had some great action sequences, and might have been an overall better finished product (to the majority), there's no denying that there was not one single weak action sequence in The Raid 2. Every sequence was choreographed to perfection with little CGI (mainly blood). This movie knew what it was and executed it, while not flawlessly, better than the rest of the films on the list. Best Horror Movie - The Babadook - Good to see this movie get some recognition. I would agree 100%, but I still haven't seen Under The skin. Most Under-rated - Wild - I don't know if I would call this film under-rated. The was a lot of buzz about the book, the film, and Reese Witherspoon's performance before it even became wide release, plus it's garnished two major Academy Award nominations. Maybe it didn't break any box office records, but this isn't the last we've heard of this film. Also, I would've chosen The Babadook over Oculus for being one of the nominees. You chose it as a superior horror film, and it was. The Babadook was a good concept done well, and Oculus was a great concept done bad. Plus, The Babadook didn't have half as much the marketing power in the states that Oculus had. It might not have won the most under-rated, I honestly haven't seen most of the movies on the list, but it did deserve to be on that list more than Oculus. Just my opinions above. This thread made for a pretty good read on a late Tuesday night. My philosophy with the best action movie category was that the ultimate winner would have to both A. have a bunch of really memorable and well executed action scenes and B. have the overall film function as a solid and well paced showcase for said action sequences. The Raid 2 fulfilled "requirement A" brilliantly and won two individual scene awards because of it, but I think it failed pretty hard at "requirement B." The film was way too long and I didn't care at all about its convoluted Infernal Affairs wannabe story. Captain America I felt fulfilled both requirements better. Gareth Evans did get his due two years ago when The Raid: Redemption won the award, so that kind of made the decision easier. As for under-rated, well to be honest I'm not in love with my Wild decision either. Frankly, this has been kind of a negative year for me, there are a ton of movies I liked this year but almost everything seems to have a fanbase of people who like everything more than I do. If I had a category for most "over-rated" it would be very crowded. The Babadook is a good example, I like that movie a lot and think its the best horror movie of the year but there are a lot of people who are calling it a masterpiece and putting it on their top ten lists and I just don't like it like that in some ways I'd call it just a little bit over rated and that kind of makes it hard to put it in that category. It's also true that it never got the wide theatrical release that it probably deserved, but then neither did Winter Sleep or a number of other critical darlings that could hardly be called "under rated." Anyway, glad to see you're enjoying the thread. I should have my best documentary award up later today, then I'll delve into my top ten list tomorrow.
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Dracula
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Post by Dracula on Feb 18, 2015 20:39:24 GMT -5
Best Documentary
The documentary category, slightly more than most categories, is dependent on how many eligible documentaries I manage to get to over the course of the year. Truth be told I probably haven’t scratched the surface of the many docs that got made this year, but still, I think I did a pretty good job seeing the main contenders. I missed a couple titles like Point and Shoot, The Salt of the Earth, and Art and Craft but overall I think I had a decent grasp of the category. Citizenfour: Citizenfour is a great example of how you can make a movie that takes a clear point of view while not feeling like manipulative propaganda. It doesn’t hurt that Laura Poitras was with the Edward Snowden story pretty much from day one and was able to capture the behind the scenes moments of his story just as it was breaking. There were limits to how much she could do, but she worked around them pretty damn well. Life Itself: I know a lot about Roger Ebert. I followed his career pretty closely for the better part of fifteen years and even read his autobiography, so there really wasn’t a whole lot in this film about his life that I didn’t already know, but there was still some value in seeing it all presented on film. It’s a bit more talking head oriented than most of director Steve James’ films, but it fits in with his other chronicles of Chicago life rather nicely. Particle Fever: Science documentaries are often dry and serve only to be informative, especially when they’re about complicated theoretical physics. That isn’t the case with the Large Hadron Collider documentary Particle Fever which is extremely effective both in explaining the science at hand in an interesting but never over-simplified way and also at presenting the lives of the scientists involved in the project. The passion that these guys show for science that most people barely understand is really inspiring. Return to Homs: One of the most important resources in documentary filmmaking is “access” and this movie has a lot of it. The guy who made this was straight-up embedded with a band of Syrian rebels as they plan operations and hide from government troops. It isn’t the most even-handed of documentaries and I do question what its maker’s motivations were, but still, it’s undeniably interesting to be in the same room as these young men are thrust onto the battlefield. Virunga: When I heard that this was a film about saving a gorilla preserve in the Congo I kind of rolled my eyes and dismissed it as some kind of doe eyed tree-hugger movie. In actuality, the conflict here feels less like an environmental issue and more like a civil war with rather courageous park ranger defending this preserve from rebel soldiers. It’s also probably the most cinematic and visually interesting of these five nominees and was produced rather exquisitely. And the Golden Stake goes to…
Citizenfour
Citizenfour didn’t get the highest score from me upon initial review of all these nominees, in part because real world circumstances prevented it from really having an ending, but despite that I still think this is the documentary of the year. The film gives its audience the feeling of having a front row seat to history, and that’s kind of hard to ignore, but this isn’t just winning because it had incredible access. Poitras also creates a really captivating sense of justified paranoia and also gives almost a crazy spy movie aura. It’s a hell of an accomplishment.
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Post by Deleted on Feb 18, 2015 21:08:08 GMT -5
A little late, but nonetheless: I found Winter Sleep to be a slog. And not because it's a "slow-build", but because everything is so damn talky. Film, as a medium, isn't a play; it's a visual medium.
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Dracula
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Post by Dracula on Feb 19, 2015 8:15:32 GMT -5
Top Ten Time! 10. Selma Directed by: Ava DuVernay Written by: Paul Webb Starring: David Oyelowo, Tom Wilkinson, Carmen Ejogo, Andre Holland, Tessa Thompson, Giovanni Ribisi, Lorraine Toussaint, Wendell Pierce, Common, Keith Stanfield, Cuba Gooding, Jr., Dylan Baker, Tim Roth, and Oprah Winfrey Distributer: Paramount Country: USA Language: English Rating: PG-13 Running Time: 127 Minutes Aspect Ratio: 2.35:1 Date released: 12/25/2014 Date seen: 1/11/2015 Worldwide Box Office Gross: $46 Million # of Oscar nominations: 2 (Best Picture and Best Song) # of Golden Stake Nominations: 1 (Best Ensemble) # of Golden Stakes Won: 1 (Best Ensemble) There have seemingly been dozens of studio biopics this year, and out of all of them this is clearly one of the best. Well, that’s perhaps a bit of a misnomer given that the film and its focus on a large ensemble’s reaction to a single protest arguably isn’t an actual biopic. Just the same, the film’s mostly human depiction of Martin Luther King is a very strong and important element and David Oyelowo’s performance is fairly well grounded. The film works best as a sort of procedural/recreation of those famous events in 1965 and it highlights a number of the interesting personalities that were involved in them. Given the events in Ferguson and Long Island the film was hyper relevant this year and its take on the challenges of engaging in non-violent protests were certainly interesting. It wasn’t a perfect movie, and a couple of elements in it bugged me, but taken as a whole it’s a pretty vital piece of Hollywood filmmaking. Full Review
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IanTheCool
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Post by IanTheCool on Feb 19, 2015 9:14:19 GMT -5
I have yet to see. Probably when it comes out on video.
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Dracula
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Post by Dracula on Feb 19, 2015 9:28:07 GMT -5
9.
Wild Directed by: Jean-Marc Vallée Written by: Nick Hornby Starring: Reese Witherspoon, Laura Dern, Thomas Sadoski, Michiel Huisman, and Gaby Hoffmann Distributer: Fox Searchlight Country: USA Language: English Rating: R Running Time: 115 Minutes Aspect Ratio: 2.35:1 Date released: 12/3/2014 Date seen: 12/21/2014 Worldwide Box Office Gross: $44 million # of Oscar nominations: 2 (Best Actress and Best Supporting Actress) # of Golden Stake Nominations: 3 (Actress, Adapted Screenplay, and Under-Appreciated) # of Golden Stakes Won: 1 (Under-Appreciated) When I first heard about Wild I can’t say that I was overly excited. Movies about people doing things to “find themselves” usually just make me roll my eyes and Jean-Marc Vallée certainly indulged some of the cornier aspects of his previous film Dallas Buyers Club. Against all odds, Wild turned out to be a really effective film. The movie’s claim to importance is probably rooted in the way it depicts a character breaking through addiction, but I actually probably like it more as a real life adventure story about someone who literally went on an amazing journey filled with beautiful scenery and encounters with interesting people. I think what ultimately makes it work where other “finding yourself” movies fail is that it opts to show the importance of the journey on the character rather than tell it and never dips into self-importance like I feared it would. Full Review
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PG Cooper
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Post by PG Cooper on Feb 19, 2015 9:40:59 GMT -5
I unfortunately never got around to Wild.
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Dracula
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Post by Dracula on Feb 19, 2015 10:41:36 GMT -5
8.NymphomaniacDirected by: Lars Von Trier Written by: Lars Von Trier Starring: Charlotte Gainsbourg, Stellan Skarsgård, Stacy Martin, Shia LaBeouf, Christian Slater, Uma Thurman, Jamie Bell, Willem Dafoe, and Udo Kier Distributor: Magnolia Pictures Country: Denmark Language: English Rating: Unrated Running Time: 241 minutes Aspect Ratio: 2.35:1 Date released: 3/6/2014 Date seen: 9/1/2014 Worldwide Box Office Gross: $18.4 Million* (amount diluted by VOD release) # of Oscar nominations: 0 # of Golden Stake Nominations: 4 (Source Music, Cameo, Quote, and Supporting Actress) # of Golden Stakes Won: 1 (Cameo) Lars Von Trier is a really weird guy, he doesn’t try to hide this and much of the pleasure in watching his films is simply rooted in trying to figure out how his mind works. He’s working from his id even more than usual with Nymphomaniac, a sprawling dark comedy that is both gleefully self-indulgent and wickedly entertaining. The film has a rather large and impressive cast and is also one of the Danish auteur’s more accessible films in spite of its graphic content. Of course a lot of the film is of course wildly implausible and it certainly shouldn’t be viewed as a remotely realistic depiction of sex addiction, but as a sort of compilation of Von Treir’s many strange thoughts it’s invaluable. Capsule Review
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Dracula
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Post by Dracula on Feb 19, 2015 12:06:41 GMT -5
7.
Gone Girl Directed by: David Fincher Written by: Gillian Flynn Starring: Ben Affleck, Rosamund Pike, Carrie Coon, Tyler Perry, Kim Dickens, and Neil Patrick Harris Distributor: 20th Century Fox Country: USA Language: English Rating: R Running Time: 149 Aspect Ratio: 2.35:1 Date released: 10/3/2014 Date seen: 10/4/2014 Worldwide Box Office Gross: $368 million # of Oscar nominations: 1 (Actress) # of Golden Stake Nominations: 4 (Set-Piece, Editing, Villain, and Actress) # of Golden Stakes Won: 3 (Editing, Villain, and Actress) There were certainly better and more popular movies in 2014, but no movie this year was talked about more than David Fincher’s Gone Girl. The film inspired dozens of op-eds and think pieces and that’s pretty amazing given that the film is basically a mystery/thriller. Then again that’s in many ways one of the film’s great strengths: it works great as popular entertainment but it also brings some very provocative ideas to the table which gives it more weight than it otherwise might have, particularly in its cynical views on marriage and on the media. The film has a really strong cast and David Fincher has once again shown himself to be the master of the modern Hollywood thriller. I was hoping to see a little more of an advance in Fincher’s style and there are elements of the plot that are somewhat difficult to swallow, but the overall package here still puts most Hollywood movies to shame. Full Review
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PG Cooper
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Post by PG Cooper on Feb 19, 2015 13:16:22 GMT -5
Really good stuff so far.
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Dracula
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Post by Dracula on Feb 19, 2015 14:31:43 GMT -5
6.
Leviathan Directed by: Andrey Zvyagintsev Written by: Andrey Zvyagintsev and Oleg Negin Starring: Aleksei Serebryakov, Elena Lyadova, Vladimir Vdovichenkov, and Roman Madyanov Distributer: Sony Pictures Classics Country: Russia Language: Russian Rating: R Running Time: 141 Minutes Aspect Ratio: 2.35:1 Date released: 12/25/2014 Date seen: 1/23/2015 Worldwide Box Office Gross: $369,200 # of Oscar nominations: 1 (Foreign Language Film) # of Golden Stake Nominations: 2 (Villain and Original Screenplay) # of Golden Stakes Won: 0 As cynical as Gone Girl was, it’s got nothing on Andrey Zvyagintsev’s Leviathan, which takes a bleak view of marriage certainly but also sees nothing but pain emerge from pretty much every other facet of society as well. Told in Zvyagintsev’s signature cold but ethereal style, the film tells the somewhat Job-like tale of a man fighting back against a corrupt mayor who is trying to seize his property in order for reasons that are entirely selfish. In the typical Hollywood version of such a story this protagonist would be rewarded for his tenacity and win his case after a tearful courtroom speech, but there’s none of that here. Instead this guy receives nothing but punishment the more he fights authority and slowly sees his life fall apart. That sounds like a relentlessly unpleasant watch, but Zvyagintsev handles the material just right to make it seem interesting rather than miserable.
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PhantomKnight
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Post by PhantomKnight on Feb 19, 2015 15:40:28 GMT -5
Selma is really good, but the thing that bugged me the most about it is there were a few times where Ava DuVernay's depiction of some of the acts of violence against some of the characters felt too overdramatized to the point where I actually had to try not to laugh at the cheesy use of slow motion, for example. And that's not a reaction I should be having to those moments.
I still need to see Wild.
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Dracula
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Post by Dracula on Feb 19, 2015 15:44:59 GMT -5
5.
Ida Directed by: Paweł Pawlikowski Written by: Paweł Pawlikowski and Rebecca Lenkiewicz Starring: Agata Kulesza, Agata Trzebuchowska, and Dawid Ogrodnik Distributer: Sony Pictures Classics Country: Poland Language: Polish Rating: PG-13 Running Time: 82 Minutes Aspect Ratio: 1.33:1 Date released: 5/2/2014 Date seen: 5/31/2014 Worldwide Box Office Gross: $10.7 Million # of Oscar nominations: 2 (Cinematography and Foreign Language Film) # of Golden Stake Nominations: 3 (Musical Performance, Cinematography, and Supporting Actress) # of Golden Stakes Won: 0 Going retro can often be a cheap gimmick that doesn’t really hold up over time (see The Artist) but sometimes it really seems like just the right choice for a given movie. That was certainly the case with Paweł Pawlikowski’s Ida, which beautifully took on the look and feel of 50s and 60s European cinema. This works as well as it does in part because Pawlikowski does not merely imitate an old style but also add to it with his clever framing and beautiful contrast levels. Of course this film isn’t ranked this high merely because it has a cool look; it’s also a very interesting exploration of both identity and of the lingering effects of world tragedy. Additionally, it’s a good character study about a young woman at a crossroads who very quietly goes on an emotional and spiritual journey. Full Review
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PG Cooper
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Post by PG Cooper on Feb 19, 2015 16:20:27 GMT -5
I'm sort of shocked to see Ida pop up so high in your list.
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IanTheCool
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Post by IanTheCool on Feb 19, 2015 16:25:35 GMT -5
Nuns are hot right now.
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PhantomKnight
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Post by PhantomKnight on Feb 19, 2015 16:35:46 GMT -5
I'm sort of shocked to see Ida pop up so high in your list. It makes me even more interested to watch it for the Film Club.
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Dracula
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Post by Dracula on Feb 19, 2015 16:37:17 GMT -5
I'm sort of shocked to see Ida pop up so high in your list. It probably says more about this year than that movie...
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Dracula
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Post by Dracula on Feb 19, 2015 17:29:37 GMT -5
4.
Mr. Turner Directed by: Mike Leigh Written by: Mike Leigh Starring: Timothy Spall, Dorothy Atkinson, Marion Bailey, Paul Jesson, Lesley Manville, and Martin Savage Distributer: Focus Features Country: UK Language: English Rating: R Running Time: 150 Aspect Ratio: 2.35:1 Date released: 12/19/2014 Date seen: 12/25/2014 Worldwide Box Office Gross: $15.6 Million # of Oscar nominations: 4 (Score, Cinematography, Art Direction, Costume Designs) # of Golden Stake Nominations: 7 (Makeup, Art Direction, Cinematography, Supporting Actress, Actor, Ensemble, and Orignal Screenplay) # of Golden Stakes Won: 2 (Actor and Cinematography) I can’t say I knew who J.M.W. Turner was before Mike Leigh decided to make a film about him and having seen the film I still don’t think I really care all that much about his paintings, but I still found the film itself to be a really fascinating character study. The Turner in this film is one of the more complicated figures of the year, a person that’s so layered and interesting that he makes most film characters seem really lazily drawn by comparison. Leigh has put the same degree of work into developing the world that Turner lives in, creating rich period detail without simply throwing money at the sets. What’s more he’s populated this world with interesting historical figures for Turner to interact with over the course of the film, ultimately painting a great portrait of the creative process and the life of artists. Full Review
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PG Cooper
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Post by PG Cooper on Feb 19, 2015 17:31:39 GMT -5
One of my most glaring blind spots of 2014.
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Dracula
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Post by Dracula on Feb 19, 2015 18:36:32 GMT -5
3.
Birdman (or the Unexpected Virtue of Ignorance) Directed by: Alejandro G. Iñárritu Written by: Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr., and Armando Bo Starring: Michael Keaton, Zach Galifianakis, Edward Norton, Andrea Riseborough, Amy Ryan, Emma Stone, and Naomi Watts Distributer: Fox Searchlight Country: USA Language: English Rating: R Running Time: 119 Minutes Aspect Ratio: 1.85:1 Date released: 10/17/2014 Date seen: 10/25/2014 Worldwide Box Office Gross: $69.5 Million # of Oscar nominations: 9 (Best Picture, Best Director, Best Original Screenplay, Best Actor, Best Supporting Actor, Best Supporting Actress, Best Cinematography, Best Sound Editing, Best Sound Mixing) # of Golden Stake Nominations: 9 (Fight, Set-Piece, Score, Quote, Comedy, Actor, Ensemble, Quote, and Orignal Screenplay) # of Golden Stakes Won: 2 (Set-Piece and Quote) Birdman (or The Unexpected Virtue of Ignorance) had a number of gimmicks that it could have rested on like the single shot style or the metanarrative of casting Michael Keaton as a former superhero actor. The thing is, those so called gimmicks integrate into the film in some very smart and logical ways: the single shot illusion gives the film an interesting theatricality that blends well into its hyper sense of humor and the meta narrative gives its satirical edge a perfect compliment. Really though, these gimmicks fall by the wayside to the film’s smart writing, energetic direction, and impressive ensemble performances. That all this is coming from Alejandro G. Iñárritu, a director whose previous films were not exactly energetic romps, is all the more of a pleasant surprise. Full Review
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Post by Deleted on Feb 19, 2015 19:23:30 GMT -5
One of my most glaring blind spots of 2014. Mine as well.
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