Dracula
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Post by Dracula on Jan 26, 2015 18:55:23 GMT -5
For those who weren't here when I did this in 2007, 2008, 2009, 2010, 2011, 2012, and 2013 this is an part of a tradition of year end rituals I put together each year and I'm ready to go through with this once again. Basically what I want to do here is post one category a day for four weeks. The First week will be scene based categories (best chase etc.), The second week will be technical awards (best editing etc.), The third week will be acting awards, and the last week will be genre awards and will culminate in Best picture which will be announced in a top ten format. These awards will be entirely based on my opinions, but I don't plan to have this being an entirely self indulgent pursuit. I hope that each category will lead to discussion and that people will find themselves playing along and giving their opinions about these various categories. So, without further ado I'll give out the first of the scene based awards: Best Fight SceneI usually start my awards by looking at the top fight scenes of the year and this one will not be an exception. Between superhero films, conventional action films, and even comedies this has been a pretty great year for fight scenes, which I define as pretty much any kind of battle between a limited number of participants and which is primarily rooted in melee fighting whether that be with bare fists or bladed weapons. Firearms can be present but they shouldn’t be the main weapon of choice and fights between large armies aren’t really what this category is meant for either. Riggan vs. Shiner- Birdman or (The Unexpected Virtue of Ignorance): This was actually a pretty good year for comedic fight scenes with some interesting scenes from Neighbors and 22 Jump Street both up for consideration, but this scene from Birdman was ultimately the one I found most impactful. The scene has Riggan and Shiner getting into one of many macho pissing contests but this time it devolves into fisticuffs of a somewhat pathetic nature. Like the rest of the movie this whole scene is done in one shot and like the rest of the movie is a bravura bit of filmmaking that is heavily augmented by the actors energetic work. Captain America and Black Widow vs. The Winter Soldier (Highway Fight): There were a couple of fights in Captain America: The Winter Soldier that could have been considered here but I ultimately went with this short but impactful fight midway into the film. Though this is a superhero film, this fight is down and dirty and wouldn’t have been completely out of place in a more down to earth action film. The fighting here seems particularly fast and the combatants seem very skilled at all points, especially The Winter Soldier who wields a knife like a true pro. Godzilla vs. MUTOs- Godzilla: The Kaiju fight is something of a lost art but it seems to be making a bit of a comeback and Garath Edward’s Godzilla makes an all around better argument for its place in 21st century filmmaking than Guillermo del Toro’s Pacific Rim was ever able to. This fight between the titular lizard and a pair of large bug-like monster is not overly long but it has some very impactful moments like when Godzilla finally starts using his fire breath and of course the moment when he finally kills the second MUTO in grand fashion. Kitchen Fight- The Raid 2: The Raid 2 was an overall inferior sequel to The Raid: Redemption but when the fight scenes did start up they were most definitely up to the standards of its predecessor. Its finale is an attack on a gangster owned nightclub which culminates in a trilogy of fights against previously established hitmen, the best of them being this fight between the hero and a dude wielding a pair of curved knives in a kitchen. Though it’s set in a kitchen, and this setting is utilized, it doesn’t devolve too deeply gimmicky food related prop use and instead puts the focus on the fighters’ athleticism and the elaborate choreography. Iceman, Bishop, Colossus, Blink, Sunspot, and Warpath vs. Sentinels- X-Men: Days of Future Past: This is probably the most superhero-like fight I considered for this award even though some of the other options were technically from superhero films. By that I mean it is most defined by the way the characters powers are used. Most of the mutants here have not been seen before in the series but Brian Singer introduces each of their powers quickly before finding interesting ways for them to combine said powers in interesting ways. He’s also quickly able to establish the future Sentinels as a potent threat that would require a desperate plan like time travel in order to dispel. And the Golden Stake Goes To…The Raid 2The Raid: Redemption was a strong contender in this category when it came out two years ago, but it ultimately lost to a superhero film. I wasn’t sure about that decision then and I’m not sure about it now, but there’s no such dilemma this year because this fight from The Raid 2 is something of a masterpiece of fight staging. Iko Uwais and Cecep Arif Rahman are both fantastic martial artists of course, but the real star here is director Gareth Evans who seems to have found a way to use a frantic handheld camera style without being remotely disorienting and capturing the fight in an amazingly dynamic way.
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Neverending
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Post by Neverending on Jan 26, 2015 19:00:29 GMT -5
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PG Cooper
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Post by PG Cooper on Jan 26, 2015 19:40:23 GMT -5
Off to a good start, though I probably preferred the elevator fight from Captain America to the highway fight.
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Post by Deleted on Jan 26, 2015 20:12:09 GMT -5
That was a good fight but I thought the movie as a whole was crap. I'm also a little surprised that Snowpiercer wasn't even acknowledged...
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Post by Neverending on Jan 26, 2015 20:16:00 GMT -5
I'm also a little surprised that Snowpiercer wasn't even acknowledged. Unless Dracula does some last minute changes - which he always does - don't expect Snowpiercer to be nominated for anything. Dracula wasn't a fan of the movie and hates the "over-hype."
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Dracula
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Post by Dracula on Jan 26, 2015 20:37:40 GMT -5
That was a good fight but I thought the movie as a whole was crap. I'm also a little surprised that Snowpiercer wasn't even acknowledged... I did strongly consider the steamcar fight and even looked at it again on Netflix and compared it side by side with the Captain America fight. I ultimately decided that there was something to the choreography of that Captain America fight that just stood out to me more, some inherent coolness that couldn't be denied.
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Post by Deleted on Jan 26, 2015 20:39:19 GMT -5
Fair enough.
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IanTheCool
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Post by IanTheCool on Jan 26, 2015 21:21:04 GMT -5
Its back baby!
One thing I noticed watching Winter Soldier yesterday was how much better the fight scenes were than the first film.
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Dracula
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Post by Dracula on Jan 27, 2015 18:54:17 GMT -5
Best use of Source Music
This is an award that seeks to reward the use of a pre-existing piece of popular music within a single scene in a film. The use of classical music will be shied away from, as will scenes involving original music composed for the film. If there’s a unifying theme in this year’s nominees it was probably irony. Many of the film’s use music that’s actually kind of cheesy in order to make a clever juxtaposition or enhance a joke. In fact I only actually “like” one of these songs when it’s played outside of the context of these various scenes. “Soak Up the Sun” by Sheryl Crow- Boyhood: The music of Boyhood is all about reminding audiences of what it’s like to experience pop culture at various different ages. This particular song, which plays as the family is relocating to Huston, is a good reminder of what it was like to be stuck in the back seat of a car when your mother is in control of the radio. The song is period appropriate (and yes, it pains me that a scene set in 2002 can be called “period appropriate”) but also works because it’s the ultimate “mom” song, a piece of easy listening that seems tailor made to appeal to women of a certain age who have stopped trying too hard to be cool. It also just works really well as music to accompany a scene of a car driving in the summer. “Escape (The Piña Colada Song)" by Rupert Holmes- Guardian of the Galaxy: The music of Guardians of the Galaxy is based around one simple but usually effective notion: that playing cheesy music from the 70s over space opera scenes is really funny. There were a couple of good choices, but the one I decided to run with was this piece that played towards the end of the prison escape scene (get it, “escape”) as the main character goes out of his way to get back his Walkman, which is being listened to by a green alien guard. Something about imposing this goofy yacht rock on the galaxy makes me giggle uncontrollably. “Firework” by Katey Perry- The Interview: I hate this song. I really really really hate it… and yet this is actually the second time it’s shown up in this category (the first time being in 2012 for its use in Rust and Bone). The song actually comes up three times in the film: once when it’s revealed that Kim Jong-Un listens to it while cruising in his tank, again when Franco’s character uses this information to trip up the dictator during the titular interview, and spoiler warning one final time right as Jong-Un is about to literally become a firework. “Burning Down the House” by Talking Heads- Nymphomaniac: Nymphomaniac is both of a piece with Lars Von Trier’s last two films and also unlike them. In general it’s livelier than Antichrist and Melancholia and the music tends less towards classical pieces and more towards rock and roll and popular music. One of the more memorable comes when Talking Head’s “Burning Down the House” plays right as a Molotov cocktail ignites on a car. In particular I was fond of the way the music also played during a bit where this scene is foreshadowed before it comes up chronologically and the music really signals that it’s going to be a scene worth looking forward to. “Pretty Girl Rock” by Keri Hilson- The Rover: If you aren’t familiar with “Pretty Girl Rock” then congratulations, you’ve made better decisions in life than I have. It’s one of the most vapid bits of airheaded songwriting ever imposed on the American public and it’s pretty much the last song you’d expect to hear in a moody post-apocalyptic Australian revenge movie about a stone cold killer hell bent on retrieving his car. The song, which plays just as two badass characters are walking into the sunset in cool as fuck fashion, isn’t just there for irony’s sake. It’s quickly revealed that one of the characters is actually listening to the song on a radio and this moronic tune actually brings him to tears, not because of anything in the lyrics but because it reminds him of a bygone time when such frivolity existed. And the Golden Stake Goes To…
The Rover
This wasn’t an easy choice and I could have made valid arguments of any of the five nominees, but it was this song use that seemed to work on the most levels. The out of place irony is certainly a fun novelty, but I was also impressed at how well David Michôd was actually able to make this silly song fit this movie. His first choice of song was apparently The Pussycat Doll’s “Don’t Cha” which is every bit as vapid as the song he finally went with but wouldn’t have worked nearly as well. There’s some kind of subliminal melancholy to the way this song was produced that Michôd seems to have picked up on to make it fit. I also love the way he slowly makes the song diegetic by incorporating some Chinese DJ banter at the beginning (a touch which subtly says something about the way this world works) and then cutting to Robert Pattinson sadly singing along to the song.
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Post by Deleted on Jan 27, 2015 18:55:44 GMT -5
The Rover was a solid movie. Good choice, too. Glad that Guardians didn't win.
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PG Cooper
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Post by PG Cooper on Jan 27, 2015 19:08:19 GMT -5
I'm glad Nymphomaniac was nominated, but I might have preferred that film's use of Rammstein. Cool choices on the whole.
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Post by Ramplate on Jan 27, 2015 19:14:41 GMT -5
Man you always come up with movies I never heard of
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Post by Neverending on Jan 27, 2015 21:23:41 GMT -5
“Firework” by Katey Perry- The Interview: I hate this song. I really really really hate it. If you say so.
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Dracula
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Post by Dracula on Jan 28, 2015 7:44:42 GMT -5
Best Shootout
When action movie characters aren’t beating each other up or drving at reckless speeds they are usually shooting each other. That’s what this category is all about, scenes where people are using guns to solve their problems. Eligible scenes will feature characters engaged in combat using firearms of some variety. High body counts and creative shooting strategies are encouraged. Final Shootout- American Sniper: American Sniper ends Spoiler Warning with a sequence of Chris Kyle taking out his rival sniper from the top of a two or three story building surrounded by enemies. The sniper shot itself is an interesting shot taken at a distance but the bulk of the firefight is done with conventional assault rifle fire and grenades as they wait for a helicopter to evacuate them in the middle of a sandstorm. The key to the scene is how overwhelmed the soldiers seem from their position and the way it conveys the chaos of combat. Charging the Colony- Dawn of the Planet of the Apes: The apes in Dawn of the Planet of the Apes are generally pretty anti-gun but that changes Spoiler Warning pretty quickly once Koba takes charge and this scene is the result. In it the apes take up arms and launch an all-out attack on the human colony. The apes absolutely riddle the colony with bullets and even manage to commandeer a tank at one point. It’s a chaotic scene set at nighttime, but Matt Reeves keeps in coherent and exciting. Competent on the Beach- Edge of Tomorrow: The protagonist of Edge of Tomorrow spends most of the first quarter of the film incompetently getting himself killed and then using the power he’s obtained to revive himself an try again. Eventually he gets to the point where he knows where all his enemies will be and finds himself shooting at everything with incredible competence, a trick which earns the attention of Emily Blunt’s character, which alters the story in a big way. Second Floor Shootout- The Grand Budapest Hotel: Wes Anderson isn’t exactly known for scenes of violence but he isn’t above having his characters pull out firearms if only for the purposes of cognitive dissonance. This scene occurs during a part of the film’s climax where most of the parties are assembled on the second floor of the hotel on different sides and all start shooting at each other at once. The effect is fanciful rather than gritty and intense but it’s a fun shootout just the same. Diner Shootout- Nightcrawler: This is a very brief scene but it is impactful. In it Spoiler Warning our main character is standing outside of a restaurant with a camera knowing full well that the place is about to erupt in violence. A pair of cops walk into the building and the two hardened criminals sitting at a table eyeball them. Then another pair of cops walk in and the criminals almost immediately open fire. The scene is realistically quick and brutal and he fact that we see it all from the outside through the main characters camera makes it very unique and memorable. And the Golden Stake Goes to…
Dawn of the Planet of the ApesThe scale of this shootout is a little bit bigger than what I usually allow into this category, but something about the sentence “chimpanzee dual wielding M60s” just couldn’t be denied. On top of that, the bit where they commandeer the tank and start spinning it in order to give you the perfect view of the battlefield is one of the coolest cinematic moments of the year.
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Post by Neverending on Jan 28, 2015 14:02:37 GMT -5
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Post by Jibbs on Jan 28, 2015 19:44:58 GMT -5
Nice.
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Dracula
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Post by Dracula on Jan 28, 2015 20:20:47 GMT -5
Best Musical Performance
This is a category the focuses on scenes where characters are seen performing a song live on screen. The actual quality of the music doesn’t necessarily matter as much as how the scene plays on film and if it’s saying or doing something interesting (although quality music certainly doesn’t hurt). Honestly, it’s kind of a strange category and I often struggle to find the requisite number of nominees. That was especially true this year, where I neglected to see a lot of movies like Into the Woods and Get on Up which actually focus on the performing of music. “Naima”- Ida: Ida is a film about a nun in 1960s communist Poland who leaves the convent she was raised in to learn about her family history. During that journey she runs overhears a Polish band covering John Coltrane’s “Naima.” There’s nothing overly noteworthy about the performance, but if you listen to it though the ears of someone who’s grown up in a 1960s convent, you can see how this could be an oddly stirring thing to encounter. "Hal" - Yasmine Hamdan - Only Lovers Left Alive: Sometimes the decision to focus on a musical performance doesn’t really entirely make sense and that can be a fascination in its own right. Such was the case with this scene from Only Lovers Left Alive where the film’s two protagonists are in Lebanon and run into a performance by a local singer at a local gathering spot. It’s practically the climactic scene of the movie and Jim Jarmusch never quite spells out exactly why he’s placing such an emphasis on it. The fun is in coming up with your own interpretation. “Love Was the Last Thing on Your Mind”- They Came Together: I was not a fan of They Came Together, but this one gag mostly worked for me. It comes during a part making fun cheesy romantic comedy montages of the protagonists doing “adorable” couple things set to a mellow Norah Jones song. The film then points out how conspicuous this elevator music is by cutting to the recording studio where the various cast members are visiting Norah Jones making the track, complete with a music video tag in the corner. Viewers are then implored to download this undistinguished song off iTunes. It’s a cute scene that does a good job of poking fun at a curious genre convention. “Hate the Sport” – We Are the Best!: The Swedish coming of age film We Are the Best! is about a group of middle-school aged girls who form a punk band in spite of a complete lack of musical talent. They only bother to write one song, a half formed idea called “Hate the Sport” about how much they hate gym class. In one of the film’s last scenes they try to perform the song at a talent show and are harshly booed, but this doesn’t faze them in the slightest. It’s a bad song performed badly, but done so with attitude and without any concern with what anybody thinks, and that makes it completely in line with the ethos of punk rock. “Caravan” (Ending)- Whiplash: Whiplash is filled with music obviously, but we rarely ever see fully formed songs in their entirety, in part because the music is more often than not cutting each performance off in order to chastise the performer for some pedantic reason or another. That changes in dramatic fashion in the film’s finale, where Spoiler Warning the main character (who was just embarrassed because of trickery) defiantly sits back down at his drum set and more or less forces the band to play a Duke Ellington standard he’s learned by heart. He plays it masterfully and launches into a triumphant solo that even wins over his now-enemy professor. And the Golden Stake Goes to…
Whiplash
This isn't exactly a perfect scene within the context of the plot of Whiplash. It has a certain Purple Rain/8 Mile quality to it that feels a bit like wish fulfillment and doesn’t really feel earned. However, as a scene unto itself this is an awesome performance scene which combines both some blistering jazz and some very good work by the two actors involved to sort of convey a pair of complicated character turns without words.
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PG Cooper
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Post by PG Cooper on Jan 28, 2015 20:38:15 GMT -5
Great choice.
The music video tag gag was used in The Naked Gun as well.
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PG Cooper
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Post by PG Cooper on Jan 28, 2015 22:19:19 GMT -5
I just realized Drac didn't nominate the "Time in a Bottle" scene from X-Men for Best Use of Source Music.
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Dracula
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Post by Dracula on Jan 28, 2015 22:37:06 GMT -5
I just realized Drac didn't nominate the "Time in a Bottle" scene from X-Men for Best Use of Source Music. That song choice was a cute pun, but I think they could have come up with something better.
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Post by PG Cooper on Jan 28, 2015 22:43:29 GMT -5
I respectfully disagree.
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Post by PhantomKnight on Jan 28, 2015 22:50:13 GMT -5
It would also appear that he hasn't seen Begin Again.
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Post by Deleted on Jan 28, 2015 22:54:56 GMT -5
We are the Best! looks good.
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IanTheCool
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Post by IanTheCool on Jan 28, 2015 22:57:30 GMT -5
Its the best.
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Dracula
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Post by Dracula on Jan 28, 2015 23:10:47 GMT -5
It would also appear that he hasn't seen Begin Again. I have not
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