PG Cooper
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Post by PG Cooper on Feb 25, 2017 10:10:17 GMT -5
Neverending's condescending dig aside, I feel mostly the same about Bound for Glory. It's a good little movie but it shouldn't have been nominated for Best Picture. Hal Ashby made much better movies and from 76 The Outlaw Josey Wales and Carrie are both way more deserving of a spot.
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thebtskink
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It puts the lotion on its skin or else it gets the hose again.
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Post by thebtskink on Feb 25, 2017 10:17:20 GMT -5
Neverending's condescending dig aside, I feel mostly the same about Bound for Glory. It's a good little movie but it shouldn't have been nominated for Best Picture. Hal Ashby made much better movies and from 76 The Outlaw Josey Wales and Carrie are both way more deserving of a spot. Yeah, but what's your opinion on David Carradine murder conspiracies?
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PG Cooper
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Post by PG Cooper on Feb 25, 2017 10:25:24 GMT -5
Neverending's condescending dig aside, I feel mostly the same about Bound for Glory. It's a good little movie but it shouldn't have been nominated for Best Picture. Hal Ashby made much better movies and from 76 The Outlaw Josey Wales and Carrie are both way more deserving of a spot. Yeah, but what's your opinion on David Carradine murder conspiracies? All in. Why would a dude who no doubt got endless ass need to masturbate anyway?
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Deexan
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Post by Deexan on Feb 25, 2017 11:49:31 GMT -5
We all gots to choke the chicken from time to time.
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Neverending
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Post by Neverending on Mar 23, 2017 2:06:28 GMT -5
Woman of Straw (1964)The same year Sean Connery made Goldfinger and Marnie, he made Woman of Straw. It's a blend of both movies. Connery is well-dressed, suave and charming. It's as if he just walked off the set of Goldfinger. In fact, I'm 99.9% sure he did. There's a scene where he literally wears the white tuxedo from the pre-title scenes in Goldfinger. Seriously! Maybe I'm crazy and Jibbs and Dracula will bring me back to reality, but I wanna believe that Sean Connery stole wardrobe from Goldfinger to wear in another movie and Cubby Broccoli lost his shit when he found out. After Connery, there was a clause that actors portraying James Bond couldn't wear tuxedos in other movies. I suspect this was the origin. In addition to playing James Bond lite, Connery is also an asshole like in Marnie. There's even a scene where he slaps a woman. I get it was the 1960's but what's the deal with Connery abusing women in all these movies? He must have had a higher ratio than his peers. It makes it difficult to defend him and these movies probably wouldn't play well with today's audience. He borderline raped Pussy Galore in Goldfinger and, if I remember correctly, actually raped Marnie. And I know SnoBorderZero and PG Cooper got butt hurt about my lack of enthusiasm for The Apartment but that movie is rape-y too. It's gonna be a sad day when movies from the 70's begin to age too. Enjoy these movies while you still can, guys. Anyway, in the movie, Connery's uncle is a millionaire douchebag comically similar to Donald Trump. I actually thought Connery was playing the good guy until the movie had to play with my emotions. Connery realizes that his uncle is smitten with his nurse, played by Italian sex symbol Gina Lollobrigida, and convinces her to marry him so they could inherit his money when he dies. She finds the uncle repulsive, but hey, money is money and she is having sex with Connery on the side. Then there's a few twists and turns and the movie ends like a game of Clue. It's silly. It's a soap opera. But every time I see Connery wearing clothes he clearly stole from the James Bond wardrobe department I laughed my ass off. I recommend the movie just for that. There's also fine performances from Connery and his castmates. It's not a bad movie. It's very well made. It's very British. It's very 60's. The soundtrack is Beethoven music. It's just that the plot is basically an episode of Dynasty. This pales in comparison to Goldfinger and Marnie. It's the odd movie of the trio.
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Neverending
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Post by Neverending on Nov 8, 2017 15:56:47 GMT -5
High Road to China (1983)Tom Selleck, in his consolation price for missing out on Indiana Jones, is a WWI veteran pilot hired by an heiress to rescue her father from a war in China. It's slow in the beginning but gets really good once the plot is in motion. Selleck is fun to watch. His chemistry with the leading lady is good. Nice scenery. Great music by John Barry. Check it out.
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Neverending
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Post by Neverending on Jun 8, 2018 5:58:14 GMT -5
Steel and Lace (1990)
This is a real movie and not a Grindhouse trailer parody. It’s about a rape victim who commits suicide after her rapists are acquitted in court. Her lawyer, played by Bruce Davison, is so distraught by this that he becomes a mad scientist and turns her corpse into a cyborg. What follows is 90 minutes of bad acting and gory deaths. Two thumps up!
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Neverending
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Post by Neverending on Apr 10, 2019 5:01:41 GMT -5
Since Doomsday / SnoBorderZero / Pbar rejected my hip-hop stars in a western idea, how about this, a remake of... TWINKY (1969)It's about a 48-year-old Charles Bronson marrying a 19-year-old Susan George. In the remake you can cast Danny Trejo and Joey King. Directed by Richard Donner (yes the Richard Donner), it's a surprisingly charming and realistic portrayal of two people confusing infatuation with love. Or even if there is genuine love, that doesn't mean you have to put a ring on it. And yet, I bet if PG Cooper showed this movie to his students, they'd be outraged. They'd start a BoycottDonner hashtag and dig up old Charles Bronson interviews - whose been dead before they were even born. PG Cooper, where's my Twinky video essay.
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SnoBorderZero
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Post by SnoBorderZero on Apr 10, 2019 11:49:23 GMT -5
See Doomsday the movies Neverending digs up on here, let me tell ya.
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Neverending
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Post by Neverending on Apr 10, 2019 15:15:27 GMT -5
See Doomsday the movies Neverending digs up on here, let me tell ya. This is what Deexan and I jam to
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SnoBorderZero
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Post by SnoBorderZero on Apr 10, 2019 19:46:51 GMT -5
It's always weird seeing 1960s Bronson since he doesn't have the stache.
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Neverending
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Post by Neverending on Apr 10, 2019 22:53:46 GMT -5
It's always weird seeing 1960s Bronson since he doesn't have the stache. Yeah, he looks Native American as opposed to an old Asian man. Even weirder is watching tough guy James Caan in a period-piece comedy. HARRY AND WALTER GO TO NEW YORK (1976)According to Caan, this is the worst movie he made during his movie star era. It's trying to cash-in on the success of The Sting, but instead of capturing the cool of that film, it casts Caan and Elliot Gould as bumbly idiots. It ain't too bad. There's a charm to its turn-of-the-century setting and both actors are quite good in their roles. There's also Deexan favorite Michael Caine - my cocaine - hamming it up in a villainous role. There's also good sets and costumes and music. The fault with the movie is the screenplay. It isn't as funny or clever as it thinks it is, and it should have tightened the story. The running time is far too long for a balls-out comedy. If you add drama or romance or suspense you can justify it but otherwise the audience gets restless.
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PG Cooper
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Post by PG Cooper on Apr 11, 2019 12:51:42 GMT -5
It's always weird seeing 1960s Bronson since he doesn't have the stache. Yeah, he looks Native American as opposed to an old Asian man. Even weirder is watching tough guy James Caan in a period-piece comedy. HARRY AND WALTER GO TO NEW YORK (1976)According to Caan, this is the worst movie he made during his movie star era. It's trying to cash-in on the success of The Sting, but instead of capturing the cool of that film, it casts Caan and Elliot Gould as bumbly idiots. It ain't too bad. There's a charm to its turn-of-the-century setting and both actors are quite good in their roles. There's also Deexan favorite Michael Caine - my cocaine - hamming it up in a villainous role. There's also good sets and costumes and music. The fault with the movie is the screenplay. It isn't as funny or clever as it thinks it is, and it should have tightened the story. The running time is far too long for a balls-out comedy. If you add drama or romance or suspense you can justify it but otherwise the audience gets restless. The FortuneOof. I'd hoped a Mike Nichols film from 1975 with Warren Beatty and Jack Nicholson would be something of a gem, but it quickly became clear why no one talks about The Fortune. The film is a comedy about two guys and their schemes to marry an heiress for her fortune. Fine enough premise, but the film is just painfully unfunny. Every joke lands with a hollow thud as Beatty and Nicholson scream at each other, while Nichols seems completely baffled with how to even present the material. The cinematography by John A. Alonzo (of Chinatown fame) is pretty good, but otherwise the film is a grueling experience. I don't think I laughed once. Just a ridiculous misfire of epic proportion that's been rightfully forgotten. D-
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Neverending
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Post by Neverending on Apr 11, 2019 13:52:40 GMT -5
Yeah, he looks Native American as opposed to an old Asian man. Even weirder is watching tough guy James Caan in a period-piece comedy. HARRY AND WALTER GO TO NEW YORK (1976)According to Caan, this is the worst movie he made during his movie star era. It's trying to cash-in on the success of The Sting, but instead of capturing the cool of that film, it casts Caan and Elliot Gould as bumbly idiots. It ain't too bad. There's a charm to its turn-of-the-century setting and both actors are quite good in their roles. There's also Deexan favorite Michael Caine - my cocaine - hamming it up in a villainous role. There's also good sets and costumes and music. The fault with the movie is the screenplay. It isn't as funny or clever as it thinks it is, and it should have tightened the story. The running time is far too long for a balls-out comedy. If you add drama or romance or suspense you can justify it but otherwise the audience gets restless. The FortuneOof. I'd hoped a Mike Nichols film from 1975 with Warren Beatty and Jack Nicholson would be something of a gem, but it quickly became clear why no one talks about The Fortune. The film is a comedy about two guys and their schemes to marry an heiress for her fortune. Fine enough premise, but the film is just painfully unfunny. Every joke lands with a hollow thud as Beatty and Nicholson scream at each other, while Nichols seems completely baffled with how to even present the material. The cinematography by John A. Alonzo (of Chinatown fame) is pretty good, but otherwise the film is a grueling experience. I don't think I laughed once. Just a ridiculous misfire of epic proportion that's been rightfully forgotten. D-When’s the video essay?
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PG Cooper
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Post by PG Cooper on Apr 11, 2019 15:38:43 GMT -5
They can't all get videos.
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SnoBorderZero
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Post by SnoBorderZero on Apr 11, 2019 16:03:33 GMT -5
Coop, I think you almost out-obscured Neverending. No small feat.
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PG Cooper
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Post by PG Cooper on Apr 11, 2019 18:35:11 GMT -5
Coop, I think you almost out-obscured Neverending. No small feat. I'm pretty proud. I stumbled across the film on TV and thought "A Mike Nichols mid-70s caper with Jack Nicholson and Warren Beatty, AND shot by the cinematographer of Chinatown? How is this bad boy not a revered classic?" Because it was fucking awful turned out to be the clear and succinct answer.
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SnoBorderZero
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Post by SnoBorderZero on Apr 12, 2019 11:54:15 GMT -5
He made some odd ones. There's that Day of the Dolphin movie too which sounds completely ridiculous.
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Neverending
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Post by Neverending on Apr 19, 2019 7:47:51 GMT -5
NIGHT TRAIN TO PARIS (1964)Nielsen, Leslie Nielsen. Made prior to his glorious comedy career, the film is about a spy traveling from London to Paris on train to deliver a reel of tape containing defense information. He faces many obstacles along the way. The film is one of many that were made at the height of James Bond's popularity. It's light and breezy and fun to watch. Best of all, it stars Leslie Nielsen.
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Neverending
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Post by Neverending on Aug 7, 2019 22:36:01 GMT -5
HAMMERHEAD (1968)As far as James Bond knockoffs from the 1960’s goes, this is as middle-of-the-road as you go. It’s not quite campy. It’s not quite a spoof. It’s not quite serious. It’s just a thing that exists. They needed to get a film in theatres. They went through the motions. It got the job done.
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Post by Neverending on Aug 22, 2019 20:47:17 GMT -5
STALKING LAURA (1993)It might surprise Dracula to learn that white terrorism isn’t an invention of the Donald Trump era. Take the case of Richard Farley for example. In 1988, after 4 years of stalking and harassing his co-worker Laura Black, he’s issued a restraining order. Farley reacts by walking into a gun store, that runs no background check on him, and purchased an alarming number of weapons and ammunition. The next day he arrives at work and kills 7 people, injures Laura Black and has a stand-off with police. This might all seem mild to our Canadian brother PG Cooper in a time in which people are getting murdered at Walmart but it illustrates a bigger issue. For starters, Farley openly stalked and harassed Laura Black and no one did anything about it including their employer. They worked for a tech company in California, that had a government contract, and Laura Black was among a very small percentage of women employed. Fun fact: the owner became Secretary of State for Bill Clinton. Anyway, the company did nothing, and apparently, there were no anti-stalking laws in 1980’s California. So you have a situation in which women are treated like second-class citizens, gun laws are practically non-existent and sociopaths roam freely. This was 1988. It’s 2019. Has anything changed? This incident was turned into a CBS television movie of the week in 1993, titled I Can Make You Love Me, but now known by its European theatrical title Stalking Laura. To the amusement of SnoBorderZero, its been remastered in 4K for us all to enjoy. Brooke Shields plays Laura Black and John-Boy from The Walton’s plays Richard Farley. The movie does an admirable job of documenting the chain of events. From what I can tell, it doesn’t seem to embellish much. It’s straight forward and accurate. But it comes across as one of those HR videos you have to watch at work - but in 4K and with well-known actors. So it lacks artistic merits but it’s certainly educational and far from the worst thing I’ve watched for this thread.
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SnoBorderZero
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Post by SnoBorderZero on Aug 22, 2019 21:17:02 GMT -5
They remastered that in 4K? Other than you, who the hell is the market for that?
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Neverending
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Post by Neverending on Aug 22, 2019 22:09:51 GMT -5
They remastered that in 4K? Other than you, who the hell is the market for that? Brooke Shields is in her living room, Norma Desmond style, watching her movies in 4K.
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Post by Neverending on Sept 13, 2019 18:21:21 GMT -5
SCHOOL SPIRIT (1985)40-year-old college student Billy Batson (not to be confused with SHAZAM) is killed in a car accident while out searching for a condom. He comes back as a half-human-half-ghost, and when he isn’t peeking into the girl’s locker room, he’s romancing the new foreign girl on campus. This is a spiritual sequel to Zapped, the Scott Baio classic in which he uses his telekinetic powers to get girls naked. Both are silly “sex comedies” from the “rape culture” 1980’s. It’s a breezy watch if you aren’t easily offended. Although I was surprised by how much plot this one had. It goes from a ghost story to a Animal House knockoff - but somehow it doesn’t feel disjointed. There must have been some rookie talent behind the scenes, paying their dues before heading off to mainstream work.
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Post by Neverending on Dec 30, 2019 20:11:59 GMT -5
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