Neverending
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Post by Neverending on Aug 24, 2015 1:34:03 GMT -5
I'd rather watch an exciting and light hearted hour and a half of superhero action and adventure which culminates in a fun showdown with Doom. And I want a million dollars.
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Doomsday
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Post by Doomsday on Nov 3, 2015 2:15:55 GMT -5
I watched some of this to see if my thoughts on the film still held up. Not only do they hold up but they're worse than I remembered.
Alexander (2004)
Everything I say from here forward is not meant to be hyperbole or exaggeration. I say this with complete conviction. Among the hundreds of films that I've seen from the past 15 years this very well could be the worst. I know that there are some SyFy films or a crappy straight to DVD horror movie that's worse but I'm talking about movies that I've sat down and watched from beginning to end. I'm talking about a movie that at least made an attempt to be competently made. Alexander is a failure on every single lever. From the atrocious acting to the horrendous script and cringe-worthy dialogue throughout, the score that seemed more suited for a Final Fantasy game, the snails pace that the movie seems to go through, it's a film that really makes me try to think hard as to whether there is any redeeming quality at all. As of now I suspect there isn't. There are some terrible movies that I've seen that are legitimately horrible (A Good Day to Die Hard, Wing Commander) and some that stuck with me as being one that I hated but might be worth a revisit (The Hunted). Alexander surpasses all of them on the garbage scale. It takes itself so seriously yet at the same time there must have been some people in the crew who saw this film unfolding and wondered if they should say anything, if they should quit or perhaps even desert in the middle of the night. Anything would have been a better choice than to stick with this. I don't think my mind is going to change but as of now Oliver Stone's Alexander is the worst film I've seen from the new millennium.
F so says Doomsday
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Post by Neverending on Nov 3, 2015 10:40:35 GMT -5
I watched some of this to see if my thoughts on the film still held up. Not only do they hold up but they're worse than I remembered. Alexander (2004) Everything I say from here forward is not meant to be hyperbole or exaggeration. I say this with complete conviction. Among the hundreds of films that I've seen from the past 15 years this very well could be the worst. I know that there are some SyFy films or a crappy straight to DVD horror movie that's worse but I'm talking about movies that I've sat down and watched from beginning to end. I'm talking about a movie that at least made an attempt to be competently made. Alexander is a failure on every single lever. From the atrocious acting to the horrendous script and cringe-worthy dialogue throughout, the score that seemed more suited for a Final Fantasy game, the snails pace that the movie seems to go through, it's a film that really makes me try to think hard as to whether there is any redeeming quality at all. As of now I suspect there isn't. There are some terrible movies that I've seen that are legitimately horrible (A Good Day to Die Hard, Wing Commander) and some that stuck with me as being one that I hated but might be worth a revisit (The Hunted). Alexander surpasses all of them on the garbage scale. It takes itself so seriously yet at the same time there must have been some people in the crew who saw this film unfolding and wondered if they should say anything, if they should quit or perhaps even desert in the middle of the night. Anything would have been a better choice than to stick with this. I don't think my mind is going to change but as of now Oliver Stone's Alexander is the worst film I've seen from the new millennium. F so says Doomsday Nothing redeeming? Not even Rosario Dawson's boobs?
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Doomsday
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Post by Doomsday on Nov 3, 2015 12:00:18 GMT -5
They're just so dangly, they're like tether balls attached to her frame. They almost make me uncomfortable.
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Post by Neverending on Nov 3, 2015 12:56:44 GMT -5
They're just so dangly, they're like tether balls attached to her frame. They almost make me uncomfortable. Watch Trance and then get back to me.
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Post by Doomsday on Nov 13, 2015 13:43:06 GMT -5
Netflix Chicken is dedicated to gathering the worst, most guilty-pleasure films from around the world on various formats and screening them for Doomsday and his roommate while each drinks 40s of various cheap beers to enhance the enjoyability of the lack of quality of these films.
In my previous post in this thread I named Alexander as the worst film of the new millennium. I came to this conclusion after rewatching most of it and considering the other bad films I’ve seen in that time period. Admittedly, there are other movies on youtube or SyFy that are assuredly worse however I did factor in star power and production value as well. Just days later I have found a film that has dethroned that movie to take the top spot as the Worst Movie of the Millennium.
The Love Guru
It’s not every day that you get to watch a movie that was a career-killer for its A-list star. Mike Myers hasn’t been in the spotlight in years, only appearing on SNL every now and again and has also directed a pretty well received documentary. At the height of his power he was the star of the Austin Powers and Shrek franchises. Anybody who was a teenager and older in the year 2000 knows just how huge these movies were. You think people quote Anchorman a lot? Anchorman has nothing on the amount of people who were quoting The Spy Who Shagged Me. Mike Myers was huge, he was everywhere. Even after Goldmember wasn’t so hot he was still there, still pushing for an Austin Powers 4 and keeping that Shrek train moving right along. Then The Love Guru happened. I think The Love Guru might be compared to the scene in Indiana Jones and the Temple of Doom when Short Round takes a torch and burns a hypnotized Indy and snaps him out of his craziness. The Love Guru wasn’t just a torch; it was a flaming asteroid smashing into the collective consciousness of movie-goers. People were already starting to get fed up with the schtick with Goldmember. The Love Guru takes the Mike Myers already irritating quirks to new heights (lows).
It doesn’t take much more than the trailer to demonstrate that this movie isn’t funny. It’s not enjoyably bad or laughably bad, it’s a new kind of bad that is hard for me to comprehend. I can’t imagine any test audiences, studio executives or producers watching this movie with anything other than sheer horror on their faces. While you can blame the Hollywood machine for its creation as they take formula and stick to it, you only need blame Mike Myers for its inception. There are no real jokes in the movie, just set-ups to jokes. Several people who have since hit it big are in this for no real purpose; John Oliver, Stephen Colbert, Jim Gaffigan, and for whatever reason Justin Timberlake. Myers’ Guru Pitka, when is isn’t endlessly mugging for the camera as Myers characters do, continuously makes non-sequitur references to his wang. Farts are inserted into the most random scenes. The climax is at game 7 of the Stanley Cup Finals and for no real reason Pitka brings two elephants onto the ice to have sex. Ben Kingsley plays Pitka’s mentor, Guru Tugginmypudah (GET IT?). Oh, and Kingsley is cross-eyed because that’s funny. In one scene Myers has his assistant inspect his nose for boogers, using that time to think of several booger metaphors that might elicit cheap laughs from people who have nothing better to do than watch this movie. People like me.
I’m sure Mike Myers is a nice guy and I think he’s quite talented. Hopefully one day he can be featured in something that can showcase his true, natural abilities. From a business perspective however The Love Guru deserved to sink his career, or at least force him to hit the reset button. The Love Guru is a collection of gags that have been recycled over and over and over again. It’s Myers’ vain attempt at stroking his own ego, like the kid in class who thinks he’s the class clown but is only terminally annoying. It’s hard to imagine that a studio backed this thing, that nobody shut it down or burned the set to ashes in protest. I’m still having a hard time wrapping my head around the fact that this movie exists but in the end I chose to watch it. I now walk the earth a broken, marked man.
F- so says Doomsday
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Post by Doomsday on Jan 21, 2016 16:03:51 GMT -5
This isn't a bad movie, just one where the flaws are more and more apparent.
The Dark Knight Rises
I know I sound like a broken record. I've said time and time again that, for me, the Christopher Nolan Batman films are fun but heavily flawed and those flaws at the time of their releases were cast aside and ignored by the ultra-fans who have since moved on to other films and franchises. For me personally, the Nolan Batman movies, and for the most part all of his films, are ones where the more I watch them the more those flaws stick out. Like Chinese water-drip torture they just pound me in the face. I actually quite enjoyed The Dark Knight Rises when it first came out. I thought there were vast improvements in the fight sequences and thought that this was Christian Bale's best outing at Bruce Wayne by far. I recently popped it on while I worked out, something to keep me busy without me having to focus too much. I gotta say, it was rough.
I'll say it before and I'll say it again; Chris Nolan can't do dialogue. He can make a good shot, he just can't write a 'real' scene. One of the most cringe-worthy moments of Interstellar was at the very beginning during the parent-teacher conference. The principal says to Cooper something to the effect of 'I know you were a famous NASA pilot, and I also know that your wife is dead leaving you two children to raise on a farm....' His whole character is laid out in two sentences. Nothing is left to the audience, it's just 13 seconds of 'here ya go!' It's lazy writing at its best and Chris Nolan does it all.the.time. In Dark Knight Rises, the second scene of the movie is a party at Wayne Manor honoring Harvey Dent Day. Over the next twenty minutes we are told several times how the Dent Act has cleaned up the streets, how Gordon is essentially useless because the streets are cleaned up, how Gordon should relax because the streets are cleaned up, and how Blake is going to end up policing small-time crimes because the streets are cleaned up. In case you didn't get it, the streets are cleaned up. It's a rather interesting choice to make because the 'streets being cleaned up' don't have a major effect on the overall outcome of the movie. In fact, it kind of flies in the face of Batman Begins in the sense that Ra's al Ghul wanted to wipe out Gotham because it was a terrible city, plagued by violence and crime. Batman stopped him and by the time the third movie rolls around it is beaten into our brains that those same streets are 'cleaned up.' So why do Bane and Talia want to destroy the city? For revenge? Then why not just kill Bruce Wayne? You could argue that Bane is a terrorist because he was 'expelled' from the League of Shadows, but that doesn't explain why Talia would want to basically act the opposite of her father. Ra's wanted to destroy Gotham out of a misplaced sense of righteousness to make society better. Talia just wants to blow it up because she's evil. She didn't do it to save Gotham because by the time DKR starts it's a city that doesn't need saving anymore. It just doesn't make a whole lot of sense and that's because I think in a way Chris Nolan gave up. I'm not saying he shit the bed, I just think there was an element of 'I can put whatever I want in this script and people will still love it.'
The main factor that says to me that Nolan was lazier on this film than others is the fact that it turns into another stupid, boring 'ticking clock' movie with another stupid, boring nuclear bomb complete with military brass and politicians looking on as if I'm watching The Rock or Under Siege. Seriously? This is a Batman movie. And it takes months for this stupid, boring bomb to go off? Why? So we can watch Gotham crumble in the meantime? But we've already established that Gotham is an alright place nowadays, why make it crumble? Because Talia wants to do it? But it's entirely different from what Ra's wanted to do, it doesn't make sense. See what I'm saying? These are all little things that could have been fixed by just going over the scrip and coming to terms with the fact that you can't have everything in the movie. Instead we're peppered with a lot of erroneous and sometimes just weird scenes that easily could have been cut from the almost 3 hour movie.
Speaking of lazy, there's only one purpose for any secondary character in this movie; more exposition. The opening dinner party scene is nothing but 'streets cleaned up' and 'Bruce Wayne needs to turn on his reactor after he gets a girlfriend.' In fact, there's a intercut sequence where Selina Kyle is walking through Wayne Manor and it cuts from Alfred talking to Miranda Tate back to Selina then back to Alfred, but now he's talking to Tate and Daggett. We then cut back to Selina Kyle but when we cut back now it's Tate and Daggett, no Alfred. It's so fast, it feels like such a mangled, confusing scene and all it does is force more information on the audience. And when Alfred isn't doing that he's telling stories to Bruce so we pick up on every bit of foreshadowing and backstory without leaving anything for us to naturally figure out. And don't even get me started on Daggett explaining the Clean Slate to Selina Kyle. *shudders* Again, so many of these scenes feel so forced and weird.
What's another example of a weird scene? When Batman first appears in the movie. The cops are chasing Bane and Co. on motorcycles through a tunnel. All the lights turn off and back on for some reason to little effect and Batman takes down a bad guy. He then climbs off his Batpod and pulls out a big, futuristic looking gun. He fires it and a few sparks pop off on another baddie's motorcyle. He then lowers his gun and as he does you hear a gunshot. Batman doesn't react, he doesn't even move. He just looks at his gun and looks back at a young cop who just says 'sorry.' Batman gets back on the Batpod and rides off. At this point the bad guy he shot at about 10 seconds before is finally shown falling off his motorcycle with cops apprehending him, about 10 seconds after he shot him. So what was this scene supposed to be? Was it supposed to be funny? Some sort of screwball kind of sequence? And why wait for so many shots before showing the other bad guy being taken down? That's just more bad editing but the scene itself is just so bizarre. Why even have it? And unfortunately there are several scenes like this, ones that could have been cut because they don't contribute to the story and don't move anything in any direction at all.
And last nitpick; did they just go with every first-take of Bane? Heck, his voice even cracks at one point like a 14 year old kid ('Was getting caught part of your master plan?' 'Of coooo*crack*urse).
This entire post isn't to say that DKR is a bad movie. There's a lot that I enjoy. I think the action is heads and tails above that of the previous two movies. I actually really enjoy Christian Bale in this one. I like a lot of the stuff in the cave prison. I like how they treat Batman as a 'mythical figure' rather than a dude who just shows up when the police force is too dumb to do anything. That said, it's a movie that like other Nolan films with maybe the exception of Memento is one that really rubs me raw the more I watch it. There are some great scenes in the trilogy however I don't think any of them are movies that I'll ever sit down and watch from beginning to end ever again.
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Neverending
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Post by Neverending on Jan 21, 2016 17:48:07 GMT -5
So why do Bane and Talia want to destroy the city? If I recall correctly, weren't they targeting rich people? That was the point of attacking the stock exchange.
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Doomsday
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Post by Doomsday on Jan 21, 2016 17:59:14 GMT -5
I believe it was to sink Wayne's fortune. It was related to Selina stealing his fingerprints at the beginning. But again, a lot of that stuff didn't have a tremendous effect on the outcome of the story, it's just filler.
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Neverending
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Post by Neverending on Jan 21, 2016 18:01:59 GMT -5
I believe it was to sink Wayne's fortune. Right... but I remember rich people getting kicked out of their home and their stuff being stolen. I think that was one of the themes of the movie.
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Post by Doomsday on Jan 21, 2016 18:04:32 GMT -5
Yeah it is, they allude to it at the beginning when Selina and Bruce are dancing and she tells him that 'a storm is coming.' The rich folks are ripped from their homes though after Bane tells the people to take back Gotham after revealing the truth about Harvey Dent and freeing the Blackgate prisoners.
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Neverending
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Post by Neverending on Jan 21, 2016 18:11:16 GMT -5
Bane tells the people to take back Gotham after revealing the truth about Harvey Dent Yeah... that didn't really make sense. Harvey was Two-Face for a day. He killed... 3 people? That doesn't change the fact that he was good before the accident and the act named after him cleaned the streets. Exposing the truth shouldn't have really made people angry. Like you said, and like I said back in 2012, this script needed another rewrite and perhaps another character to be the catalyst for Bane and his goons.
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IanTheCool
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Post by IanTheCool on Jan 21, 2016 19:15:19 GMT -5
We get it! You like the old Batman!
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Post by Dracula on Jan 21, 2016 19:18:35 GMT -5
You know Dooms, there are other filmmakers you can go on crusades against...
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Post by Doomsday on Jan 21, 2016 19:32:59 GMT -5
It's not that I just decided to just type about Dark Knight Rises or Chris Nolan because I was bored, I said I watched it again recently (a couple days ago) and these are things I saw throughout. Also, I said it didn't qualify it as a bad movie. Also, this is the first time I'm really writing about DKR. Besides, it's not like this movie isn't without its detractors, people generally regard it as the weak link of the Dark Knight trilogy. I'm not typing about why Goodfellas or Citizen Kane are terrible or something just to seek attention.
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Post by Doomsday on Jan 21, 2016 19:51:58 GMT -5
You know Dooms, there are other filmmakers you can go on crusades against... Adam Carolla has a segment on his podcast called 'What Can't Adam Complain About?' People call in with all sorts of things, Skittles, winning the lottery, driving in a brand new car, and Adam looks for things to complain about. I'll throw out some heavy-hitting filmmakers who aren't Chris Nolan. Steven Spielberg-How is this guy picking his projects? What audience is he aiming at? People don't give a crap about Tintin. People aren't going to care about The BFG. Oh I know, let's make a movie on Abraham Lincoln, the least controversial historical figure ever. Gee, I wonder how that movie is going to turn out. The last time he really took a swing for the fences was Munich which was a decade ago. Since then we've had a whole lot of fluff. It doesn't look like it's changing anytime soon. Michael Mann-This poor guy has been living in the shadow of his previous crime greats for the past 8 years. When he isn't he's working on tv shows that fail because too many horses are dying. Sorry Mr. Mann, but you can't make an effective 'hacking' movie by needlessly injecting pointless shootouts with hammy and needless special effects. This is a guy who probably shouldn't get out of his comfort zone and even then, making a movie that tries to be more than it really is will give us another Miami Vice. Get back with the program. James Cameron-One of the great 80s and 90s action directors and he has spent the last 15+ years making movies (or so far, a movie) about blue people on an alien planet. Yes it's the highest-grossing film ever but really, who cares about Avatar? Look at it this way, every time there's a new announcement about Star Wars or Avengers or literally anything, the internet goes nuts. Every new Avatar detail is met with general indifference even when there's yet another 'we're pushing it a year' announcement. Unfortunately we most likely won't be getting another Aliens or Terminator 2 from this guy which is a shame and a waste. Martin Scorsese-this guy...well, I might need to get back to you on this.
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Neverending
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Post by Neverending on Jan 21, 2016 21:08:09 GMT -5
You know Dooms, there are other filmmakers you can go on crusades against... Like Terence Malick.
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Post by PG Cooper on Jan 21, 2016 21:54:44 GMT -5
You know Dooms, there are other filmmakers you can go on crusades against... Martin Scorsese-this guy...well, I might need to get back to you on this. Scorsese is still in top form.
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Post by Doomsday on Jan 21, 2016 21:58:02 GMT -5
Even trying to find something critical to say about him that's tongue in cheek is a difficult task.
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Neverending
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Post by Neverending on Jan 21, 2016 23:40:32 GMT -5
Even trying to find something critical to say about him that's tongue in cheek is a difficult task. Jack Nicholson made fun of him when he did the Jesus shot in The Departed.
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Post by Neverending on Jan 21, 2016 23:42:58 GMT -5
Martin Scorsese-this guy...well, I might need to get back to you on this. Scorsese is still in top form. If you go backwards, you can mock him for Kundun, The Age of Innocence and New York New York. You can even take some shots at Alice Doesn't Live Here Anymore.
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Post by Dracula on Jan 21, 2016 23:50:52 GMT -5
Scorsese is still in top form. If you go backwards, you can mock him for Kundun, The Age of Innocence and New York New York. You can even take some shots at Alice Doesn't Live Here Anymore. What, so the second he does something that's remotely feminine he opens himself up to ridicule?
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Post by SnoBorderZero on Jan 22, 2016 10:36:32 GMT -5
You know Dooms, there are other filmmakers you can go on crusades against... Like Terence Malick. Hey, Malick's name does not belong in a bad movie thread.
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Post by Neverending on Jan 22, 2016 11:36:34 GMT -5
Hey, Malick's name does not belong in a bad movie thread. This thread should be re-titled the Terence Malick thread.
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Post by SnoBorderZero on Jan 22, 2016 12:11:34 GMT -5
Now you've done it.
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