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Post by 1godzillafan on May 2, 2019 23:14:30 GMT -5
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Post by 1godzillafan on May 2, 2019 23:15:02 GMT -5
Attack on Titan
Season 1 - Part 1
To You, in 2000 Years: The Fall of Shiganshina Part 1 - Humanity has lived in fear of a race of man-eating giants called the Titans for over a century, and have built a series of walls to keep them out (Trump would be proud). But today the Titans have breached the outermost wall and have invaded the community.
That Day: The Fall of Shiganshina Part 2 - Eren is traumatized after witnessing his mother devoured by a Titan, as he and other survivors take refuge beyond the next wall, where they find themselves unwelcome due to scarce food supplies.
A Dim Light Amid Despair: Humanity’s Comeback Part 1 - Eren, Mikasa, and Armin join the Cadet Corps to train to fight the Titans.
The Night of the Closing Ceremony: Humanity’s Comeback Part 2 - Five years later, Eren and Mikasa graduate at the top of their class, and they and Armin choose to join the Scout Regiment to fight the Titans head-on.
The First Battle: The Struggle for Trost Part 1 - On their first night of service, the Titans return and have breached the wall again. Most of their class is grossly unprepared and are devoured, and Eren’s rage causes recklessness.
Based on a seemingly endless manga/comic series, Attack on Titan is like The Walking Dead of Japan…you know, if the zombies were fifty feet tall. As a giant monster fan, I’ve been wanting to check out the manga for a while, though there are so many volumes that it would probably take years for me to get through it. Instead I’ll settle for the anime adaptation for now, which is pretty decent. I don’t watch very many anime series (I think the only one I’ve made it through was Death Note), but I’ll probably try and finish this one. The animation is decent (though sometimes limited), and the storytelling goes back and forth between being rushed or needlessly prolonged, but I’m enjoying it. The story feels like Walking Dead (as mentioned before) meets War of the Gargantuas (HELL YES), and I’m curious as to where it goes.
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Post by 1godzillafan on May 15, 2019 0:30:11 GMT -5
Westworld
Season 2 - Part 1
Journey into Night - In the aftermath the previous seasons massacre, the hosts rebel and the guests are slaughtered. Survivors. including Bernard, Charlotte, and William, are left to fend for themselves and survive out in the park. Meanwhile, Maeve journeys into the park to find a daughter she had from a previous program, with Lee and Hector by her side.
Reunion - Delores reveals to Teddy what he really is, and recruits the Confederados as an army to her cause. William finds Lawrence again on his quest to complete Ford's new game for him.
Virtu e Fortuna - Bernard and Charlotte track down Peter Abernathy, who has been captured by Rebus and his gang of outlaws, and they construct a way of rescuing him. Even though Charlotte escapes, Bernard and Peter are confronted by Delores, who demands Peter be restored to the host programming of her father.
The Riddle of the Sphinx - Bernard is abandoned near a cave where he finds Elsie, who he had abducted on Ford's orders. Initially hostile toward him, Bernard and Elsie form an uneasy alliance as they explore a hidden bunker in the cave. Meanwhile, Laurence's hometown has been taken over by Major Craddock and the Confederados after abandoning Delores, and William helps him deal with the situation. In flashbacks, William attempts to implant his father-in-law's brain in a host's body in hopes achieve immortality.
I cancelled my Netflix, so the rest of Attack on Titan will have to wait. I'll likely resubscribe for a month when Lucifer pops up in a few weeks. Meanwhile I wanted to get caught up on Westworld, of which the first season was one of my favorite TV shows of the last few years. I had initially hoped to catch up when the series first hit 4K, but a friend of mine wanted to watch it with me...but she has kids, so I put it off forever. Now I'm leaving her in the dust. I'm saving Star Trek: Discovery for her anyway.
My main concern with Westworld has always been how they were going to sustain the longevity of the premise. I love the original movie, but I never thought "This would make a great TV show" while watching it. The first season impressed me on making it work, but the acceleration of the premise straight to the host's revolt seems like jumping the gun. It's very possible that Westworld could have lasted a few filler seasons without getting things too extreme this early on. There are so many narrative scenarios in the park itself that it's almost disappointing to not explore them. The major downside to that is that if the park is functioning properly, then there is no danger to the guests, and the tension can deflate. Season one worked in spite of that, but there was no guarantee it could be sustained.
I've also been concerned that the series would fall into the overly serialized format, in which episodes don't really stand on themselves and just sit there, waiting to end so they can get to the next, without doing anything interesting in particular in the meantime. In the episode Reunion I started to fear for Westworld a bit, because it has all of the signs of this in a nutshell. The episodes is a lot of thematic talk, as Delores monologues about how she can "see," which is a monologue she's been stating too many times so far this season. It's probably the worst episode of the series so far, because very little happens other than setting up bowling pins to be knocked down and it's so damn boring. Episodes like this are why I grow irritated at serialized television.
The next two episodes are a bit spicier, which renewed my interest in the series. This was the Westworld I loved, with the journey into the unknown and the ambiguous and interchangeable heroes and villains. I was also pleasantly surprised that Elsie was still alive, mostly because the actress is hot, but still. I had assumed Bernard killed her the previous season, because it seemed like the reasonable assumption at the time, even though there was never a body. But that makes me curious about why Ford spared Elsie and yet had Bernard kill Theresa so violently. But knowing television, I'm willing to bet that this is never mentioned and we're just supposed to accept that this is the way it happened.
Like season one, I'm intrigued and hooked. Now if you'll excuse me, I'm going to watch another episode.
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FShuttari
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Post by FShuttari on May 15, 2019 3:49:03 GMT -5
I absolutely love the first season of Westworld. But I couldn't finish second season such a disappointing season compared to first. Maybe I'll finish it one day
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thebtskink
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Post by thebtskink on May 15, 2019 7:24:45 GMT -5
Second season is ha5der to watch but a better finale.
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1godzillafan
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Post by 1godzillafan on May 23, 2019 20:28:21 GMT -5
Live in Front of a Studio Audience: Norman Lear's "All in the Family" and "The Jeffersons"
Henry's Farewell - Louise frets that George won't let Henry throw his farewell party at the Jefferson's house, causing Edith to propose that they throw it at the Bunker household, but she does so without asking Archie.
A Friend in Need - George and Louise argue over hiring a maid.
Long before Marvel had their Cinematic Universe, Norman Lear had his television universe. These shows were shepherded by All in the Family, one of the most groundbreaking sitcoms of all-time, which eventually spun off The Jeffersons, which was probably the longest running spin-off in television history until The Simpsons toppled it (yes, The Simpsons is technically a spin-off, don't @ me, bro). Other shows included breakout hits like Maude, Good Times, and Archie Bunker's Place, as well as one-season wonders called Checking In, Gloria, and 704 Hauser. To my knowledge, the only show that rivaled All in the Family in branching spin-offs was Happy Days, though The Mary Tyler Moore Show had it's fair share too.
When this live performance recreation of episodes of All in the Family and The Jeffersons was announced, I don't recall much of a reaction from myself. If anything, I remember being impressed with the cast it assembled and saying "Daaaaaaaaaaaaaaammmmmmmmmmn." All in the Family and The Jeffersons are near and dear to my heart, but recreating them didn't bother me that much. After all, All in the Family is technically a remake itself, having evolved from its British counterpart Till Death Us Do Part. Maybe I had that thought in the back of my head that went along the lines of "Why not just re-air the original episodes?" But re-enacting it might erase that "Old shows are stupid" stigma and attract new viewers who are there to see some of their favorite stars, then might get them curious about the show they're performing, creating new fans of that series.
And believe me, after twelve goddamn years of The Big Bang Theory, it's great to see something at least resembling All in the Family on television.
I probably did something I shouldn't have before watching this live performance and dug out my old DVDs of All in the Family and The Jeffersons, and rewatched the episodes that were being re-created. The All in the Family episode of "Henry's Farewell" is the sixth episode of the fourth season, and it's probably most noteworthy as the first episode featuring Sherman Hemsley as George Jefferson. It is really, really funny, though it's likely not the most biting episode of the series. But I imagine they probably wanted the Jeffersons to be the anchor between the two performances, so as far as picking an episode, it's not a bad choice. The Jeffersons episode "A Friend in Need" is the very first episode of the series, and it's a bit middling. The All in the Family episode had the advantage of picking a script from when the show was in full swing, but this one is the jumping off point for The Jeffersons, before it really formed into itself. I'm not a fan of the episode choice here, but there are a few laughs.
Since a lot of this is dated material, different things get different reactions from both audiences of either era. For example, Gloria's big feminist moment about female oppression hardly registers in the original episode, but in the re-created version the women in the audience go nuts. Meanwhile, more then-current references in the original play like gangbusters there while flying right over the remake audience's head. Sometimes it's risky, but it amazes me a bit just how relevant All in the Family and The Jefferson's political humor still hold up today. That said, there are some botched jokes, particularly in the Jeffersons segment. One of the biggest laughs in the original episode is the moment where Jenny comes out of Lionel's room wearing a blanket, presumably nude underneath, but whips it off revealing she's fully dressed. In the live version, the camera cuts away from her in the wrong moment and we completely miss the joke. But the audience doesn't laugh either, so there moment was probably botched on-set too.
As for the cast, some links are stronger than others. The big worries in re-creating these shows is the daunting task of re-creating Archie, Edith, and George. Most of the supporting roles, such as Gloria and Mike, can be played straight, but those three are large personalities that are defined by the performances of the actors that portray them. Woody Harrelson initially got me excited as the updated Archie, but unfortunately he's the weakest link. He tries to imitate Carroll O'Connor too much, and oddly enough in doing so he comes off closer to Al Bundy than Archie Bunker. That said, I absolutely adored Marisa Tomei as Edith. She doesn't make the same mistake Harrelson did and decides to do her own Edith, meanwhile echoing and honoring Jean Stapleton instead of impersonating her. Then we have Jamie Foxx as George Jefferson, who falls somewhere in the middle. I'm impressed on how much Foxx could get Sherman Hemsley's voice down pat, but when he tries to recreate Hemsley's mannerisms he begins to feel very staged. Plus, since Foxx is much taller than Hemsley, a few of the short jokes at his expense fall flat. Jamie Foxx is fun as George, but he's no Sherman Hemsley, that's for damn sure.
The supporting cast has their pros and cons. Wanda Sykes is mostly restrained as Louise, and because of that she's plays it pretty perfect for the role, however with the scripts she's given she never has a full blown Weezey vs. George moment in the entire thing, which I think she would have been great at. Anthony Anderson and Ellie Kemper both are pretty well cast as Henry and Gloria, and I have no real problems with either. Kerry Washington does okay as Helen Willis, as she has a few shining moments while in other moments it feels like she's rushing through her lines. More problematic members of the cast include Ike Barinholtz as Mike, who is very stiff and just feels like he's stating lines without playing the part. Then there is Will Farrell as Tom Willis, who just plays the role as Will Farrell. He's like an animated caricature thrown into this thing without warning and he really takes away from every scene he's in.
Two pleasant surprises of the night: The Jeffersons' maid, Florence, was played by Marla Gibbs, who played her in the original Jeffersons show. Also, the Jeffersons' theme song "Movin' On Up" is performed by Jennifer Hudson, who gives it the gusto it deserves.
One last minor note, it was surprising to hear the "N-word" used freely in the episode of The Jeffersons in its original broadcast version, even though it's bleeped in the live performance. I'm glad it wasn't shied away from completely, though it's interesting to note just how daring these shows were that aspects of them, no matter the relevant context, would be censored today.
I thought it was a fun experiment. Does it replace the original shows? Absolutely not. There is no doubt in my mind the original presentations are the better versions of this material. But I hope it got enough people curious about those original versions as well. Maybe they'd consider doing recreations of other shows as well, which I wouldn't be against, though it's hard to top powerhouses like All in the Family and The Jeffersons.
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1godzillafan
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Post by 1godzillafan on May 26, 2019 11:52:36 GMT -5
All in the Family
Original Pilots and Season 1 - Part 1
Justice For All - It's Archie and Edith's wedding anniversary (here, they have the last name of Justice instead of Bunker), and their daughter Gloria (played by Kelly Jean Peters) and her husband Richard (played by Tim McIntire) throw them a party. But their get-together becomes heated once Archie and Richard debate Archie's conservative political views and bigoted racial outlook.
Those Were the Days - This second pilot uses the exact same script, with different actors for Gloria (Candy Azzara) and Richard (Chip Oliver).
Meet the Bunkers - The premiere episode of the series uses the same script once again, except Archie and Edith are now the Bunkers and Richard has been renamed to Mike. Mike is now played by Rob Reiner and Gloria is now Sally Struthers.
Writing the President - Archie and Mike argue about a letter Mike wrote to President Richard Nixon about his concerns for the country. Archie retaliates by writing his own letter to the President complimenting him.
Oh, My Aching Back - Archie hurts his back after getting into an accident with his cab. He then tries to get a payout in a lawsuit, but insists on a Jewish lawyer.
Well, I just had to watch All in the Family after that Live show and going through the trouble of digging out my box sets of two of the greatest shows of all time (eventually I'll get Shout Factory's complete set of Maude to compliment them). This was just science. Westworld can wait.
Plus it's been a rough week and I just needed to laugh.
Apparently CBS had timidness about putting the pilot script into a series, and probably rightfully so. Shows about political clash is an easy way to spark outrage, especially in a left-leaning show made during Richard Nixon's America. But in the end, I'm thankful they filmed the pilot three times, because they just couldn't nail the actors playing Gloria and Richard/Mike. While Tim McIntire, who played Richard in the original pilot, wasn't terrible, there just wasn't any chemistry being displayed by the actors. Then Rob Reiner and Sally Struthers came along and the show just clicked into place (I also think recasting Lionel with Mike Evans was a positive). Caroll O'Conner and Jean Stapleton were the the constants between all three pilot episodes, because it was clear they were the two things about the whole ordeal that were going above and beyond. The pilot episodes are funny because O'Conner and Stapleton are funny. But there are certain interactions between the characters that don't work until they're playing off of Reiner and Struthers. These four are a dream team.
Like most first seasons, there are some growing pains, but All in the Family is hilarious, even in these early days. The characters are all fully formed from frame one and it's just comforting that the actors all know exactly who they're playing. The characterizations don't change much over the course of the series, though Archie does tend to get softer by the time Archie Bunker's Place rolls around. Seeing such assurance straight from the inception just confirms that All in the Family is an all-time classic.
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Post by 1godzillafan on May 27, 2019 22:19:06 GMT -5
The Jeffersons
Season 1 - Part 1
A Friend in Need - George and Louise argue over hiring a maid.
Louise Feels Useless - Louise feels as if she has nothing to do with her spare time, so she decides to take a job, unknowingly for George's rival dry cleaning company.
George's Family Tree - George becomes insufferable after he learns that his lineage is from an African king. Louise and Lionel try to deflate his ego by discovering more to his history.
Lionel, the Playboy - Lionel begins a carefree, partying lifestyle and considers dropping out of school. After arguing about his future, Louise hits Lionel, causing him to disappear from home entirely.
Mr. Piano Man - George intends to use a tenant protest meeting to rub elbows with a rich and powerful banker that lives in the building, and has bought a piano to for the apartment to help impress his neighbors. But the piano tends to be more trouble than it is worth.
Of course I switched up to The Jeffersons. How could I not?
When I was a kid I liked The Jeffersons more than All in the Family, mostly because the politics of the latter flew over my head (The Jeffersons could get political, but not quite as often) and that show was much more aggressive in its presentation, causing a slight sense of uneasiness in watching it. I grew more appreciative of it as I matured, but The Jeffersons is one that I loved from the start and used to watch all the time. If it were a Nick at Nite marathon of The Jeffersons, this guy was staying up late. As an adult, I'm probably going to lean more toward All in the Family, because it's humor is funnier once you're more emotionally invested in what each episode is about.
The Jeffersons was important in its own right. Norman Lear recalled the series was mostly a reaction to the success of Good Times and a certain criticism of the show which asked why there were no upper class shows with black families. I don't want to speak about a history of African American success stories and/or hardship, because that's beyond my knowledge, but almost all black related media at the time was middle to lower class. But I think we should all be thankful that we left the days of Amos 'n' Andy behind. The Jeffersons was an African American success story, where that theme song of "Movin' On Up" was more than a catchy beat talking about working for your fair share, but also symbolic that society was getting to a point where this minority group could potentially be in a setting like this, even if the race-pushback from "the man" was very real.
That said, these early episode of The Jeffersons just aren't as funny as those early episode of All in the Family. The Jeffersons in general is an "Oh, what kind of craziness is that wacky George Jefferson going to get into this time!" type of show, while All in the Family centered a bit more on character conflict. Probably the best episode of this bunch is Lionel, the Playboy, which is a character conflict episode about Lionel considering dropping out of school, and the aftershock of him relating this to his parents. In general, it seems the writing is a little sharper in this episode, and the jokes land more often, but the character drama helps it win out in the end.
But The Jeffersons lasted eleven seasons, two more than All in the Family did (though All in the Family wins out if you consider Archie Bunker's Place an All in the Family continuation), so there are plenty of episodes to go. The Jeffersons struck a chord, and it's a wonderful series that I look forward to revisiting.
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1godzillafan
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Post by 1godzillafan on Jun 25, 2019 0:35:15 GMT -5
Power Rangers: HyperforcePart 1 Welcome to Time Force Academy - A Power Rangers series told entirely via tabletop RPG, Jen Scotts, the Time Force Pink Ranger (Erin Cahill, reprising her role), lectures cadets training to become Time Force officers in the year 3016. Meanwhile, a new enemy called the Alliance attacks the school and has infiltrated the Time Force itself. It's Morphin Time! - Freshly bestowed the Hyperforce Ranger powers by Jen, cadets Marv, Vesper, Eddie, and Chloe, veteran Time Force officer Jack, and android Alpha 55 travel to 1994 Angel Grove in pursuit of the stolen time vehicle. They first arrive on Halloween night, and explore this strange time on this strange evening. The Alliance then attacks them with a monster made out of candy corn. Whatever Happened to Scorpina? - After their last encounter leaves Jack near death, the Rangers decide to train to gain more experience with their powers. Later, the Rangers begin to suspect the Alliance may be interested in recruiting former minion of Rita Repulsa, Scorpina. They then seek out Scorpina at the Angel Grove library, where they encounter not only her, but monsters made out of library books. Aisha Campbell Returns! - Zordon agrees to help the Hyperforce Rangers by sending them a member of his Ranger team, Aisha Campbell, the second Mighty Morphin Yellow Ranger. (Karen Ashley, reprising her role). Together they seek out Rita Repulsa's former monster maker Finster, who they fear is also being recruited by the Alliance. They track Finster to Italy, where they try to persuade him against joining the Alliance. Yes, this is a thing that exists. You're welcome for bringing it to your attention, by the way. It's like the powers that be decided Power Rangers wasn't nerdy enough, so they decided to rectify that immediately by turning it into an RPG series on Twitch. I won't lie, I'm a bit of a Toku nerd. Growing up Godzilla, there is no way I wasn't going to be one, and of course I loved Power Rangers when it first debuted. I grew away from the franchise as I grew older, but after the show was "cancelled" after season 17 (RPM) I started getting "into" it again. Not the same way I was into it as a kid, but I started seeing it for what it was, and I found that camp appeal infused with that Toku footage a bit charming as an adult. And to be honest, I find the franchise fascinating. It's a franchise that was built around the footage of a different franchise from another country (Super Sentai, which I treasure) and turned into something that's both exactly the same and completely different at the same time. The result is this bizarrely stupid Frankenstein monster of a TV show that somehow lumbered to nearly 30 seasons, and is constantly reinventing itself each year. As a result to that latter aspect, different kids of different generations have their Rangers, and grow into their fondness for the series based on that. And throughout these years, the people who have been involved with this franchise, who probably should have been embarrassed by it, actually embraced it and support the affection for this series. Granted, this last point is likely because those actors and actresses likely haven't gone on to much in their acting career since then (the most successful Rangers to actor transition at this point is probably Rose McIver, who currently stars on iZombie on the CW), so it's likely they're just playing up what little fame they have. But whatever the case may be, I could watch this nutty stuff all day. Hell, at some point in the future I might just fill this thing out with a bunch of Super Sentai and Power Ranger seasons just because I can and you're not stopping me. In the meantime I gave this thing a peek. I think Hyperforce first came to my attention because I watch Andre Meadow's content on YouTube and he did a video on how he got cast as the Blue Ranger a while back. Knowing he was a Ranger fan, I felt happy for him, though I didn't really know what this "Hyperforce" thing was. It turned out it was a tabletop RPG that he played with a group of other "Rangers," and they made their way through an original Power Rangers storyline. I've never played RPGs so I never looked too deeply into it. Until this week, that is. Here's the thing, to unwind when I'm stressed I watch gaming content on YouTube because it's low demanding and eases my tensions, with go-tos usually being Cinemassacre or Mr. Sunday's Caravan of Garbage. Having watched a lot of that content, I thought of venturing into uncharted waters and I remembered this RPG thing existed and thought I'd check it out and see if it was anything interesting. It did serve that unwinding purpose, but it's an uneven venture, to be honest. I looked at the length of the episodes and balked at that two-and-a-half hour runtime for each, and was tempted to go NOPE and just back out of there. But I decided to just dip my toe in just to see what was in store. The thing I noticed about RPGs based off of this is that they seem more fun to play than they are to watch. Twenty minutes of a Power Rangers episode is a breeze for me, but having the same amount of story stretched to nearly three hours of endless description and dice rolling can be a bit cumbersome. The Game Master of the series, a lady by the name of Malika Lim, is adorable, but I sometimes yearned for her to be more engaging. When telling this story she uses a lot of words like "like" and "totally" while spacing her words when describing something because it feels like she's not sure what she's describing. At times it feels like the genesis of this project was her saying to her co-workers "Hey, I want to turn my Power Rangers fan fiction into an RPG and do a live reading of it! What do you think?" Because she's cute they say yes, but you can just feel them biting their tongues every time she does her Alpha impression and thinking to themselves "Why TF did we agree to this?" If there is going to be one saving grace of viewing an RPG like this, it would be the charisma of the players. I was already familiar with Andre, who plays Eddie, the Blue Ranger, but I wasn't sure who else was playing. My first glimpse showed a conventionally good looking dude, two hot chicks, and a large guy who was obviously much older than them. When the older gentleman started speaking I started to feel a familiarity with him, and soon I realized it was Paul Schrier, who is the longest serving actor on the Power Rangers franchise, having played the comic relief character of Bulk over nine seasons of the series (Mighty Morphin through Lost Galaxy, as well as both seasons of Samurai). I was happy that he actually got a chance to play a Ranger, though it's slightly funny that his character is much more stoic than his Bulk character, which I'm still trying to get used to. I wasn't familiar with the other three, though Peter Sudarso, who plays Marv the Red Ranger, apparently played the Blue Ranger on Ninja Steel (which I haven't seen). The ladies of the group are Cristina Vee, who is a voice actress, and Meghan Camarena, who is a YouTuber like Andre. But regardless of how familiar I am with these people, which I am not, they're very fun together, and I kept watching because they started playing off each other in a very entertaining way. Cristina, who plays Vesper the Black Ranger, is the most fun, as some of the most laugh out loud moments of the four episodes came from her. I don't care if you hate Power Rangers or RPGs, her description of trying to castrate a candy corn monster in episode two (and trying to keep it as PG as possible) is fall on the ground hysterical. And I rewound her great line in episode four of "If you don't make sure everybody is safe, I will make sure that you are not safe" over again because I was laughing so hard. Andre and Meghan are very enjoyable as well, as they play up some adorkable akwardness with their characters. Andre attempts to fight candy with pineapple smoothies and screams out "THE JUICE IS LOOSE," which reminded me of how charming I find his content. Meghan also has a fondness for raining fire from rainbows in episode three, which got a huge laugh from me. Paul and Peter lag a bit behind for me, since they're more straightfoward with their gameplay and they're less creative (they usually fall back on rushing attacks). Like an actual RPG, you have to let your imagination do the work, though since I'm not too familiar with the format, sometimes I find myself a little lost. Ultimately, all of this feels like people reading a Power Rangers script and improvising the dialogue (which sometimes pays off and sometimes doesn't). But it's hard to get too wrapped up in the gameplay because it feels like they're more interested in building a narrative than actually playing a game. It never feels like any of the players are going to lose their character because it feels like the story the Game Master wants to tell requires them all to survive each round. That takes a little bit of the wind out of it for me. I don't know where Hyperforce came from, though I think it's considered "official" Power Rangers because it seems to be in association with Saban Brands (which since the filming of this has sold Power Rangers to Hasbro). I suspect this might have been an advertisement for Ranger-themed RPG products, though I could be wrong about that. But whether this is "cannon" or not, it's hard to argue with it since have gone out of their way to create an official theme intro and morph sequence for the series. And they are both the most gloriously dorky thing I've ever seen. At any rate, I need a break. I'll probably watch some more of this during the week while I'm at lunch, but I've gotten through ten hours of this already and I'm a little exhausted with it. I need to get back to Westworld and get caught up with SHIELD, so one of those might be next. Or I could watch a lot of Power Rangers. Don't put it past me to just pop that crap in and spend weeks posting it. You think I'm joking, but I'm not.
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1godzillafan
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Post by 1godzillafan on Jun 26, 2019 21:03:27 GMT -5
Power Rangers: HyperforcePart 2 We Need Megazord Power! - As the Rangers rush to fix their ship, they find themselves contending with distractions by this period's big bad Lord Zedd, who sends Putties and a samurai monster to destroy them. The Rangers soon find themselves outgunned and must rely on a new group of Zords from the future to help win the battle. Vesper's Betrayal - The Hyperforce Rangers find themselves trapped in a parallel dimension where the Venjix computer virus has shut down Alpha and the ship, as well as corrupted most of the technology on this world. The Rangers then join a caravan trekking to the city of Corinth, and they decide to help the people in hopes of finding a way to get back into the time stream. But when enemy machines attack and kidnap most of the group, the Rangers help rescue them. But one Ranger's secret could prove fatal in this dimension. It's Boom Time - Marv, Eddie, Jack, and Chloe are taken prisoner by the machines, while the newly discovered android Vesper has her system corrupted and joins the machines as a general. The remaining Rangers are enslaved and imprisoned with Gem, the Gold RPM Ranger (Mike Ginn, reprising his role), who concocts a scheme to break out of prison and help the Rangers return their teammate back to normal. Okay, fine, I lied. I said I was going to take a break, but I found myself watching more. So sue me. I was actually watching episode five while I did the last Hyperforce write-up, and this coincided with my days off. Personal plans fell through and I decided to work on stuff at home, and I wound up watching the next two episodes while that was happening. The deeper Hyperforce goes and the more in sync with the game the players become, the more enjoyable it is. I'd say for the most part this group of episodes is more fun than the first group I watched, but the RPG story started spicing itself up too, so that might have had something to do with it. Overall I was more eager for this group to jump through the hurdles of the storyline now that certain aspects, such as powers and zords, have all been established and now they're venturing deeper into the scenarios the Game Master has concocted for them. Probably the last hour of episode six is probably the highlight of the entire series so far, because the Vesper plot twist sweeps in and takes all the players by surprise. Cristina "Vesper" Vee in villain mode is pretty delicious, as she embraces it and is brutal with her attacks on her teammates, as she drains all of their power attacks and uses them against them all in pretty much a single turn (she brings Andre AKA Eddie the Blue Ranger, down to 4 HP by the time she is done with him). The reactions by the other players on this turn of events really makes this episode, because you can tell they had no idea this was going to happen, and they rush to figure out what they could do next. Meghan AKA Chloe the Pink Ranger is the MVP of reactionary moments, and I always found my eyes drawn to her because she was the most animated. The highlight: When Andre/Eddie presents a gift that Cristina/Vesper gave to him a few episodes back to remind her of their friendship, and on Cristina's turn she rolls to destroy it, which prompts Meghan to give the biggest gasp I've heard her give yet, that pretty much screams "DON'T YOU DARE, YOU HEARTLESS BITCH!" The fact that the players are into this game to that much at this point adds a lot to it. The seventh episode doesn't quite live up as a follow-up to that sequence, which plays fairly straightforward by comparison, making me wonder if that was the height of the panicky gameplay I'll see in this series of games. RPM is one of the Ranger seasons I haven't seen, so I don't have much context for the setting, and Mike Ginn is a fun guest, but I have no real attachment to his Ranger character. The highlight of this episode is a point where (I think they confirmed someone hacked in and did this deliberately) a system error gave Mike over 12 million energy points, which he tries to spend before they can fix the error, as our gracious Game Master allows it. He and Meghan have a lot of fun rescuing their morphers with it. There is also a fun distraction roll early on where Marv vomits on Vesper, and the interplay between Peter and Cristina is fabulous. Okay, fine. I'm a little addicted to this dumb thing. I have to see what wacky things happen next. On to the next episode.
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Post by 1godzillafan on Jun 29, 2019 21:42:09 GMT -5
Power Rangers: HyperforcePart 3 Holiday Special Featuring Santa! - Marv, Eddie, Vesper, and Chloe are flung through time to the North Pole in 1985, where they have to help Santa contend with the Krampus for the fate of Christmas. Dr. Tommy Oliver Returns! - The Hyperforce Rangers travel to the year 2005 where they team up with legendary Power Ranger Tommy Oliver, currently the Black Dino Thunder Ranger (Jason David Frank, reprising his role), in hopes to prevent the Alliance from recruiting the help of supervillain Mesagog. But the Alliance has unleashed a monster that releases a pollen that causes people to become angry. Family - The Rangers capture Scorpina in 2005 and take her aboard their ship, where she escapes custody. The Rangers search every nook and cranny for the supervillain, but they each soon become haunted by important figures from both their past and their present. During these three episodes I found myself flashing back to high school drama class, specifically the best and worst of amateurish performances I had seen back in the day. The holiday episode is very top heavy dramatics, as it tries to re-enforce character relationships and have the players improvise dramatic scenes together. While I like both, poor Peter and Andre are both really, really bad at this. They're very clumsy, rush it a bit, and they look uncomfortable doing it. Cristina and Meghan, on the other hand, are very good, as they look a little invested in what they have to say and then they bounce off of each other's dialogue in fun ways.. I find myself convinced that Cristina has done some improv training, or is at the very least is familiar with the rules of improv. There is a point just before Meghan cuts her off and transitions into the main dramatic point of the scene that I'm sure they've been asked to perform where Cristina plants a topic seed, as she ponders whether she is immortal since she's an android, which I'm sure she was hoping would bloom into a humorous conversation. Meghan may also be familiar with the rules of improv, or it's just her personality, because she knows how to take an idea that Cristina presents and run with it, while Cristina helps her snowball it until it becomes both absurd and hilarious. Meghan can run with her own ideas too, but on this show her ideas usually involve burritos, unicorns, and rainbows, while Cristina seems to have a wider selection of topics to offer her, ensuring that Meghan's hyper energy is utilized to its maximum potential. Watching these two interact with each other is one of the biggest joys of watching this show. I'd also say that if Cristina and Meghan had some sort of podcast where they just spitball about whatever, I'd listen to every single episode. While I'm on the topic of Meghan, one thing I did not expect from her was that dramatic tragic past monologue in episode ten. Goddamn. Floating back to high school drama again, I can tell you I've seen my fair share of really garbage monologues in my day, so I can safely say that Meghan kills it. If she is just a YouTuber like my limited research suggests, she needs to be on a stage, because she has some talent. And it may be a low bar to stumble over, but that's probably the best acted scene in the history of Power Rangers, and I don't care that it came from a non-actor playing a tabletop RPG. Jesus Christ, I feel dirty talking about acting when I talk about this thing. But there you go. Anyway, this batch of episodes are a bit uneven. The holiday special just kind of lumbers most of the time, as for an hour it's an improv drama, as I mentioned before, and a fairly dull one when Cristina and Meghan aren't working their magic. Paul isn't present, which the YouTube comment section is due to surgery the day before filming. The Santa storyline has some fun elements, and game master Malika is pretty good at playing an elf. Santa sits in Paul's seat to help fight off the Krampus, which also has its moments, but the whole episode just feels flimsy and long. Probably the one Power Ranger fans were looking forward to was the addition of Jason David Frank to the game in episode nine, though if I'm being honest, he just drains joy from the room. He looks like he has no idea what he's doing there or what they want him to do, glancing around and thinking to himself "I'm stuck in a room rolling dice with a bunch of fucking nerds." To be fair, episodes with a guest star have usually been the ones that I've responded to the least, but Jason is the weakest by far. Karen Ashley and Mike Ginn at least looked excited to be there, and Erin Cahill at least faked enthusiasm for something I have doubts she was interested in. Jason David Frank just looks like he wants to shoot himself. To the credit of the players, they seem to read the room and try to make his experience there as wacky as possible, as everyone dials their character quirks up to eleven (especially Cristina), and to Jason's credit he does seem to loosen up as they get more aloof, but when they just try to move the story along, he just drops like a stone. He tries to do his expository dialogue, but doesn't seem to understand nor care what any of it means. I also have a feeling that he doesn't remember a lot of the crap he did on Power Rangers, especially not Dino Thunder (hell, I even forget Dino Thunder most of the time). He also calls himself "doctor" a lot, even when asked what he does. I'm curious if he remembers what kind of doctor he is. Granted, it's been a while since I've watched an episode of Dino Thunder, but I'm pretty sure Tommy specialized in Paleontology. I'm not sure if I've ever met a Paleontologist who answers the question of "What do you do?" with "I'm a doctor." The tenth episode starts out with a really strong first half, as the camaraderie of the players is on fire during this one, as their riffs average pretty solid and they're constantly cracking each other up. Highlighting this is a moment where Cristina's Vesper character approaches Alpha 55 over his constant use of "aye-yi-yi!" and asks "Are you a Spanish..." then trails off, which is clearly a humorous tangent that she accidentally derailed because she didn't figure out the proper wording before she tried to execute it, but both the intent and the botching of it brings down the house, especially Paul, who is laughing so hard he's in tears. Cristina provides a minor save at the end, when the character of Marv disappears, and as everyone asks Alpha "Where's Marv?" she has Vesper ask "¿Dónde está Marvin?" Malika Lim is a trooper, because she plays along and responds to that question in Spanish. I also like the semi-haunted house storyline in this episode too. It's really solid stuff until about two thirds of the way in. Unfortunately the final fight with Primatar is drawn out and weakens the entire experience. It becomes clear early on that this is a fight that the game master won't let them win, and they just chip away for way too long before Malika decides it's time to pack it in and set up a cliffhanger that comes out of left field. This episode was pretty close to being an episode I'd recommend to other people and say "No, watch this, it's really fun" but then it becomes a drag. And as it ended with a thud, I feel almost as drained as I did when I finished the Jason David Frank episode. But if I have to keep going for one thing, it's to see more Cristina and Meghan interaction. I just gotta have it[/a].
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Post by 1godzillafan on Jul 2, 2019 0:23:49 GMT -5
Power Rangers: HyperforcePart 4 A Ranger in King Arthur's Court - After Marv is kidnapped by the Alliance, Eddie, Vesper, Chloe, Jack, and Alpha find themselves trapped in the sixth century where they serve Lady Guinevere (guest player Allie Gonino) in a quest to save King Arthur from a dragon, as the Knights of the Round Table reveal themselves to be ancient Power Rangers. Save Marv - Marv discovers that his brother Joe is a Silver Time Force Ranger (guest player, and real life brother of Peter, Yoshi Sudarso, formerly the Dino Charge Blue Ranger), who infiltrates the Alliance ship to help free him. Meanwhile, the remaining Rangers race to rescue Marv and battle Primator once more. What Happened to Rita Repulsa? - While Vesper is "napping," Marv, Eddie, Chloe, and Jack respond to an anomaly in 2005, which turns out to be a portal sent by a powerful sorceress Mystic Mother, who evolved from the legendary villain Rita Repulsa. A while back I pondered the "origins" of this project and how it came to be. Recently this YouTube video popped up on my YouTube feed, and I found myself wondering why I should care about this woman's vlog account. But I noticed it featured some sort of interview with Peter Sudarso about Hyperforce, which means it probably appeared because I was watching Hyperforce on YouTube, so I checked it out because outside of Andre I hadn't heard anybody speak out about the project. This lady appears to be Peter's girlfriend or wife, and they casually talk about it while cuddling on the couch. It turns out Peter is an RPG gamer and helped develop the idea, including drawing out the Ranger designs. He also got Andre, Cristina, and Meghan involved, who are friends of his, while Paul was Saban's pull, because he's an RPG gamer himself. It takes some wading through about five minutes of talking about new accessories and shopping, but some of it is worth a listen. But sorry Peter, I don't think I'll be subscribing to your girlfriend's content. She seems nice though. Anyway, the commonality between these episodes are a few disappearing players. Peter is gone from episode eleven, due to story reasons, while Cristina disappears entirely from episode thirteen, and there wasn't a reason given in the comment section that I'm aware of. Considering how awkwardly she's dumped from the story, I would assume this wasn't supposed to be the case. It's a bit of a bummer, because that's the most "action lite" of the series so far (the only real Ranger scene is a flaming building which was shoehorned in) and it goes in a very character driven direction. Cristina usually helps drive the small character moments into something stronger than they should be, and her Vesper character is the most interesting of the group by a good margin. If they were going to do an episode like this, I would have preferred her to be present, though the episode itself comes off pretty well. The remaining players do step up in her absence and I enjoyed it more than I initially thought I would have. I especially liked that it shined more of a spotlight on Paul's Jack character, as Paul hasn't really done anything of importance on this show yet, though his charm has come through at several points. The King Arthur episode is kind of one of those things that make you go "Really?" when you read the title, but in execution I think I understood why it was made. Of all the episodes this one felt the most traditional fantasy RPG/Dungeons & Dragons, and it allows a break from the Ranger silliness for something that the people working on it feel more at home with. Guest roller Allie Gonino is a pretty fun addition, as she's certainly a more game step up from our normal guest stars (especially the last one they had). It even becomes evident that she knows next to nothing about RPGs because Cristina and Meghan are constantly whispering the rules to her, but she maintains character throughout and looks like she's having fun. And Paul's riff of "It's the Mystic Knights!" at the beginning was a deep cut that made me laugh harder than I should have. The Save Marv episode is the weakest, but still enjoyable. The Rangers' battle with Primator is less monotonous than it was a few episodes ago, while the Yoshi Sudarso reveal as Peter's brother in the RPG is a pretty epic moment, as he sneaks in and everyone cheers. I'm actually more familiar with Dino Charge than I am with most of the recent Ranger seasons because a few years ago I lived with a four year old girl who loved the show and watched every episode on Netflix repeatedly, so I recognized "that cave man guy" pretty fast. I had no clue his brother became a Power Ranger in the following Ninja Steel season. That's pretty cool. I really should step away from this show. But I'm probably not going to. I'm at the halfway point, why stop now?
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Post by 1godzillafan on Jul 4, 2019 16:47:57 GMT -5
Agents of SHIELD
Season 6 - Part 1
Missing Pieces - One year after the death of Coulson, SHIELD is now under the leadership of Mack while Simmons and Daisy lead a team to look for the double of Fitz, who is in hibernation in space. Meanwhile on Earth, SHIELD has to contend with humans from a parallel world, and one of them looks just like Coulson.
Window of Opportunity - Coulson's double, Sarge, seeks to rob a jewelry store for crystals, which leads to a confrontation with SHIELD, led by May and Yo-Yo. Meanwhile, Fitz has been awakened from hibernation and he and Enoch are enslaved on cargo ship.
Fear and Loathing on the Planet of Kitson - Fitz and Enoch arrive on planet Kitson, where their ship is stolen. Left with barely any money, the duo hit the casinos in an attempt to win the money they need. Simmons and Daisy's team track them to Kitson, where they get into their own scrapes.
Code Yellow - Sarge's group tries to kill Shaw, who has started a tech company in the past year. Mack leads SHIELD on an extraction mission to save Shaw, but go on the offensive once they learn Sarge is present.
Holy crap! I watched something that wasn't a streamed tabletop RPG based on a children's show? THIS IS AN ACTUAL TV SHOW! LORD HAVE MERCY!
I decided to catch up on some Marvel TV since Spider-Man came out this week. I'm not up to date with Jessica Jones and Punisher, but I don't have Netflix anymore so they'll have to wait (will likely renew next month for Disenchantment), while Runaways is more of a mood show and I'm waiting for it to just hit that right spot for me. Cloak & Dagger I'm in no hurry to watch any more of. So that leaves little Agents of SHIELD, that show that nobody watches but ABC renews anyway because Disney tells them to. I've liked most of this show though (some seasons are admittedly better than others), so I'm always anxious to see what the agents are up to. Plus I can't wait to see how they address the events of Infinity War and Endgame!
Oh...they don't...well okay then.
SHIELD sometimes had a habit of utilizing the MCU's timeline as an advantage, though now it's kind of a mess. The end of the previous season even acknowledged Thanos was on the move, though this season is supposedly a year later and technically half of all life should have been decimated by now (or "blipped," according to Spider-Man: Far from Home). SHIELD's reaction to these events would have been a wonderful storyline, though if they wanted to work around it and start a story five years later, I wouldn't have blamed them. But SHIELD chose it's own path, and it ultimately feels like the series that was born out of the movies is being disowned.*
*This isn't to say the events won't be addressed later in the show, but still...one year has passed? Ugh.
But if SHIELD can maintain a level of entertainment to it, I'll keep watching. Seasons three and four were some damn fine TV, and I'm fairly fond of that maligned first season as well. If I'm a little tempered with the show it's because I ran very hot and cold with the fifth season, which had high points, but I found mostly lackluster. I'm not sure if it was worse than the mostly boring second season, but I'd have to watch both again to come to that conclusion.
As I settled into the fact that SHIELD is paving its own path, I started enjoying SHIELD's groove again. So far this season is an improvement on the previous, with the teamwork quirks and action that I quite love shining. I'm enjoying the Sarge storyline and am intrigued about where it goes. The Fitz storyline I'm a little more cautious on, because the outer space scenario in the previous season ran very thin for me and I'm not really up for a continuation of it. That being said, the casino scenes in the third episode are a lot of fun. And wasted Simmons and Daisy are just too fun.
So yeah, I'm still on board the SHIELD train. Just keep it fun and I'll keep coming back.
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Post by 1godzillafan on Jul 7, 2019 11:45:51 GMT -5
Power Rangers: HyperforcePart 5 SPD Emergency - The Rangers travel to 2025 Newtech City to search for Joe, which has them working around the SPD jurisdiction as they try to maintain a cover story. Absorbtion - Joe is revealed to be undercover and working for a mutated mob boss Napoleon Wrench and the Hyperforce Rangers attempt to rescue him. After the chaos that erupts, the Hyperforce Rangers are then taken back to SPD headquarters, where they are interrogated, while Joe is stuck in danger as his cover is blown. Homecoming - The Hyperforce Rangers track the Alliance ship to 2027, where the Leader frees the evil A-Squad SPD Rangers, who the Hyperforce Rangers must battle and return to prison. Meanwhile, Joe's tracker has been detected on the Alliance ship and destroyed, and with no clue where the Alliance is heading, the Hyperforce Rangers return to 3017 and look for a direction, where they are welcomed with a Time Force graduation ceremony for their actions, making them official Time Force officers. Later, Vesper and Jack question her family about her origins, Marv and Joe have a brotherly talk, Eddie visits an "old friend," and Chloe struts around campus in her new Battlizer armor. The length of some of these is wearing me down, which is why I broke it up with a few episodes of Agents of SHIELD (as well as future blog posts for The Last Drive-In, which I am also working on). This show is an interesting novelty for me, but that novelty can wear out at times. A lot of that might have to do with the extensive battle rolls and chaotic stories in the SPD episodes, which were spinning my head (and hearing the Malika Lim try to be intimidating as a frog mutant was kind of a "yeesh, I should be doing something else" moment). I had more fun during the interrogation scenes in these episodes, in which our players were aloud to riff about as amusingly as possible. Andre has a great "Anthony Anderson in the first Transformers movie" moment where he spills the entire truth in one breath. He gets applause from everyone in the room. Meghan has some great workarounds during her scenes, while Cristina takes some pot shots at the fact that the interrogator, Anubis Cruger, is a giant blue dog. When the rollers cut loose, watching these stories becomes a lot of fun. The third episode of this group is mostly made up of character sequences like that, since it's primarily a character development episode that springboards a storyline involving Vesper's past for future episodes to explore. The players are into their characters enough at this point that they make it work, and I enjoyed it. Also, the one battle portion with the A-Squad is pretty solid. Maybe the SPD setting was just a hurdle, because there are moments that just trudge along in these episodes. That surprises me a bit, because I'm mostly okay with SPD as a Ranger show so I was looking forward to these episodes. Or maybe I'm just feeling that middle of a season bingewatch fatigue.
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Post by Neverending on Jul 16, 2019 9:37:52 GMT -5
Been looking for an excuse to watch this shit:
Wanna join me?
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Post by 1godzillafan on Jul 16, 2019 12:43:36 GMT -5
The only episode of Baywatch I'd consider rewatching is that one I saw on accident which guest starred Bob Denver and Dawn Wells and had the cast stranded on Gilligan's Island. Other than that, I have no brand attachment to Baywatch. Edit: This is the one - www.imdb.com/title/tt0394282/?ref_=nm_flmg_act_4Obscurus Lupa has her own Baywatch retrospective series on YouTube called Baywatching, though.
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Post by Neverending on Jul 18, 2019 23:45:57 GMT -5
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Post by 1godzillafan on Aug 2, 2019 20:28:45 GMT -5
Agents of SHIELD
Season 6 - Part 2
The Other Thing - Sarge and his crew have kidnapped May, and he tries to persuade her with their side of the story, revealing themselves to be a group that travels through dimensions to stop a parasitic species called "the Shrike." May struggles with her personal vendetta against Sarge when faced with the opportunity to help them. Meanwhile, Fitz, Simmons, and Enoch are taken captive by Enoch's people, who wish to use Fitz and Simmons' knowledge of time travel as a means to save their homeworld.
Inescapable - Fitz and Simmons are finally reunited, but Atarah has trapped them in a mental simulation to get them to cooperate and "share minds." This proves to be easier said than done, as Fitz learns the truth about what happened to the version of him that SHIELD brought back from the future, and the duo combat their dark personas.
Toldja - May brings Sarge back to SHIELD for interrogation, where he proves somewhat uncooperative. But when SHIELD starts dealing with the Shrike up close, Mack begins to consider working with Sarge. Meanwhile, Fitz, Simmons, and Enoch teleport back to Kitson, where they are still wanted. Saved by the mercenary Izel, they are offered a ride back to Earth in exchange for their help.
A really good batch of SHIELD episodes, with Inescapable highlighting. I love it when a Whedon series starts playing with the format and doing mindgames with our tried and true characters, and Fitz and Simmons pretty much having an argument than manifests physically is very entertaining stuff.
I also liked The Other Thing, because I love me some May. The flashbacks to Tahiti in Coulson's final days were wonderful, and finding out Sarge's agenda was a treat. Toldja, by comparison, is a bit of a filler episode. It pretty much is just another episode where SHIELD doesn't trust Sarge and finds themselves needing to believe him, while returning to Kitson doesn't offer much new either. But I love seeing these characters interact, so Toldja does offer a little bit of pleasure.
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Post by Neverending on Aug 5, 2019 13:23:19 GMT -5
Live in Front of a Studio Audience: Norman Lear's "All in the Family" and "The Jeffersons"Henry's Farewell - Louise frets that George won't let Henry throw his farewell party at the Jefferson's house, causing Edith to propose that they throw it at the Bunker household, but she does so without asking Archie. A Friend in Need - George and Louise argue over hiring a maid. Long before Marvel had their Cinematic Universe, Norman Lear had his television universe. These shows were shepherded by All in the Family, one of the most groundbreaking sitcoms of all-time, which eventually spun off The Jeffersons, which was probably the longest running spin-off in television history until The Simpsons toppled it (yes, The Simpsons is technically a spin-off, don't @ me, bro). Other shows included breakout hits like Maude, Good Times, and Archie Bunker's Place, as well as one-season wonders called Checking In, Gloria, and 704 Hauser. To my knowledge, the only show that rivaled All in the Family in branching spin-offs was Happy Days, though The Mary Tyler Moore Show had it's fair share too. When this live performance recreation of episodes of All in the Family and The Jeffersons was announced, I don't recall much of a reaction from myself. If anything, I remember being impressed with the cast it assembled and saying "Daaaaaaaaaaaaaaammmmmmmmmmn." All in the Family and The Jeffersons are near and dear to my heart, but recreating them didn't bother me that much. After all, All in the Family is technically a remake itself, having evolved from its British counterpart Till Death Us Do Part. Maybe I had that thought in the back of my head that went along the lines of "Why not just re-air the original episodes?" But re-enacting it might erase that "Old shows are stupid" stigma and attract new viewers who are there to see some of their favorite stars, then might get them curious about the show they're performing, creating new fans of that series. And believe me, after twelve goddamn years of The Big Bang Theory, it's great to see something at least resembling All in the Family on television. I probably did something I shouldn't have before watching this live performance and dug out my old DVDs of All in the Family and The Jeffersons, and rewatched the episodes that were being re-created. The All in the Family episode of "Henry's Farewell" is the sixth episode of the fourth season, and it's probably most noteworthy as the first episode featuring Sherman Hemsley as George Jefferson. It is really, really funny, though it's likely not the most biting episode of the series. But I imagine they probably wanted the Jeffersons to be the anchor between the two performances, so as far as picking an episode, it's not a bad choice. The Jeffersons episode "A Friend in Need" is the very first episode of the series, and it's a bit middling. The All in the Family episode had the advantage of picking a script from when the show was in full swing, but this one is the jumping off point for The Jeffersons, before it really formed into itself. I'm not a fan of the episode choice here, but there are a few laughs. Since a lot of this is dated material, different things get different reactions from both audiences of either era. For example, Gloria's big feminist moment about female oppression hardly registers in the original episode, but in the re-created version the women in the audience go nuts. Meanwhile, more then-current references in the original play like gangbusters there while flying right over the remake audience's head. Sometimes it's risky, but it amazes me a bit just how relevant All in the Family and The Jefferson's political humor still hold up today. That said, there are some botched jokes, particularly in the Jeffersons segment. One of the biggest laughs in the original episode is the moment where Jenny comes out of Lionel's room wearing a blanket, presumably nude underneath, but whips it off revealing she's fully dressed. In the live version, the camera cuts away from her in the wrong moment and we completely miss the joke. But the audience doesn't laugh either, so there moment was probably botched on-set too. As for the cast, some links are stronger than others. The big worries in re-creating these shows is the daunting task of re-creating Archie, Edith, and George. Most of the supporting roles, such as Gloria and Mike, can be played straight, but those three are large personalities that are defined by the performances of the actors that portray them. Woody Harrelson initially got me excited as the updated Archie, but unfortunately he's the weakest link. He tries to imitate Carroll O'Connor too much, and oddly enough in doing so he comes off closer to Al Bundy than Archie Bunker. That said, I absolutely adored Marisa Tomei as Edith. She doesn't make the same mistake Harrelson did and decides to do her own Edith, meanwhile echoing and honoring Jean Stapleton instead of impersonating her. Then we have Jamie Foxx as George Jefferson, who falls somewhere in the middle. I'm impressed on how much Foxx could get Sherman Hemsley's voice down pat, but when he tries to recreate Hemsley's mannerisms he begins to feel very staged. Plus, since Foxx is much taller than Hemsley, a few of the short jokes at his expense fall flat. Jamie Foxx is fun as George, but he's no Sherman Hemsley, that's for damn sure. The supporting cast has their pros and cons. Wanda Sykes is mostly restrained as Louise, and because of that she's plays it pretty perfect for the role, however with the scripts she's given she never has a full blown Weezey vs. George moment in the entire thing, which I think she would have been great at. Anthony Anderson and Ellie Kemper both are pretty well cast as Henry and Gloria, and I have no real problems with either. Kerry Washington does okay as Helen Willis, as she has a few shining moments while in other moments it feels like she's rushing through her lines. More problematic members of the cast include Ike Barinholtz as Mike, who is very stiff and just feels like he's stating lines without playing the part. Then there is Will Farrell as Tom Willis, who just plays the role as Will Farrell. He's like an animated caricature thrown into this thing without warning and he really takes away from every scene he's in. Two pleasant surprises of the night: The Jeffersons' maid, Florence, was played by Marla Gibbs, who played her in the original Jeffersons show. Also, the Jeffersons' theme song "Movin' On Up" is performed by Jennifer Hudson, who gives it the gusto it deserves. One last minor note, it was surprising to hear the "N-word" used freely in the episode of The Jeffersons in its original broadcast version, even though it's bleeped in the live performance. I'm glad it wasn't shied away from completely, though it's interesting to note just how daring these shows were that aspects of them, no matter the relevant context, would be censored today. I thought it was a fun experiment. Does it replace the original shows? Absolutely not. There is no doubt in my mind the original presentations are the better versions of this material. But I hope it got enough people curious about those original versions as well. Maybe they'd consider doing recreations of other shows as well, which I wouldn't be against, though it's hard to top powerhouses like All in the Family and The Jeffersons. More on the way www.hollywoodreporter.com/live-feed/abc-sets-two-more-live-specials-norman-lear-jimmy-kimmel-1224784
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1godzillafan
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Post by 1godzillafan on Sept 7, 2019 23:56:49 GMT -5
Mission: Impossible
Season 1 - Part 1
Pilot - United States espionage service Impossible Mission Force tasks a team led by Dan Briggs to infiltrate a Caribbean island under the rule of vicious dictator General Rio Dominguez to steal a pair of nuclear warheads. Master of disguise Rollin Hand impersonates the general, as the team interrogates him for the safe combination for the warheads.
Memory - Briggs enlists Joseph Beresh into his team, an actor with a photographic memory. They train him for a mission as an American agent named "Sparrow," have him captured by the Soviets, and tortured for information which will implicate a top Soviet official of treason. Meanwhile Briggs' team plots an escape plan for Baresh to ensure his safe return.
Operation Rogosh - A foreign agent named Rogosh who is plotting mass murder through biological warfare in Los Angeles is captured. Briggs and his team develop an elaborate plan to fool him into believing he has amnesia and it's actually three years later, as he's soon to be executed in his home country for being an American spy. They hope in his confusion he'll reveal the location of his weapons.
Old Man Out Part 1 - Briggs recruits his trapeze artist ex-girlfriend into his IMF team so they can pose as circus performers in an attempt to break a cardinal out of prison before his execution. Rollin is taken prisoner to locate him and break him out from the inside while the rest of the team use their cover to help execute the plan outside of the walls.
I've been more than a little disillusioned with TV shows lately. People obsess over the hot new show, and I just can't find it in my heart to care. I don't think I was built for the modern day "the entire series is one story" model, which can be fine, but an episode's individuality is what makes TV shows special. When I watch a Netflix show, episodes don't really have an identity. They blend together and don't feel like each has a beginning or an end. What's my favorite episode of Daredevil? I have no idea. I couldn't tell you which episode was which. If each episode isn't going to have individuality, then you might as well have made a movie, goddammit. There'd be less filler in your narrative, I'll tell you that much.
The modern binge model makes less sense to me the more I think about it. Binge watching TV shows was fun to me because each episode was different. You'd finish one little adventure, one little play, and then you'd be excited to see what the next one is. I could watch episodes of I Love Lucy or The Simpsons one minute and go straight to the next, with anticipation of the big laughs that await me. I'd go from one episode of Star Trek or The Fugitive from episode to episode, looking forward to the next crazy escapade. If the entire season is one story...where's the fun?
So I've been avoiding TV lately. I need to get back to SHIELD and Hyperforce, though stress has made it hard to concentrate (especially on the latter, when each episode is two and a half hours long). I've been hungry for a TV show to strike me with an urge. I've been wanting to deep dive into Mission: Impossible for a long time. I've seen individual episodes and always wanted to watch the series from top to bottom, so here I am!
Let's set the mood:
We start with the pre-MST favorite Peter Graves first season of the series, in which the leader of the team is Dan Briggs instead of Jim Phelps, played by Stephen Hill, who I guess was hard to work with and written out of the show without so much as a goodbye episode. Series mainstays Greg Morris and Peter Lupus are here, as well as fan favorites Martin Landau and Barbara Bain, so we can't say we don't have some beloved Mission cast.
The first three episodes are a joy, with compelling capers from top to bottom. I personally love Operation Rogosh, which is an interestingly convoluted plan of tricking some dude into thinking it's the future so he'll spill the beans on the present. Anybody who has seen Mission: Impossible - Fallout should be able to appreciate this episode, since this is the same basic premise twist they use in the opening twenty minutes of that movie.
By the time I get to Old Man Out, it's a little bit of a brick wall. I think the scenes with Landau are great in this episode, but this episode is so tediously padded because you can tell they had an episode that ran past an hour and they couldn't cut it down, so they decided to add stuff in and make it a two parter. There are so many scenes with a trapeze artist twirling on rope to repetitious organ music that the episode becomes grating after a while. And this is only part one! Yikes.
I just need to jump over part two and then hopefully it's uphill from there.
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Post by Neverending on Sept 8, 2019 0:19:10 GMT -5
I'm not a fan of pre-Peter Graves/Leonard Nimoy Mission:Impossible
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1godzillafan
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Post by 1godzillafan on Sept 8, 2019 0:30:09 GMT -5
I'm not a fan of pre-Peter Graves/Leonard Nimoy Mission:Impossible
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Post by 1godzillafan on Sept 10, 2019 23:53:08 GMT -5
Mission: Impossible
Season 1 - Part 2
Old Man Out Part 2 - Briggs and Rollin are forced to improvise a new plan when the cardinal's execution is pushed up and he is moved to another cell. The IMF team must race against the clock as their circus begins to look more suspicious to the locals.
Odds on Evil - Briggs' team is tasked with preventing Prince Ivan Kostas the acquisition of weapons for an invasion. They concoct a casino caper to deprive Prince Kostas of his funds by rigging a roulette table and climaxing with Rollin challenging him to a game of Baccarat.
Wheels - A South American country election has been rigged to keep a hostile Nationalist dictator in power, and Briggs' team is sent there to tamper with the already tampered results into a more favorable direction.
The Ransom - A criminal has kidnapped the daughter of Dan Briggs' personal friend demanding an exchange between her and an informant in custody. Briggs assembles his IMF team to assure that no harm comes to the child and hopefully pull a fast one in the exchange.
Getting past Old Man Out makes a world of difference, because the second part is more of the same, a lot of organ music and padding. However, the padding in this particular episode includes a cat fight between Barbara Bain and special guest actress Mary Ann Mobley. There are worse ways to pad your episode out. Also padding the episode out is a big stunt sequence in which Rollin makes his escape by climbing down the side of a building, though you can clearly tell the stunt man is not Martin Landau in this sequence. Tom Cruise has spoiled me with his death wish insanity.
Odds on Evil jazzed me up after making it through that two part bore. It's Casino Royale, M:I style! While the casino games themselves lack tension because our IMF team are a group of big stinky cheaters, the structure of their caper is exciting to me. Unlike Bond, who is funded by his agency in his own little casino story, the team starts out with little money, so they build it up by fixing the roulette wheels with a little magnet gizmo, while trying to dodge casino suspicions. After making the money they need, their gambling ringer heads to the Baccarat table with Rollin and the mark, where he cleverly passes off all the winnings to Rollin in a losing streak. This sets up Rollin to challenge the Prince head to head in a few high stakes hands. I LOVE IT!
The last two of this batch aren't nearly as endearing to me as Odds on Evil, though their fairly solid on their own. Wheels has some problems, since at its core it's the story of a repressed nation that needs America to free it through democracy...by altering that country's own democracy to our benefit ('MERICA! FUCK YEAH!). But there are some personal stories in the episode that I enjoy. Speaking of personal, The Ransom is the most personal episode so far, as it effects Briggs' own family and friends. The episode has some fun turns and is pretty successful. It's just not Odds on Evil fun.
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Post by Neverending on Sept 15, 2019 8:16:57 GMT -5
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Post by Neverending on Sept 16, 2019 21:39:12 GMT -5
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