Neverending
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Post by Neverending on Mar 3, 2015 9:14:59 GMT -5
Consider this a counter-list to whatever John is doing. 10 THINGS I WANNA SEE IN THE SUPERHERO MOVIE GENREIt's crazy to think that it has been 15 years since X-Men. There's an entire generation of people who never experienced a time when superhero movies were rare. And the genre has done a good job of growing and expanding with this audience. But there is still a lot of improvements to be made. Such as... #10 - STOP TRYING TO DESTROY THE PLANET!The most annoying trend in recent superhero movies is the near-destruction of Earth or some other planet. The Avengers. Man of Steel. Guardians of the Galaxy. It's getting old and boring. Plus, it's lazy writing. If a person can't think of a way to end a movie besides blowing shit up, then Hollywood should start looking for new writers. #9 - MAKE LOW BUDGET SUPERHERO MOVIESI'm a huge fan of the genre, but I'll be the first to admit that superheroes dominating the summer blockbuster season is starting to get a bit repetitive and it's starting to lose its charm. Remember when Spider-Man was released in 2002? That was something special. Now, you get a "been there done that" feeling whenever paying $12-per-tickets to watch one of these movies. I think cutting back on these blockbusters and focusing on smaller and more story-driven movies could freshen things up a bit. Wasn't the whole hype about The Winter Soldier that it's a spy movie disguised as a superhero movies? If people liked that, then you don't need these giant superhero movies every year. #8 - EXPOSE AMERICAN'S TO FOREIGN SUPERHEROESA few years ago, there was a really good superhero movie from Chile titled Mirageman. It reminded fans that other countries have superheroes too and they're very good ones as well. Opening a strong American market for these movies benefits the genre. Remember how much the Italians helped the western genre in the 1960's and 70's? #7 - MAKE FEMALE SUPERHERO MOVIESWonder Woman and Captain Marvel are on the way. Jessica Jones is headed to television. So the wheels ARE in motion for female superheroes. But don't stop there. Keep filling the screen with gender diversity. #6 - MAKE MINORITY SUPERHERO MOVIESMichelle Rodriguez was criticized the other day for saying that minorities should stop taking white superhero roles. What she meant to say is that minorities hate hand-me-down roles. Instead of creating superheroes specifically for minorities, white writers take the lazy route by turning white superheroes into minorities. And she's right. There should be an effort to create new and original superheroes that are minorities. #5 - MAKE ROOM FOR SMALLER COMPANIESMarvel and DC dominate the comic book world, so naturally, they dominate comic book adaptations as well. But considering that Disney now owns Marvel and most Marvel movies are now Disney movies, I don't understand why other comic book companies are being ignored. Dark Horse Comics. Image Comics. Publishers from other countries. There's a gold mine out there that isn't being explored. #4 - MAKE ROOM FOR THE OLD TIMERSZorro. The Shadow. Dick Tracy. Pulp heroes are just as good as superheroes. In fact, some superheroes are actually rip-off's of pulp heroes. So why not let these pulp heroes get their day in court with a high-profile movie from a major studio with an A-list director? And please, DON'T Nolan-ize these characters unless it makes sense. #3 - MAKE ORIGINAL SUPERHERO MOVIESThere's so many superheroes to choose from in the comic book world that it doesn't make sense to create new ones just for movies and television. Except when you consider that there's less pressure with original superheroes. If you're making a new Batman movie, you have to satisfy fans of a character that has been around for 76 years. With a new superhero, you have a clean slate. Would Pixar's The Incredibles had been popular and successful if it were a Fantastic Four adaptation instead? #2 - FIND A WAY TO MAKE THOSE UNPRODUCED SUPERHERO MOVIESJames Cameron's Spider-Man. Tim Burton's Superman. Darren Aronofsky's Batman. I wanna see these movies! Figure out a way to make them. They could be animated. They could be a TV special. They could be a Netflix movie. I don't care. Just choose a medium and go make them. #1 - GIVE FILMMAKERS FREEDOMThe biggest criticism about Marvel is that they don't give filmmakers any breathing room. Everything has to follow "the plan." Well... "the plan" cost them the opportunity to have an Ant-Man movie directed by Edgar Wright. Marvel has had great success and all their movies have been entertaining. But how many of them have actually been great? And how many of them will actually be remembered 100 years from now? The best superheroes have a great director with a unique vision. Watch Richard Donner's Superman, Tim Burton and Christopher Nolan's Batman, Sam Raimi's Spider-Man and Bryan Singer's X-Men. Those are the groundbreaking superhero movies. And they were made by studios that had some faith in their filmmakers. Marvel doesn't believe in filmmakers. They only believe in the bottom line. They're the assembly line of superhero movies.
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Doomsday
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Post by Doomsday on Mar 3, 2015 10:20:53 GMT -5
Nice list. I would add 'compose better film scores.' Some of the most memorable parts of the superhero movie pantheon are John Williams' and Danny Elfman's scores to Superman and Batman. Let's try for that again.
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Post by Neverending on Mar 3, 2015 11:13:24 GMT -5
Nice list. I would add 'compose better film scores.' Some of the most memorable parts of the superhero movie pantheon are John Williams' and Danny Elfman's scores to Superman and Batman. Let's try for that again. The Avengers and Thor: The Dark World have great scores.
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Post by Neverending on Apr 2, 2015 16:23:24 GMT -5
5 SHOWS THAT SHOULD BE BROUGHT BACK!
Since every damn show from the 80's and 90's is coming back, here are some more shows to consider.
#5 - QUANTUM LEAP
Classic sci-fi show about dude time traveling by taking over people's bodies. It was popular because it used nostalgia to emotionally connect with audiences. But it has been 25 years. There's a whole new generation that wants to be nostalgic too. Make it happen!
#4 - THE REAL AMERICAN HERO
With all the damn superhero shows on television, how the fuck has this not been brought back? How?!
#3 - THE CRITIC
Everyone is a fucking critic these days, but there's only one true critic and he needs to be brought back.
#2 - KING OF THE HILL
This show lasted over a decade and had a satisfying run, but considering that society has recently been taken over by the FAR left, it's time to bring back this show. We need to balance shit out.
#1 - FAMILY MATTERS
Boy Meets World is back in the form of Girl Meets World. Netflix might bring back Full House as Fuller House. If this is where TV is headed, then Family Matters HAS to come back. You can't exclude Steve Urkel. Fuck you. Besides... with the massive success of The Big Bang Theory, there's an audience for Steve Urkel. Make it happen!
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thebtskink
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Post by thebtskink on Apr 2, 2015 16:24:42 GMT -5
Couldn't agree more with Quantum Leap
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Post by Neverending on Apr 2, 2015 16:31:35 GMT -5
Couldn't agree more with Quantum Leap Can you believe Jibbs has never seen the show?
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Post by Jibbs on Apr 2, 2015 17:38:00 GMT -5
No, because it's not true.
That'd be a good one to bring back for sure. Stick in a few serial arcs, bam, classic.
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thebtskink
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Post by thebtskink on Apr 2, 2015 18:38:47 GMT -5
I'd like to add Sliders with a caveat they retcon whatever the he'll the turned Jerry O'Connell into and bring back Gimli and Kari Wuhrer
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Post by bbf2 on Apr 3, 2015 20:44:51 GMT -5
I wish they would bring "Manimal" back
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Post by Neverending on Apr 3, 2015 21:29:32 GMT -5
I wish they would bring "Manimal" back We have the special effects for it.
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Post by Neverending on May 20, 2015 8:39:55 GMT -5
Bumped for David Letterman's last show. THE 10 GREATEST LATE-NIGHT TALK SHOWS!
Here we go again! Jay Leno is expected to step down as host of the Tonight show for the second time in 4 years. Will he finally be gone for good or is he gonna screw over another Late Night host. I guess only time will tell. But... since we're on the topic of late-night talk shows, it seems like an appropriate time to do a top 10 list of the best in the genre. And I will be excluding the Daily Show and Colbert Report because those are comedic news programs as opposed to a traditional talk show. #10 - THE CHRIS ROCK SHOW (1997-2000)In the long history of late-night talk shows on American television, there has only been two successful programs targeted at urban audiences. Three if you count "The Magic Hour" with Magic Johnson. It's insane when you think about it. Late-night talk shows are as white as the U.S. government. That's why I appreciate the Chris Rock show. It - successfully - added diversity to the genre. Plus, it aired on HBO. Rock and his writers, which included Louie CK, could do whatever they wanted. It's a unique Emmy-winning program in all areas. #9 - THE TONIGHT SHOW WITH CONAN O'BRIEN (2009-10)Before 2009, I never had any issues with Jay Leno. His Tonight show was, and continues to be, rather bland but it's successful in reaching a wide audience by avoiding any niche humor or subject matters. It accomplishes its goal of being a huge money-maker for NBC. That's why it came as no surprise when Conan O'Brien briefly took over and the ratings declined. Conan has, and forever will be, a cult comedian. His brand of humor is perfectly suited for anyone that enjoys silliness. That's why I appreciate his short tenure on the franchise. He made the Tonight show interesting again. #8 - TOMORROW WITH TOM SNYDER (1973-81)Tom Snyder was the Charlie Rose of the 1970's. Except, he was always forced to dumb it down for mainstream audiences. That often resulted in hilarity as Snyder was forced to interview people he clearly did not give a s--t about. For example, in 1980, a day after John Lennon was shot and killed, NBC asked Snyder to air an interview he did with Lennon a few years earlier which now had the distinction of being the musicians final TV interview. Snyder introduced the episode by basically saying, "here's something of no historical value that's relevant in our popular culture. Enjoy." It's his "don't give a f--k" attitude that makes him a lot of fun to watch. He truly was one of a kind. #7 - LATER WITH BOB COSTAS (1988-94)If Tom Snyder is too condescending for you, then Bob Costas is the ideal alternative. Costas is famously known as a human encyclopedia in the sports broadcasting world. So it came as a great shock to discover that he has enough space on his brain to do the same in the realm of entertainment and popular culture. Costas, who won an Emmy for the show, puts every talk show host to shame with his excellent interview skills. The man is on a league of his own. #6 - THE DICK CAVETT SHOW (1969-75)Dick Cavett was the counter-culture alternative to Johnny Carson. His show had substance. It covered the topics and people that mattered. His conversational style put his guests on ease and resulted in interviews that are popular to this day. He's also a funny and charming guy. That makes him very unique because he's an entertainer and journalist wrapped into one person. #5 - TONIGHT STARRING JACK PAAR (1957-62)Jack Paar paved the way for Jon Stewart, Bill Maher, and all the other politically-driven comedians on television. That doesn't mean his tenure on the Tonight show was all serious. He did the usual light-hearted funny stuff as well, but he always reserved time to cover current events and other important issues that were on his mind. He was infamous for being highly emotional and a strong storyteller that moved away from the usual punchline jokes. And although he presented an unusual format for the times, he still managed to be incredibly popular with audiences and critics and won two Emmy awards. That's the most Emmy's for a single host in Tonight show history, which is hard to believe considering Johnny Carson's acclaim for 30 years. Jack Paar's stint was short but memorable. #4 - THE ARSENIO HALL SHOW (1989-94)Johnny Carson was named the King of Late Night when it seemed like no one could surpass him in popularity. Then Arsenio Hall showed up and stole the crown. By the 1980's, Carson was an old guy with no appeal towards young people whatsoever. His audience was also largely caucasian. Arsenio noticed this and quickly seized those marginalized demographics. His success prompted critics to label him as Carson for the MTV Generation. But Arsenio was more than just that. He opened the gates. During Carson's dominance of nearly three decades, most networks and comedians were discouraged to launch their own late-night talk show. It seemed pointless. Arsenio proved otherwise and years later, in our current TV landscape, there are dozens of late-night talk shows on television. Arsenio revolutionized the genre. #3 - LATE NIGHT WITH DAVID LETTERMAN (1982-93)In 1954, Steve Allen created the late-night talk show on the new medium known as television. 28 years later, David Letterman created the anti-talk-show. Known as a broadcaster first and a comedian second, Letterman found new inventive ways to keep the genre fresh. Why do an in-studio comedy routine when you can take a camera crew to GE and harass the new owners of NBC? Why do an interview when you can sit back and watch Andy Kauffman go berserk after getting smacked across the face by another guest? Letterman knew exactly what people wanted to watch after 12:35am..... and it wasn't Tom Snyder chatting with intellectuals. #2 - THE TONIGHT SHOW STARRING JOHNNY CARSON (1962-92)If you wanna witness Johnny Carson's impact, watch any talk show before his Tonight tenure and compare it to anything that came afterwards. The man set the standards. There's no better way to describe it. He also had the advantage of being incredibly well-rounded. He could do any brand of humor. He could interview anyone and make it entertaining or compelling regardless of what they had to offer. He was generous and gave everyone their moment in the spotlight. Johnny Carson is everything you want in late-night talk show host. #1 - LATE NIGHT WITH CONAN O'BRIEN (1993-2009)Conan is perfect after 12:35am. That's the sad truth about his post-Late Night venures. I enjoyed his Tonight Show. His self-titled Conan on TBS is really good as well. But it was his 16 year stint on Late Night that truly showcased his talent. He's a silly guy that loves random humor and he could only get away with that during the 12:35am timeslot. What's also amazing about Conan is that he can balance the absurdity of his comedy with genre traditions. He basically took Johnny Carson's rule book, David Letterman's technique for mayhem, Arsenio Hall's youth appeal, and combined it with his dorky personality to create a 20-year talk show career.
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Post by Neverending on Aug 9, 2015 16:00:34 GMT -5
Dracula Deexan @dukeleto TOP 10 DR. DRE SONGS!I'm excluding any song where Dr. Dre is a featured performer. To qualify for this list, Dr. Dre either has to be the main (or sole) rapper or on equal terms with his collaborator(s). HONORABLE MENTION: THE NEXT EPISODE (1999)#10 - EXPRESS YOURSELF (1988)This is pretty much the prototype for Dr. Dre G-funk sound and the seeds for his debut solo album, The Chronic. #9 - THE WATCHER (1999)There's a 7 year gap between The Chronic and 2001 and Dr. Dre uses this song to reflect on things that happened in those 7 years. #8 - WHAT'S THE DIFFERENCE? (1999)Remember Eminem's song, The Way I Am? This is basically the Dr. Dre version. Although Eminem IS in this song too and asks Dr. Dre if he should murder his wife or not. 1999. What a time to be alive. #7 - KEEP THEIR HEADS RINGIN' (1995)A big part of rap is rappers bragging about themselves, but no one does it with a funkier beat than Dr. Dre. #6 - CALIFORNIA LOVE (1996)Although this is technically a Tupac song, Dr. Dre's producing and Roger Troutman's autotune singing are the stars. #5 - NUTHIN' BUT A "G" THANG (1992)I don't know if the song is great or if the video is great and it makes the song great by association, but either way, both are classics. #4 - THE MESSAGE (1999)The closing track of 2001 is a tribute to Dr. Dre's brother and it's the most sentimental song Dr. Dre ever recorded and released. #3 - NATURAL BORN KILLAZ (1994)Although Dr. Dre, as a producer, is largely famous for his G-funk sound, it's his aggressive beats and sampling that make him standout from his competitors. #2 - GUILTY CONSCIENCE (1999)This is the song that made me an Eminem fan. It's based on the widely used concept of an angel and devil standing on someone's shoulder and arguing about whether or not the person should do a good or bad thing. Under different rappers, this song could have been incredibly generic but Eminem and Dr. Dre use their musical personas to infuse the song with humor and thought-provoking material. #1 - FORGOT ABOUT DRE (1999)This should be Dr. Dre's theme song. When he resurfaced in the public consciences by selling headphones and then selling the company to Apple for a billion dollars, this song should have been playing in the background.
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Dracula
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Post by Dracula on Aug 9, 2015 16:32:15 GMT -5
Apology accepted. Anyway, that's a pretty good list but it seems oddly lacking in tracks from The Chronic. "Let Me Ride"? "Fuck Wit Dre Day"? "Bitches Ain't Shit"?
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Post by Neverending on Aug 9, 2015 16:43:41 GMT -5
It seems oddly lacking in tracks from The Chronic. The Chronic didn't really age that well. 2001 holds up a lot better by comparison. Also, I wanted to make room for his non-album songs.
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Post by Deleted on Aug 9, 2015 17:05:42 GMT -5
Never really liked solo Dr. Dre. He always seemed stronger as a secondary. Not a bad list though.
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Post by Neverending on Aug 9, 2015 17:13:48 GMT -5
Never really liked solo Dr. Dre. He always seemed stronger as a secondary. In general, you're right. I also think his collaborations, as a rapper, with Snoop Dogg are overrated. He's at his best with Eminem and Ice Cube and Xzibit and Nate Dogg. Although, by contrast, any Snoop Dogg song without Dr. Dre as a producer is almost doomed to fail. There are notable exceptions, of course.
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Post by Dracula on Aug 9, 2015 17:37:38 GMT -5
Never really liked solo Dr. Dre. He always seemed stronger as a secondary. In general, you're right. I also think his collaborations, as a rapper, with Snoop Dogg are overrated. He's at his best with Eminem and Ice Cube and Xzibit and Nate Dogg. Although, by contrast, any Snoop Dogg song without Dr. Dre as a producer is almost doomed to fail. There are notable exceptions, of course. Snoop was also doing pretty good with Pharrell for a little while there. In general Snoop just needs someone to hone his skills. Quality control is not really his thing.
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Post by Neverending on Aug 9, 2015 18:45:47 GMT -5
Snoop was also doing pretty good with Pharrell for a little while there. That's sort-of what I meant. But it still pales in comparison with his Dr. Dre produced songs.
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Post by Doomsday on Aug 10, 2015 12:57:26 GMT -5
#1 - FAMILY MATTERSBoy Meets World is back in the form of Girl Meets World. Netflix might bring back Full House as Fuller House. If this is where TV is headed, then Family Matters HAS to come back. You can't exclude Steve Urkel. Fuck you. Besides... with the massive success of The Big Bang Theory, there's an audience for Steve Urkel. Make it happen! I used to watch Family Matters religiously as a kid but did you happen to see what they did with the end of the show? Not saying that Family Matters or any of those other shows were masterpieces to begin with but Family Matters went off the goddamn rails. Yes Steve made his DNA splicing machine in the middle of the show but then he started making time machines, teleportation and mind reading devices. The last episode has Steve in outer space fixing a satellite then having to reprogram it and flying around to get back on his shuttle so he can get home and marry Laura. Oh yeah, they fall in love btw. And Eddie becomes a cop and gets shot while cutting a parking ticket. Don't worry, he survives. Anyways the last couple seasons of this show are unwatchable, not sure how a reboot would work although I can imagine most of those people could use the work.
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Post by Neverending on Aug 10, 2015 13:10:31 GMT -5
Did you happen to see what they did with the end of the show? Yeah, at the time, but that's not the Family Matters people remember. You can easily ignore those later seasons in a reboot. The same way that the Creed movie will ignore that the main character's father was murdered by a cartoon-ish Russian.
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Post by Neverending on Aug 10, 2015 14:50:40 GMT -5
Dracula @dukeleto TOP 10 "CLASSIC-ERA" EMINEM SONGSI don't really pay attention to Eminem anymore. I feel like he ran out of things to rap about. I apologize if that statement offends any fans. This list will only focus on Eminem's music from 1999 till 2002. I considered extending to Encore, but realistically, which song from that album is worthy of a Top 10 list? Ass Like That? Yeah... let's just stick to the first three years of his professional career. Also, this list was a lot more difficult than I initially realized. I had to leave out A LOT of great songs. In retrospect, a Top 10 might not do justice to early Eminem. He's worthy of a Top 50, but I'm too lazy to go that route. I'll just stick to a Top 10 and hope an angry mob doesn't come after me. #10 - BITCH PLEASE II (2000)I haven't done the proper research, but I suspect this is a 2001 song that got dumped in the Marshall Mathers LP. Because of that, I thought about disqualifying it but a) this song is awesome and b) it's a great reminder of how quickly Eminem integrated into the Dr. Dre family. #9 - SUPERMAN (2002)This might be the closest thing to an Eminem love song. LOL. #8 - I'M BACK (2000)I feel like most Slim Shady songs are the same thing. He just freshens up each one by dropping different pop culture references, but there's something about this one that just hits the right spot. I don't know if it's the instrumental or the kids cheering or something else or all of it. The song just works. #7 - MARSHALL MATHERS (2000)What a difference a year makes. Eminem went from bitching about people to bitching about people wanting stuff from him. LOL. #6 - THE REAL SLIM SHADY (2000)5 years ago, I might have given My Name Is or Without Me the edge, but in this intense era of political correctness I feel that this song resonates more. Yeah, it's another Slim Shady song loaded with immature humor and pop culture references but it's also a song about Eminem giving the middle finger to his critics and acknowledging that he spawned an army of imitators who will conquer the Earth. In 2015, we need more artists like Eminem and more songs like The Real Slim Shady, just to challenge the establishment and hopefully loosen people up. #5 - TILL I COLLAPSE (2002)The Eminem Show is such a strong album that I initially overlooked this song. If it wasn't for all the damn commercials that have used it to sell shit, I probably would still be overlooking it. So thanks to the advertising world for shoving this song down my throat. #4 - GUILTY CONSCIENCE (1999)Those of us who were musically conscience in 1999 will remember the mixed reactions to My Name Is. On one hand, the song was outrageously awesome. On the other hand, this is a white rapper and flashbacks to Vanilla Ice and Marky Mark were difficult to ignore. Then the song and video for Guilty Conscience were released and everyone knew this guy was legit. But nostalgia isn't the sole reason to admire this song. It has a great premise that is well-executed. #3 - STAN (2000)Remember when the Stan music video, excuse me, "short film" was supposed to be the new Thriller? Yeah... probably too dark for the masses. LOL. Anyway, I think any Eminem list has to include Stan. Why? Just listen to the song and you'll see why. #2 - LOSE YOURSELF (2002)Mom's spaghetti is almost as good as this song - and that's a high praise. Have you tasted mom's spaghetti? #1 - THE WAY I AM (2000)Eminem, tell us how you really feel.
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Post by Dracula on Aug 10, 2015 17:07:41 GMT -5
Dracula @dukeleto TOP 10 "CLASSIC-ERA" EMINEM SONGSI don't really pay attention to Eminem anymore. I feel like he ran out of things to rap about. I apologize if that statement offends any fans. This list will only focus on Eminem's music from 1999 till 2002. I considered extending to Encore, but realistically, which song from that album is worthy of a Top 10 list? Ass Like That? Yeah... let's just stick to the first three years of his professional career. Like Toy Soldiers maybe? Mosh is also kind of cool, definitely not top ten worthy.
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Post by Dracula on Aug 10, 2015 17:08:42 GMT -5
#1 - FAMILY MATTERSBoy Meets World is back in the form of Girl Meets World. Netflix might bring back Full House as Fuller House. If this is where TV is headed, then Family Matters HAS to come back. You can't exclude Steve Urkel. Fuck you. Besides... with the massive success of The Big Bang Theory, there's an audience for Steve Urkel. Make it happen! I used to watch Family Matters religiously as a kid but did you happen to see what they did with the end of the show? Not saying that Family Matters or any of those other shows were masterpieces to begin with but Family Matters went off the goddamn rails. Yes Steve made his DNA splicing machine in the middle of the show but then he started making time machines, teleportation and mind reading devices. The last episode has Steve in outer space fixing a satellite then having to reprogram it and flying around to get back on his shuttle so he can get home and marry Laura. Oh yeah, they fall in love btw. And Eddie becomes a cop and gets shot while cutting a parking ticket. Don't worry, he survives. Anyways the last couple seasons of this show are unwatchable, not sure how a reboot would work although I can imagine most of those people could use the work.
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Post by Neverending on Aug 10, 2015 17:25:27 GMT -5
Lyrically, I like the song. Musically, I think it's mediocre. I think Encore suffered from Dr. Dre taking over. I love Dr. Dre, but when it came to Eminem, he worked best in moderation. The Slim Shady LP, The Marshall Mathers LP and The Eminem Show benefited a lot from the Bass Bros and Eminem's own skills as a producer. The funny thing is, you can still make that argument. Dr. Dre produced almost every song on Relapse - and if I remember correctly - the reception was lukewarm at best. Then Recovery is released, with a bunch of different producers, and it's the biggest hit of the year.
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Neverending
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Post by Neverending on Aug 12, 2015 19:09:35 GMT -5
Recently, Doomsday 's favorite YouTube blogger, The Nostalgia Critic, made a video saying that today's children's cartoons are better than the ones of the past. Naturally, whenever you make a bold statement like that, there will be strong arguments from both sides. Frankly, it's a silly argument because there was great kids cartoons in every decade and if you were to make a Top 10 list of the best shows in that genre, you would have ones from almost every decade. To prove my point... TOP 10 CHILDREN'S CARTOONS OF ALL-TIME!Disclaimer: Theatrical cartoons like Looney Tunes, Mickey Mouse, Tom & Jerry, etc. are not eligible. Disclaimer: This list is based solely on memory, meaning, I'm not double-checking to see if I forgot a certain show. So if I excluded one of your favorites, feel free to bitch about it. Disclaimer: iverdawg , this list only features American cartoons because that's the focus of the argument. Disclaimer: Seakazoo , I'm a guy with guy taste. I apologize if this list isn't more girl-friendly. Disclaimer: @dukeleto , I do not apologize for this list not being 80's centered. Let's be real. Most of those cartoons were 30-minute toy commercials. #10 - DOUG (1991-94)Doug is about - Doug - an 11 year old who daydreams a lot and writes about his daily struggles in a journal. Despite having quirky animation, a norm for Nickelodeon, the show is very realistic and very relatable. Most North Americans should be able to emotionally connect with the characters and their adolescent adventures. #9 - ANIMANIACS (1993-98)What happens when you take Looney Tunes, add in a bit of Disney and throw in some 1990's humor? You end up with Animaniacs. The show is essentially a best of both worlds. There's enough classic and new age comedy to satisfy audiences of all ages. #8 - THE POWERPUFF GIRLS (1998-2005)Part comedy and part action. Part girl show and part boy show. Part bad animation and part good animation. The Powerpuff Girls is a walking contradiction that manages to work on every level. #7 - RUGRATS (1991-2004)Rugrats is a show told from the point-of-view of infants - or at least that was the case in the beginning. It isn't entirely realistic and the characters got into some ridiculous situations over the years, but the series was always imaginative and sprinkled with adult humor. #6 - SCOOBY-DOO, WHERE ARE YOU! (1969-70) The original Scooby-Doo and most of its subsequent shows had a very specific formula, but what made it great was its sense-of-humor, its spooky animation and its great characters. #5 - DUCKTALES (1987-90)Based on the influential comic books by Carl Barks, DuckTales is a show filled with beloved characters, great humor, thrilling adventures and groundbreaking television animation. #4 - SPONGEBOB SQUAREPANTS (1999-PRESENT)Disney has Mickey Mouse. Warner Bros. has Bugs Bunny. Nickelodeon has SpongeBob. It might seem like blasphemy to some old-timers, but after 16 years, the yellow sponge who lives in a pineapple under the sea belongs in that company of iconic cartoon characters. #3 - THE FLINTSTONES (1960-66)Love it or hate it, without The Flintstones there wouldn't be The Simpsons. And without The Simpsons there wouldn't be a whole genre of animation aimed at teenagers and adults. Although technically not a kids cartoon, The Flintstones is tame enough that it has been considered a children's cartoon for over half a century. And thanks to its sitcom style characters and storylines, the show holds up incredibly well even though the animation has been generally mocked for its crapiness. The Flintstones is an example of a cartoon that succeeds in spite of its flaws. #2 - AVATAR: THE LAST AIRBENDER (2005-08)By combining the best traits of the American and Japanese animation genre, Avatar: The Last Airbender is a show with great drama, great comedy, great serialized storytelling and great episodic adventures. It also has a cast of characters that are complex enough to appeal to adults but fun enough to appeal to children. Avatar: The Last Airbender isn't simply a great cartoon. It's a great show - period. #1 - BATMAN: THE ANIMATED SERIES (1992-95; 97-99)There has never been a cartoon that blurred the lines between children and adult entertainment better than Batman: The Animated Series. Yes, you can cite a few comedic cartoons and even dramatic work like Gargoyles, but none of those have psychologically complex characters, adult storytelling and sophisticated animation combined into one show. This is noteworthy because children can enjoy the show on a visceral level and later on in life, when they're adults, they can enjoy the show for its maturity. Batman: The Animated Series is in a league of its own.
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