Neverending
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Post by Neverending on Jun 1, 2020 16:06:18 GMT -5
The Kitchen didn't leave an impression on me, really. Melissa McCarthy taking over the Irish mob and getting double crossed by Tiffany Haddish, while The Chain and Carry On Wayward Child play in the background, didn’t have you laughing in the aisle?
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1godzillafan
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Post by 1godzillafan on Jun 1, 2020 16:07:59 GMT -5
The Kitchen didn't leave an impression on me, really. Melissa McCarthy taking over the Irish mob and getting double crossed by Tiffany Haddish, while The Chain and Carry On Wayward Child play in the background, didn’t have you laughing in the aisle? Melissa McCarthy and Tiffany Haddish have never made me laugh. That includes unintentionally.
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Deexan
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Post by Deexan on Jun 8, 2020 10:00:35 GMT -5
I just remembered that Fred Durst directed The Fanatic.
Fred Durst.
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Neverending
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Post by Neverending on Jun 15, 2020 4:46:47 GMT -5
SnoBorderZero 1godzillafan Wyldstaar PG CooperBeen a while since I’ve watched Arachnophobia, but I recall being largely indifferent towards it, although I liked it as a kid. That said — Kingdom of the Spiders with William Shatner is surprisingly good. It starts out a bit slow, like a lot of these movies do, but once it gets the ball rolling it's quite entertaining. Some scenes are kinda funny (like the dude on the plane or the lady who shoots her own hand off) but others are actually really well-executed horror scenes. Shatner’s then-wife is in the movie. Quite the cutie. Good job, Bill. Physically, Shatner is transitioning between TV Kirk and old-ass Movie Kirk. Kinda amusing. Anyway, I’m rambling at this point. Kingdom of the Spiders. Good shit. On a related note: Squirm a/k/a Egg Cream is alright. Not much happens but the characters are amusing. Empire of the Ants with Joan Collins is whatever, although the effects are pretty good for the time. On an unrelated note: Roger Corman’s Gas-s-s-s is kinda funny in a “what the fuck is this shit” sorta way. It’s about a chemical weapon that kills everyone over 25 so now hippies have to rebuilt society. Corman doesn’t do anything interesting with the concept except pander to the audience. It’s kinda this feel-good “youth comedy”. Some of it works but a lot of it is a head scratcher.
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1godzillafan
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Post by 1godzillafan on Jun 15, 2020 5:06:22 GMT -5
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Neverending
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Post by Neverending on Jun 15, 2020 8:26:03 GMT -5
They cut the scene in which the hillbilly gardener is watching her get dressed through the window. Lame. I'm sure they cut out a lot more. In that 90-minute slot they had to fill in their skits, the short film and the main movie. I'm guessing this is the norm. So all these movies that they famously roasted are heavily edited. Have you ever gone back and watched some of the complete movies? Do you ever feel you were robbed of good jokes cause they glossed over certain scenes of a movie?
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1godzillafan
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Post by 1godzillafan on Jun 15, 2020 8:39:49 GMT -5
They cut the scene in which the hillbilly gardener is watching her get dressed through the window. Lame. I'm sure they cut out a lot more. In that 90-minute slot they had to fill in their skits, the short film and the main movie. I'm guessing this is the norm. So all these movies that they famously roasted are heavily edited. Have you ever gone back and watched some of the complete movies? Do you ever feel you were robbed of good jokes cause they glossed over certain scenes of a movie? I try to watch unedited movies when I can. Some of the DVDs even have them as bonus features (and in the case of Pumaman, it might even be its only DVD release). Squirm isn't one of the ones I have seen though. The fact that they squeezed in a short film always confused me on this one, since usually the shorts are only there to beef up the runtimes when they have a 60 minute movie, but Squirm is about an hour and a half. Maybe the edited for TV version just cut it down to an insanely short length or they just edited it for content. Side Hackers is probably the primary example of them doing that, because they bought the rights to the movie before finding out there was a rape/murder scene in it. I think the only one that has ever bothered me was Zombie Nightmare, because they cut to commercial with the long haired thug wannabe guy being a creep to a waitress and when they come back she's crying a story to the police about how he tried to rape her and the zombie came out and killed him. That's the most extreme edit I can think of at the top of my head.
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PhantomKnight
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Post by PhantomKnight on Jul 11, 2020 10:57:40 GMT -5
Naked Lunch (1991)
Before now, my experience with David Cronenberg was limited to A History of Violence, Eastern Promises and A Dangerous Method, all of which largely seemed to feel fairly straightforward. And before watching Naked Lunch, I DID do my research on it, so I knew to expect a much more strange film this time around, and that's certainly what I got. What really first piqued my interest about it, though, was seeing Siskel and Ebert's review of it in a montage of various reviews of theirs on YouTube. It's safe to say that my thoughts on Naked Lunch are unsurprisingly close to theirs, more so Siskel's than Ebert's. Which is to say, there are lots of parts of Naked Lunch -- namely the scenes that detail the drugged-out fantasies of its main character -- that I honestly found weirdly fascinating and entertaining because they struck this sort of off-kilter darkly humorous tone that I got on board with. Also, I really liked the designs of the bug creatures in these scenes and have to give the puppet effects people credit there. But the issue here is that these fantasy sequences make up maybe barely half of the movie, while the rest details the writer's, played very well by Peter Weller, paranoia and descent into insanity as a result of becoming addicted to a bug powder intended to kill roaches. When Naked Lunch isn't dealing with the hallucinations or anything related to them, the movie has a sort of dry quality to it and the storytelling in general that kept me at a disconnect from it. I mean, I understood what Cronenberg was going for, but I could've watched a whole movie about Weller navigating this weird world of bug creatures with a kind of film noir style while also hitting on the same themes. The biggest issue I had with Naked Lunch as it is, is that like its main character, it maintains a sort of cold and detached quality in relation to the material that is obviously on purpose, but still worked as a disadvantage in my eyes. To mirror Siskel's views, the movie never fully came together for me, but I am glad I saw it. Also, it makes for an interesting sort of companion piece to Terry Gilliam's Fear and Loathing in Las Vegas, since both movies deal with a writer's drug-induced descent into insanity. But while that film's style struck me as repellent, Naked Lunch is more of a "too bad that didn't work," because there was more that interested me here at least.
**1/2 /****
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Post by Neverending on Jul 18, 2020 14:16:22 GMT -5
SnoBorderZeroThe Trip (1967) might be the most dated 60’s movie ever. Roger Corman claims he took LSD as research but that’s clearly nonsense. The movie is part cheesy and part pseudo-intellectual rubbish. It could have been the acid version of Reefer Madness but it’s just that “hey fellow kids” Steve Buscemi meme. Only thing it has going for it is Peter Fonda, Dennis Hopper, Bruce Dern and a script by Jack Nicholson.
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SnoBorderZero
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Post by SnoBorderZero on Jul 18, 2020 14:20:19 GMT -5
This looks stupid but hilariously dated.
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Post by Neverending on Jul 18, 2020 14:23:14 GMT -5
This looks stupid but hilariously dated. But we can thank it for Easy Rider.
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Post by SnoBorderZero on Jul 18, 2020 15:50:41 GMT -5
This looks stupid but hilariously dated. But we can thank it for Easy Rider. Roger Corman gave us a lot of good stuff. Without him, there wouldn't be Jack or Finian's Rainbow.
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Post by Neverending on Jul 19, 2020 20:39:28 GMT -5
SnoBorderZero 1godzillafan donny ENTER THE NINJA (1981)Franco Nero and PG Cooper star in Cannon Films' Enter the Ninja (1981) Gotta get this in before thebtskink goes on his beach trip. Not only is this a Cannon Film but it is directed by one-half of Cannon Film, Menahem Golan. Are we in for a treat? Nah. This dude gave us apples with razor blades inside. At the start of the "film", Italian star Franco Nero plays a middle aged man completing his ninjutsu training in Japan. But not everyone is thrilled that this old ass cracker can now call himself a ninja. More on that later. Franco Nero travels from Japan to the Philippines to meet up with a friend from the Vietnam War who now owns a plantation that's under siege from land developers. He asks Franco Nero to use his ninja skills to take care of these bozos. In return, he lets Franco Nero sleep with his wife, played by respected British actress Susan George. All goes well until that hater from Japan shows up to settle the score. Enter the Ninja sounds like it would be a half-decent B-movie but it's far from it. Franco Nero is embarrassing to watch as a ninja. Dude was falling asleep through half the movie, like Joe Biden at a cable news interview. The fight choreography is horrendous. It makes Roger Moore and his judo chops look like Bruce Lee. Editing is slow. Effects are cheap. Really, there's almost nothing good to watch here except for Susan George and her own personal battle with a bra. Susan, show that bra who's the boss.
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Post by Neverending on Jul 19, 2020 23:29:16 GMT -5
Happy to report Revenge of the Ninja (1983) is fucking amazing. Rest assured, PG Cooper will be watching it at the Film Club.
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Post by PhantomKnight on Jul 20, 2020 13:52:57 GMT -5
The Birdcage (1996)
I had actually seen The Birdcage already, about ten years ago when I was in the middle of college, i.e. long enough ago for the movie to mostly slip from my memory, thus making this re-watch feel relatively fresh. And you know what? I had a very good time with this movie. It works because it takes the premise and injects it with enough heart to allow it to rise just enough above the sitcom-like set-up. The movie may indulge in a lot of the expected gay jokes/humor and stereotypes, but the key is that it doesn't paint its two central gay characters as just those stereotypes. The movie takes time to generate empathy for them and develop them just enough so that the comedy lands even harder. The Robin Williams character in particular feels that way, partly because of the writing and partly because Williams' performance is surprisingly more restrained and down-to-Earth than you would expect. Nathan Lane gives the more bubbly and bombastic performance you'd think Williams would be designated to, but the flip in that regard absolutely works. The two of them have incredible comedic energy on their own here, but their chemistry together is even better. So when the movie gets to its second half, the extended meeting-the-parents sequence is all the more entertaining and I, at least, am more forgiving of the sitcom-like set up for it because the characters had charmed me and drawn me in by then. On top of all that, though, I just found The Birdcage to be very funny. It certainly helps that you've got comedic talents like Robin Williams and Nathan Lane, but credit also goes to director Mike Nichols. He strikes the perfect tone, paces the whole film well and has a great sense of comedic timing himself in the way he stages and films a lot of this movie. I've never seen the French play, La Cage aux Folles, that this is based on, but The Birdcage certainly feels like a success on its own and I very much enjoyed it.
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Post by Neverending on Jul 20, 2020 13:56:18 GMT -5
Glad you enjoyed yourself
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1godzillafan
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Post by 1godzillafan on Jul 20, 2020 14:14:08 GMT -5
True story: Robin Williams passed the day before my birthday, so when I met with friends the day and they wanted to watch a Robin Williams movie and this was on Netflix and they said they never heard of it. I was legit like it's must see Robin Williams, it's my birthday, and we're watching it right fucking now.
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Post by Neverending on Jul 22, 2020 2:33:07 GMT -5
SnoBorderZero PG Cooper 1godzillafanRevenge of the Ninja is a billion times better than Ninja III: The Domination and I'm kinda annoyed that Ninja 3 gets all the hype/attention. But it does have its merits.
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Post by Neverending on Jul 24, 2020 19:40:03 GMT -5
SnoBorderZeroFinally watched La Cage aux Folles. Didn’t expect the Birdcage to be a near scene for scene remake. But ultimately I think I prefer Birdcage. Robin Williams. Nathan Lane. Gene Hackman. It’s just a stronger cast. And it’s a lot more lively too.
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Post by Neverending on Jul 26, 2020 17:56:49 GMT -5
SnoBorderZero PhantomKnightWatched La Cage aux Folles Part II. I can see why Dracula was apprehensive about it. The plot is the two of them hiding from evil spies, but the core of it is surprisingly good. They go hide at a village and the Nathan Lane one has to face life as a cross-dresser in a farm. It could be seen as problematic by the PG Cooper Generation. The movie doesn't hide the fact that this flamboyant gay man is beneath these strong working women. It makes it seem like this person failed as both a man and a woman. At least that's the impression it could give off to the Zoomers. It's ultimately a wacky comedy. Interesting stuff nonetheless. I'll watch Part III (yes, there's a Part III) if I ever come across it. I'm invested now in this series. LOL.
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1godzillafan
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Post by 1godzillafan on Jul 26, 2020 19:35:47 GMT -5
I'm just now discovering that we could have had a Birdcage trilogy and it didn't happen and now I'm pissed.
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Post by Neverending on Aug 23, 2020 11:43:35 GMT -5
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Post by Neverending on Aug 24, 2020 10:31:36 GMT -5
I watched that documentary, Skin: History of Nudity on Film. Didn’t expect to watch Oliver Reed wrestling naked. I think Doomsday found his Round 200.
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Post by Dracula on Aug 24, 2020 12:11:23 GMT -5
I watched that documentary, Skin: History of Nudity on Film. Didn’t expect to watch Oliver Reed wrestling naked. I think Doomsday found his Round 200. That's the only particularly memorable scene in Women in Love.
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Post by Neverending on Aug 24, 2020 12:18:29 GMT -5
Dracula wants to get out of watching Oliver Reed wrestle naked.
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