PhantomKnight
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Post by PhantomKnight on Jul 10, 2021 18:44:37 GMT -5
We can only hope all of our recommendations are half as good. I have plenty of recommendations that are half as good. Be afraid. Be very afraid.
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Doomsday
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Post by Doomsday on Jul 10, 2021 21:22:29 GMT -5
Well played Drac, very well played.
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thebtskink
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Post by thebtskink on Jul 10, 2021 21:33:57 GMT -5
I have plenty of recommendations that are half as good. Be afraid. Be very afraid. Zombie Ass! Zombie Ass!
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1godzillafan
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Post by 1godzillafan on Jul 10, 2021 22:59:08 GMT -5
Be afraid. Be very afraid. Zombie Ass! Zombie Ass! Y E S
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1godzillafan
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Post by 1godzillafan on Jul 10, 2021 22:59:48 GMT -5
Except Zombie Ass is objectively better than Geostorm.
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Nilade
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Post by Nilade on Jul 11, 2021 23:56:47 GMT -5
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IanTheCool
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Post by IanTheCool on Jul 12, 2021 0:13:44 GMT -5
I've never seen Top Secret and its free to me, so let's do that one.
For you (all checked vs Canada's offerings). I can provide replacements if these are all seen and/or look crap to your tastes:
I'm not sure which one I'll try yet, possibly she dies tomorrow or the verdict
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PG Cooper
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Post by PG Cooper on Jul 12, 2021 8:40:16 GMT -5
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IanTheCool
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Post by IanTheCool on Jul 18, 2021 0:01:27 GMT -5
The Verdict
This wasa a soldie mo
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IanTheCool
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Post by IanTheCool on Jul 18, 2021 0:10:09 GMT -5
The Verdcit
This was a solid movie. Lots o drama. Paul newman is old but still a good actor. He plays a drunk lawyer who is trying to get back to being a respectable lawyers but tying a malpractice case for a woman in a coma. Seeing everything from a lawyer's perspective is interesting, especially when everyone thinks he's just out for money., You can really see the screenplay in action here. Acts, motivation, etc
The one thing I had a problem wist is that there is one plot thread that isn't really resolved. It involves the love interpret (no spoilers) so I wont go into it, and though there's a ig moment, there doesn't appear to be any fallout. It just is twat it is. What it is.
A good courtroom drama that feels authenticity. It grabs you and holds onto you until the end. There are not movies like this anymore. I don't know why. Ask the studios.
8/10
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1godzillafan
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Post by 1godzillafan on Jul 18, 2021 0:11:27 GMT -5
The Verdict
This wasa a soldie mo
My favorite review.
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Doomsday
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Post by Doomsday on Jul 21, 2021 8:00:43 GMT -5
The Fast and The Furious: Tokyo Drift
Not only did I choose the third Fast and Furious movie because Dracula called my bluff by choosing Geostorm as his watch for this round, I also chose it and am posting my review today because it's exactly one year to the day since leaving my film club review for 2 Fast 2 Furious. I thought it would only be appropriate and for those film club participants who want to plan out your Doomsday picks for next summer, you know what to do.
So Tokyo Drift, wow. Gone are the days of enthusiasm titans Vin Diesel and Ryan Walker. No more cops, no more undercover busts and shootouts. We're going deep. We're going raw. We're going to high school. Right out the gate our hero Sean (Lucas Black) is caught up in a street race through a residential construction site. In this one scene alone he races against a) Zachary Ty Bryan of Home Improvement fame who's b) driving a Dodge Viper with c) Bawitaba by Kid Rock playing. All of these are relics of the late 1990s being featured in a racing movie from 2006. Bawitaba was an 8 year old song by this point. Based on this opening scene alone does the movie come off as over the top? Sure, but there's an audience for this and it's certainly not the worst thing I've ever seen. It just feels very dated while at the same time trying to carve out its own place in a franchise by doing nothing new.
Like I said with 2 Fast 2 Furious, I'm trying to keep my limited knowledge of the franchise out of the equation and only comment on the movie as I currently see it in the context of the previous two. Clearly this installment is a step in another direction and while the intentions may be noble it's also obvious that at this point the franchise was a ship without a rudder. The first installment was entertaining enough considering its time and place, the second was a clear step down in almost every regard as it took everything that made the first one passable and cut it in half, and I imagine with the third one they were attempting some sort of soft reboot. LIke I said before, gone are the undercover cops who are after gangsters and drug dealers, now enter the teenagers. Sean is our new protagonist who is kicked out of one high school too many and now has to live with his Navy dad in Tokyo so he doesn't go to juvenile hall, naturally. Almost immediately he meets Lil Bow Wow who's the Ja Rule replacement and Sean is introduced to the Tokyo racing scene. Maybe racing is the wrong term, it's the 'drifting' scene, something Sean isn't familiar with. He challenges the 'Drift King' DK to a race but has no car and for no reason whatsoever another of DK's associates, Han, lends Sean his ride which he immediately crashes. Now Sean is in to Han for a new car but in the meantime Han shows Sean the ropes of the teenage Tokyo underground and, what's infinitely more important, he teaches him how to drift. Why does he do these things? We don't know other but thanks to some throwaway dialogue like 'I see something in you' we're given a glimpse into the nonsensical thinking that Han employs. Things start going south competition-wise between Sean and DK and lo and behold, DK's uncle (Hattori Hanzo from Kill Bill) is Yakuza and before long Sean is in over his head. With lines like 'We're not so different, you and I' and 'The loser leaves town' you know that everyone means business and the only way to settle any beef...is BEHIND THE WHEEL!
So simply put, is this movie a dumpster fire? No, at least not entirely. It's not great or even good either but I can't completely fault a movie for being exactly as advertised, that being a watered down knock-off installment of a franchise that was really trying to force itself onto moviegoers at the time. I can't compare Tokyo Drift to any of the future installments but this movie took everything that made 2 Fast 2 Furious inferior to The Fast and The Furious and dropped it a few rungs further down. The excitement isn't quite there, the 'cool' or 'macho' factor isn't quite there, even the acting isn't quite there which says nothing and everything at the exact same time. Lucas Black makes Paul Walker look like Robin Williams by comparison and there's just nothing to care about in this movie. I suppose had I assumed that Han were really dead I still wouldn't have been taken aback, I would have been one of the many people who I'm sure thought 'whatever' when they first saw this movie upon release. That's because it's a movie that's pretty aimless but even mostly fails at being 'cool' at the same time which was its entire purpose for existing. These creative decisions might be intentional as I think this was a failed attempt to ground the franchise to something that might be more relatable for its target audience, making a movie about high school kids whose primary audience will be high school kids, but then again maybe I'm just giving this movie too much credit. I don't know, Tokyo Drift perplexes me because it's not good but at the same time does exactly what it intended to do, no more, no less. It's a movie that I know didn't tick all the boxes of what makes an effective film but I didn't hate it either, it's just there. I think a lot of my criticisms for 2 Fast 2 Furious were very similar to the ones I have for Tokyo Drift but I'm not sure what more there is to say. I mean how can you really lay into a movie that lives up to the low standards that it set for itself? I have a feeling that my thoughts would be similar if I were to go through any other movie in the franchise. I know, I'll try another angle and I'll put it this way; Tokyo Drift is better than 2 Fast 2 Furious. At least this tries to be a little bit different and has some faint semblance of something that might be called a story. At least I didn't feel like this movie thought I was a total idiot. Maybe that should have been my entire review in the first place.
C- so says Doomsday
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Dracula
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Post by Dracula on Jul 21, 2021 9:51:49 GMT -5
Should only be one more kind of bad installment to get through, then you'll be into the F&F movies that people actually like.
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Nilade
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Post by Nilade on Jul 21, 2021 10:33:58 GMT -5
Tokyo Drift is one of my guilty pleasure movies. I always watch it when I see it's on TV.
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Doomsday
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Post by Doomsday on Jul 26, 2021 10:57:50 GMT -5
Here's where we're at so far. thebtskink - IanTheCoolPhantomKnight - donny Dracula - DoomsdayPG Cooper - Nilade
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thebtskink
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Post by thebtskink on Jul 26, 2021 22:24:17 GMT -5
Watched Top Secret tonight. Review up by Wednesday night.
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Nilade
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Post by Nilade on Jul 27, 2021 1:05:14 GMT -5
I Don't Feel at Home in This World Anymore
Ruth is a nursing assistant who is having a bad day when she come homes to find her house burglarized, including her laptop and grandmother’s silverware among the missing items. When the police refuse to take any action, she enlists the help of her quirky loner neighbor to begin investigating around town.
The film starts off as a slow rolling boil but manages to entertain throughout its short run time. Ruth is such an unassuming character that when life keeps dealing her a crappy hand you want to see her come out ahead, which made the film that much more engaging. Melanie Lynskey needs to be in more films, or maybe I need to watch more of the films she’s already been in. Also, I didn’t even realize that her neighbor was Elijah Wood for about the first ten minutes his character was on the screen. He was great too.
Overall, slow and entertaining, Fargo-lite, great cast.
6.5/10
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Nilade
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Post by Nilade on Jul 27, 2021 1:26:05 GMT -5
Millennium Actress
A television interviewer and his cameraman visit a retired actress that was once a well-known star but is now a recluse. When they return to her a key, a special memento that she had held onto most of her life but had lost many years back, it prompts her to share her life story with them.
As short as this film is, I had to split it over two nights, as I was pretty confused the first half. As the actress reflects on her life story, it’s shown in flashbacks, with the interviewees appearing as spectators in the flashbacks, but the flashbacks of her story are told throughout the various films she’s been in. One could assume that you’re just seeing a scene of one of her films in the flashback, but without warning the scene will switch to another film of hers, one with a similar plot of her last film. It wasn’t until watching the back half on the second night that I picked up on it and everything clicked. Once it did, I was rewarded with a bittersweet story, beautifully told, of the pursuit of lost love.
Beautiful anime, touching story, and a bit of humor, although slightly confusing.
7.5/10
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Doomsday
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Post by Doomsday on Jul 27, 2021 6:30:32 GMT -5
Damn, Nilade coming from behind with a double whammy.
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PhantomKnight
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Post by PhantomKnight on Jul 27, 2021 14:24:16 GMT -5
The Hunt (2012)
A bit of time has passed since I watched Thomas Vinterberg's The Hunt, and the film is still sitting with me. It's one that tackles difficult and uncomfortable subject matter -- and rather bluntly, at that -- but it also wisely lays all its cards on the table. And that ends up feeling like absolutely the right approach this film could have taken, because by showing that the main character Lucas (Mads Mikkelsen) is completely innocent of the sexual abuse he's accused of, it really enhances the drama and tension inherent in the story, and makes it all the more quietly gripping. Neither does the film really sensationalize any of the events. Everything that happens here has an authenticity to it in relation to how people in this kind of situation would seem like they'd naturally react, and that's a big reason why the film feels so effective. The way it portrays the effects and damage these kinds of accusations can have on innocent people and the relationships previously formed in this kind of small, tight-knit community is captivating, again because it really hones in on the expected/natural reactions and makes those as compelling as any form of high drama you'd see in other more sensationally-written pieces. At the heart of it all is an extremely sympathetic performance from Mads Mikkelsen. I'm so used to seeing Mikkelsen playing the in-control, self-assured antagonist whether it be in Hannibal or in movies like Casino Royale or Doctor Strange, that seeing him as a more kind, soft-spoken guy wrongfully put under the microscope was definitely a different experience for me, but no less amazing. Mikkelsen's performance here is outstanding and so sympathetic, that we really do feel the sense of rage and injustice on his part and anguish over the decisions made against him -- which goes back to how Thomas Vinterberg frames the story to maximize that emotional impact. Plus, the way the film ends struck me as both earned and natural, as it effectively emphasizes the lingering effects something like this would have.
All in all, I was pretty damn mesmerized by The Hunt. It taps into the emotional and thought-raising issues extremely well, features quietly powerful filmmaking and sports a phenomenal performance from Mads Mikkelsen. Not sure if I'd want to see it again, but it's certainly going to have a lasting impact.
****/****
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Doomsday
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Post by Doomsday on Jul 29, 2021 14:12:26 GMT -5
While we wait for the rest to come in, who's in for next round?
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Dracula
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Post by Dracula on Jul 29, 2021 14:16:47 GMT -5
in
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thebtskink
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Post by thebtskink on Jul 29, 2021 14:18:17 GMT -5
Yes
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PG Cooper
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Post by PG Cooper on Jul 29, 2021 14:33:26 GMT -5
In.
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PhantomKnight
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Post by PhantomKnight on Jul 29, 2021 14:34:35 GMT -5
Put me in, Coach.
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