Dracula
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Post by Dracula on Jul 7, 2024 11:24:59 GMT -5
A Quiet Place: Day One(6/27/2024)A Quiet Place is one of the more successful franchises that Parmount Pictures almost certainly wants to keep going with regularity but director John Krasinski is too busy making weird CGI imaginary friend movies to make a proper Part 3, so what’s a studio to do? Prequel spinoff, that’s what. To make it they’ve employed Pig director Michael Sarnoski to make a film set in New York City right at the onset of the invasion that would eventually cause the post-Apocalypse we see in the first two films but centered around mostly new characters. The logline that was almost certainly used to sell this movie to executives was “this will be the Aliens to A Quiet Place’s Alien,” a movie that uses the threat from a horror movie and uses it to more direct and in your face form of thriller that borders on being an action movie. This doesn’t go quite as far as Aliens in that direction in that we never have the humans picking up guns to fight back against the monsters, but it does have the feel of a full monster disaster film more so than a suspense movie about unseen enemies. In particular it definitely borrowers a vibe form the 2008 New York set monster disaster film Cloverfield, while obviously eschewing that movie’s found footage format. This isn’t a terrible idea but I’m not sure the execution was all there. Occasionally the film will present the audience with some pretty decent set-pieces and there’s decent disaster imagery to be found, but it’s not really doing much that hasn’t been seen before and the suspense execution is spotty. But the bigger problem with the movie is that its characters and their motivations are kind of weak. The movie centers on a woman named Samira (Lupita Nyong'o) who’s in the late stages of terminal cancer and who finds herself in the midst of this chaos and has much different survival motivations than the people around her and eventually she randomly meets up with a dude named Eric (Joseph Quinn) who decides to hang out with her. This relationship, I think, is the biggest problem here. Eric’s motivations in clinging to this lady never really rings true and he’s introduced a little too late and is just a little too bland to really endear himself to the audience. That Michael Sarnoski directed this is curious. There are some aspects of the script that seem to be attempting the same kind of humanism he displayed in his debut film and there are a couple of quiet scenes that do reflect his sensibilities but I’m not sure he ever really finds the right balance between this material and the more conventional action; he kind of tries to go all in on action in the first half and then sneak the humanism in late, but without proper set-up it never really lands and as such the movie never quite works. However, I don’t want to come down too hard on this. At worst it’s a near miss and it does have its moments and there are certainly worse thrillers out there. **1/2 out of Five
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PhantomKnight
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Post by PhantomKnight on Jul 7, 2024 11:32:18 GMT -5
Part of me keeps waiting for the creative bottom to fall out from these Quiet Place films, but damn it, they keep finding ways to make the core concept work. And I'm sure a big part of that is that they keep assembling quality talent for them. Pig director Michael Sarnoski steps behind the camera for this prequel, and while it may not be as strong overall as John Krasinski's two entries, Day One is still able to mine plenty of suspense, action and especially humanity from the proceedings here. The New York City setting provides a refreshing change of environment and settings for different setpieces, which work well and instill the same kind of afraid-to-breathe reaction as a viewer, mainly because the tension remains coiled so tight. Even if there necessarily isn't anything here that particularly stands out in the same way some of the setpieces from the first two did, those scenes still very much work in large part because the filmmaking is so confident. Where this movie mainly benefits from Sarnoski being at the helm, though, is in the second half, where the humanity and emotional core of the story takes more of the spotlight. Both Lupita Nyong'o and Joseph Quinn turn in strong performances here, Nyong'o especially, who infuses her performance with doses ofanger, grief and slight resignation that make her journey feel powerful. The second half really takes the time to balance out letting these characters breathe and help each other, allowing for some genuinely tender and touching moments that culminate in a legitimately moving finale. Could I have done with a little bit more information about the creatures, given the prequel aspect? Maybe, but then again, that's not really the point of these films. The point is more to show how humans perservere and try to push through in these circumstances, and it's that sense of humanity that once again bolsters this franchise, making it a very consistent one so far. Oh, and the presence of Frodo the Cat definitely helps as well. You go, Frodo.
***1/2 /****
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frankyt
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Post by frankyt on Aug 27, 2024 20:08:20 GMT -5
Extreme diminishing returns here but it was okay. I dunno how people dont make any noise walking through rubble in sneakers in New York city - but alas these guys did it. And they are able to essentially out run these aliens? And a sea of like 30 of them? And are they singular hunters or not? Were they eating that egg thing on the one scene and then called to others and ate with them?
I did enjoy them chasing the helicopters like rabid dogs. Could use that to our advantage with say a live volcano or some sort of weather event that causes a tsunami or some sort of water level rise?
A solid final scene but didn't make up for the journey.
Maybe slightly better than number 2.
5.5/10
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