PG Cooper
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Post by PG Cooper on Jun 4, 2024 19:43:08 GMT -5
Deceptively breezy in the way that a lot of Richard Linklater's best movies are. Hit Man is so fun to watch, so affably charming and with such a strong sense of humour, that it's easy to take for granted what an amazing tonal tightrope the film walks. The core of the movie is a romantic comedy about a dorky wallflower who tries on a tougher persona and finds a sexy love affair but Linklater takes a very unconventional path to get there. We start with Gary (Glen Powell), a mild-mannered professor who moonlights helping the police catch people looking to hire a contract killer. Gary's role is initially just tech support but he finds himself thrust into playing the fake hit man after the cop they work under is suspended, on account of the woke counter-culture and being caught on video beating up teenagers. Gary proves a natural however and really dives into the work, developing a series of elaborate hit man personas tailor-made to best ensnare his mark. It is here that Gary, as his Hit Man persona 'Ron', meets Maddy (Adria Arjona) and both steers her away from her ploy to hire a hit man for her husband and also begins to date her, all while she thinks he's really a hit man. Just writing out that plot synopsis is giving me a renewed appreciation for how effortless the movie's plotting feels because when you break it down there's clearly a lot going on. The first act is where Linklater and Powell (the latter as actor and co-screenwriter with Linklater) have the most fun with the hit man premise, both in referencing and lampooning the trope and in the various comical takes on a hit man Powell gets to play. At this point the film comes close to being an almost sketch-style comedy, each scene a new riff on the hit man high-concept but the movie shifts when Maddy enters the picture. The silly hit man scenes are still there but become less frequent as the romantic comedy takes center stage. It's charming, seductive, and very sexy. Powell and Arjona have amazing chemistry which is not only a delight to behold but also sidesteps some of the more problematic waters this movie could have steered into. This is a movie about a man who enters into a sexual relationship with a woman under false pretenses, but the actors are so good that it stays fun. It's also crucial that the screenplay and direction are so explicitly about performance that the whole acts as a metaphor for roleplay itself, something which becomes incredibly well-realized when Gary/Ron needs to communicate something to Maddy while the two are wiretapped. The film is simply some of the most fun I've had in a theater in recent memory. And just when I was ready for the film to settle into a more rote conflict with a villain, Linklater swerves again in a way which comes full circle to the dark comedy of its morbid premise. What a delight this is. Very lucky that the film got theatrical distribution in Canada, but even if you're stuck watching Hit Man at home on Netflix, it's well worth it. A
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Doomsday
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Post by Doomsday on Jun 4, 2024 20:20:06 GMT -5
Really looking forward to seeing this one, glad to hear you enjoyed it.
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Neverending
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Post by Neverending on Jun 4, 2024 20:28:53 GMT -5
Really looking forward to seeing this one, glad to hear you enjoyed it. Anyone But You is also on Netflix. You can do a Glenn Powell double feature.
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frankyt
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Post by frankyt on Jun 9, 2024 9:43:27 GMT -5
Well I dunno this one was... A Netflix movie. It's higher quality Netflix but it isn't exactly this summer banger that the reviews seemed to suggest.
It goes places I guess I didn't predict but it was overall a pretty bland movie. And Powell sure is trying to be the guy but is he? Does he have that it factor at all? I'm gonna say he doesn't just yet. I don't dislike him in any way shape or form and I think he's always making decent to good decisions for his characters.
But he just doesn't have that wow factor jumping off the screen for me. I'll discuss spoilers but why did it end the way it did? Why wouldn't you be worried if you were Gary? I mean come on.
I'd give this a 6/10. Be a rarity for me to revisit this.
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SnoBorderZero
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Post by SnoBorderZero on Jun 13, 2024 11:55:45 GMT -5
Richard Linklater is one of the most prolific American filmmakers of all time. For someone who's made so many great films across such a wide variety, it's wild at times to think how underrated he still is as a director. I've seen all of his films, and when you look at comparable filmmakers really the only apt comparisons come in the forms of the Coens and Robert Altman. Linklater is that great. Which is why his latest, Hit Man, is a disappointment that displays little of his flair and inventiveness in scene crafting and reeks of a bland Netflix product. I was hoping for this to match the level of at least Bernie, and while Glenn Powell is great as the lead and the components for a sexy thriller are there I couldn't get past the constant amount of contrivances and lack of any real conflict in the movie.
Powell plays Gary, a nerdy philosopher professor who moonlights as a fake hit man for the New Orleans PD. When the current, fake hit man gets in hot water they promote Gary instantly into the role. And instantly...he succeeds, setting off the first of several leaps into pure disbelief that are the makeup of this movie. Gary never fails in this role, which the film attempts to explain by claiming a person can fully inhabit a new persona living inside them if they possess the right mentality to do so. Okay, sure, perhaps over time but instantly? The nerdy professor can believe all he wants, but now he can physically throw a football too? At times I wanted to shake this off as pure nitpicking, but it's hard to ignore these elements when the movie breezes along with one of these after the other.
It takes awhile to get to the main plot, and when it does the movie finally gets rolling into some interesting territory where Gary meets an attractive client and instead of coercing her into hiring him as a hit man to kill her abusive husband he talks her out of it and begins a romantic relationship with her. At this point the movie had the ability to shape itself after excellent thrillers like Double Indemnity or Body Heat, where lies begin to pile up and the truth just isn't what our characters are relaying to each other. But sadly that is not Hit Man, which offers few twists and turns the rest of the way and frustratingly solves every problem with ease in the exact scene those problems arise. A thriller without stakes, and one that solves conflicts on the spot, is never going to get off the ground no matter how much charm and chemistry it has going for it. Even the film's climax is solved without explanation or reason, and worse ends on a time jump with everything resolved and neatly in place. What? For a movie "based on a true story", I didn't buy much of it at all. I can suspend disbelief to an extent, but when a film's entire premise is questionable that's a different story.
There's a good movie in Hit Man, but Linklater's first foray into Netflix territory feels held back, simplistic, and displays little of the creative innovation he's displayed in nearly all of his films since Slacker. A more comedic take on Body Heat could have been his best film in a decade, but Hit Man is more focused on serving as a charming vehicle for Glenn Powell and not in storytelling that's both feasible and exciting. A rare lesser effort from one of the greats.
6/10
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PG Cooper
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Post by PG Cooper on Jun 13, 2024 12:19:03 GMT -5
Insanity in this thread.
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frankyt
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Post by frankyt on Jun 13, 2024 12:29:41 GMT -5
I think we need to get into your views of grosse pointe blank - way too low on the poll.
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PG Cooper
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Post by PG Cooper on Jun 13, 2024 13:08:38 GMT -5
I think we need to get into your views of grosse pointe blank - way too low on the poll. I actually like that movie a lot.
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PhantomKnight
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Post by PhantomKnight on Jun 13, 2024 19:33:20 GMT -5
I got you, bud... When I first heard the premise behind Richard Linklater's newest movie, Hit Man, and even within the first ten minutes or so, I was kind of surprised that he was doing something like this. Because it seemed like something quite a bit broader than some of his other movies I associate him with, like the Before trilogy, Boyhood, etc. And yet, it didn't take long for Hit Man to put me at ease, reminding me that this is the more laid back Linklater, the one who can deliver movies that soak in their characters' charms and chemistry, which is exactly what Hit Man does. There's definitely a plot here, one that moves along at a strong clip, but this is also very much a movie driven by personality, namely that of its two main stars. Simply put, Glenn Powell and Adria Arjona make for a delightful pair with great chemistry whom I could just watch for days, and this movie takes advantage of that. After a fun First Act that showcases Glenn Powell's clear talent as an actor, the film becomes a super-charming rom com tinged with crime aspects, but the script -- penned by both Linklater and Powell -- doesn't let the latter overpower the former, recognizing what the real appeal of its premise is. Because, quite frankly, this is the most enjoyable rom com I've seen in quite some time. Whenever Powell and Arjona share the screen together, it's electric, but the really impressive thing about this movie is how it handles their development. At least, for me, personally. Because, given the way in which these two are brought together initially, and how their relationship progresses, there is a risk that things could just start feeling icky in a certain sense, yet it's a testament to the acting and the writing that I was so continually charmed by these two and rooting for them. Even the ending...I can totally see why others could have a problem with it/look at it in a different way, but I bought it ultimately (despite me acknowledging some potential...shall we say, concerns about the morality involved) because I bought into this chemistry so much. Hit Man isn't top-tier Linklater or anything, but it is him delivering a very enjoyable movie that does definitely reflect certain skills of his as storyteller.
***1/2 /****
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Neverending
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Post by Neverending on Jun 13, 2024 19:38:17 GMT -5
I got you, bud... ***1/2 /****I mean… if you’re looking for 4-star entertainment…
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Dracula
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Post by Dracula on Jun 13, 2024 21:31:59 GMT -5
Hit Man(6/7/2024) Hit Man is the latest film from Richard Linklater, which has gotten a lot of discourse because it was purchased for distribution by Netflix who have not really been rolling out the red carpet to make it feel like a big deal despite it have a very well received festival run and feeling like a very audience pleasing piece of work. Indeed, it feels like a movie that a lot of people would like if they gave it a chance but I can also see why it would be a pretty tough movie to promote in this movie environment in part because its main appeal is the chemistry it displays between its two stars, neither of whom are household names and if star chemistry wasn’t enough to sell people on The Fall Guy I’m not sure how much a chance this movie stood.
Within Linklater’s body of work this feels like something of a companion piece to his 2011 film Bernie in that both are based on real life human interest stories that have murder in their peripheries. This one looks at a guy (Glenn Powell) who works with the police in a civilian capacity and finds himself doing undercover work setting up sting operations where he poses as a hired killer to catch people in the act of soliciting murder contracts. The plot really kicks in when he’s doing one of these stings on a woman (Adria Arjona) who seems to be wanting to kill her abusive husband but leaves the meeting without incriminating herself and he finds something striking about her. A while later he finds himself meeting her again and she’s no longer with her husband and he strikes up a relationship with her, but he’s still posing as that hit man and has adopted a much different personality than his usual persona as a result. So in a lot of ways the film sort of feels like a big set up for the ultimate in romcom third act “you lied to me!” twist misunderstanding/relationship obstacles, and on some level it does do that but the situation is so extreme that this feels less like something going through the formula motions. In fact the film is in many ways the inversion of the universal relationship advice of “just be yourself” which is upheld by all those other movies; literally and figuratively “being someone else” is the entire basis for the film’s relationship and while it does complicate things for all involved it is ultimately what makes these two people gel and the movie does not entirely walk this back by its ending.
At the film’s opening it announces that it’s based on a true story and the movie sort of leans into this with its voiceover but the claim is a bit misleading. The main character is based on a real guy who really did undercover stings like this (though not as many as are depicted and his entrance into this work was different) and his observations about this trade appear to be drawn from actual interviews with him. However, the film’s entirely storyline about his relationship with the Adria Arjona character and his friction with a corrupt cop played by Austin Amelio appears to be entirely made up. I kind of wish the movie had trumpeted its “based on a true story” bonafides a bit less because certain elements of the police procedure here plus several elements of the romance kind of ring false in ways that would have stood out less had this just been sold as a work of fiction. In particular the story starts to take turns in its third act that would seem to be basically impossible to tell unless things turned out pretty badly for these characters and would have rung a bit differently had the movie just been sold as a story. Set that aside though and there’s a whole lot to like here. As previously mentioned Glenn Powell and Adria Arjona have a lot of chemistry here which makes what could easily feel like a rather twisted and manipulative relationship feel both believable and like something you want root for and that’s kind of an accomplishment amidst all this craziness. **** out of Five
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