Neverending
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Post by Neverending on May 28, 2023 18:48:46 GMT -5
Let’s get the woke shit out of the way, so Doomsday isn’t crying. Javier Bardem is a pimp. All his daughters are a different race and ethnicity. I laughed my ass off when I saw that. Ariel just happens to be the Black one. Other than that, this is just your good ol’ Lil Mermaid. No woke shit whatsoever. Take the family. You’ll be fine. Anyway… The movie is surprisingly good. I’d argue it’s actually better than the cartoon. PhantomKnight will love it. They don’t dwell on the stupidity of Ariel falling in love with Eric. Basically, both Ariel and Eric are two young people feeling trapped by their parents and they wanna leave the nest and go explore the world. That’s the theme the movie mostly focuses on and it works. The songs are a mixed bag. Lin Manuel Miranda gave Scuttle a rap song and I can’t wait for Dracula to hear that shit. The Kiss the Girl scene is phenomenal. I hated a lot of the CGI in this movie, but that scene completely won me over. Chef’s kiss! The ending is pretty good too. Hit the right emotional beats. Overall, pretty decent movie. I’m not really a fan of the cartoon, so take that into consideration. I think the live-action works for what it is and had a stronger script than the cartoon.
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Doomsday
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Post by Doomsday on May 31, 2023 12:05:53 GMT -5
I've been reading how this is actually likely to lose money considering how badly it's tanking abroad. I was going to take the kid but the length + 20/30 minutes of shit trailers and commercials would not make for a good experience for a kid her age. We'll wait until it's on Disney+ and she can rewatch it 25 times in a week as God intended.
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Neverending
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Post by Neverending on Jun 3, 2023 9:49:38 GMT -5
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scottysair
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Post by scottysair on Jun 17, 2023 17:58:51 GMT -5
I already watched The Little Mermaid movie last month. It was very nice movie. No doubt about that.
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PhantomKnight
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Post by PhantomKnight on Jul 11, 2023 14:06:13 GMT -5
I honestly wasn't sure what to expect from this movie, given most of Disney's track record with their live-action remakes, but hey, I liked it! Halle Bailey is a freaking superstar and ABSOLUTELY crushes it as Ariel (just TRY not to feel anything when she sings), not just in the song department, but with her overall performance. Especially when Ariel's voice has been taken away, Bailey captures the wide-eyed wonder and charm required for those scenes without ever overdoing it. This kid's going places. Melissa McCarthy is really kinda perfect as Ursula, Daveed Diggs is delightful as Sebastian, same with Awkwafina as Scuttle, etc. Especially in the second half, this movie just has that magic that you'd want/expect from this, and I never thought it felt cynical. But the key to its success here is that it does what the better remakes in this line have done: it's faithful to the original while expanding on it in the right places, enhancing on certain aspects in ways that feel organic while still staying true to the spirit of the source material. And by the end, yeah...I was moved. I'd happily watch it again. Not great and certainly not on the level of the original, but definitely one of the better live-action Disney remakes.
***/****
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Neverending
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Post by Neverending on Jul 11, 2023 14:08:21 GMT -5
MovieBuff801 coming in with those timely reviews.
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PhantomKnight
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Post by PhantomKnight on Jul 11, 2023 14:10:13 GMT -5
MovieBuff801 coming in with those timely reviews. Better late than never.
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Neverending
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Post by Neverending on Jul 11, 2023 14:13:44 GMT -5
MovieBuff801 coming in with those timely reviews. Better late than never. Never too late to discuss the scuttlebutt.
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PhantomKnight
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Post by PhantomKnight on Jul 11, 2023 14:15:47 GMT -5
Never too late to discuss the scuttlebutt. ...Must we?
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Dracula
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Post by Dracula on Nov 22, 2023 20:29:13 GMT -5
The Little Mermaid(11/14/2023) These bad live action remakes of Disney classics tend to suck in two related but distinct ways: movies like The Lion King and Beauty and the Beast which slavishly recreate their original films and seem completely redundant and pointless as a result and movies like Mulan and Dumbo that try to do new things with their properties and fall on their faces doing so because they’re inept. Both of these approaches have their pros and cons: the redundant one do tend to retain at least a little bit of what made those original movies worked while the “creative” ones at least potentially have the possibility of becoming worthwhile if handled well (as they occasionally are in cases like Pete’s Dragon and Cruella) but for the most part both are paths to failure. The most recent of these movies, The Little Mermaid is firmly in the “redundant and pointless” camp. The film more or less follows the exact same script as the 1989 film it’s trying to replicate and the few additions it does make (a couple extra songs and slight tweeks to the underwater power structure) are actively worse than anything that was in the original film. It also runs into some of the problems that the 2019 The Lion King ran into in which we’re seeing lush animation replaced by realistic CGI for a story that does not require or even really work with realism. On the other hand it also has the same basic advantage of The Lion King, which is that it’s replicating a bona fide Disney classic and at least some of what made that classic work is going to rub off on it. So, this movie inherits a reasonably good story, some good songs, and some worthwhile enough visual ideas and if you somehow watched this in a vacuum unaware that all of this was just being Xeroxed from another movie there may be some fun to be had with it, but how many people are really in that position? Not many. There are aspects of the movie that work fine like Halle Bailey’s performance but they don’t make up for the artistic bankruptcy of the whole endeavor. Granted that’s more or less a given for these movies so if there’s anything nice to say about this one it’s that it has the budget and source material to be more watchable than a true debacle like Robert Zemeckis’ Pinocchio, but that’s the faintest of praise. ** out of Five
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Neverending
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Post by Neverending on Nov 23, 2023 3:08:03 GMT -5
Dracula has it rough this year. The scuttlebutt or the Troll/*NSYNC reunion or Ryan Gosling’s Ken song (that was mostly made as a joke) for the Golden Stake Award. Or does he go full Grammy with Billie Eilish and Dua Lipa. The suspense is killing me.
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PG Cooper
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Post by PG Cooper on Nov 23, 2023 11:52:04 GMT -5
Dracula has it rough this year. The scuttlebutt or the Troll/*NSYNC reunion or Ryan Gosling’s Ken song (that was mostly made as a joke) for the Golden Stake Award. Or does he go full Grammy with Billie Eilish and Dua Lipa. The suspense is killing me. Elemental has a good original song. Then again, it's not really performed in the film so... Also, while I'm here: I had heard that The Little Mermaid was one of the better live-action Disney remakes but to my eyes this is every bit the lazy and unimaginative slog that I've come to expect from Disney's cynical plundering of their animation library. To be generous, I suppose, the film doesn't indulge in trite meta-criticism of its animated counterpart the way the Beauty and the Beast remake did. The 1989 movie was subject to some of the worst bad-take pop-feminist critique in the late 2000s and early 2010s and I was fully anticipating the remake to address "it's about giving up your voice for a man!". But, to the film's credit, it doesn't really do that at all and is mostly a straight-forward remake of The Little Mermaid. It's also terrible. All the new musical numbers range from bland to agonizingly awful, while the old songs are hurt by worse arrangements and bad singing. Only Halle Bailey really has the pipes to carry a musical, everyone else is strained beyond their skills. The final, most pervasive insult are the film's visuals. That big-budget studio filmmaking is reliant on crunched VFX artist has been evident for many years in the slipping standards of CGI and simulated backgrounds, but it's especially apparent in a film which sets large stretches of its narrative in an underwater kingdom. The movie's dreary and unconvincing waters are such a far cry from the majesty and wonder of Disney's animation its frankly staggering. D
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