Dracula
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Post by Dracula on Jun 26, 2022 16:44:00 GMT -5
The Outfit(6/12/2022)There was a time when Mark Rylance was an elusive white whale among actors. He was primarily a stage actor who would only do movies a couple times a decade, usually in small roles. Then in 2015 he showed up in Steven Spielberg’s Bridge of Spies and won an Oscar and from there he’s been something of a fixture in Hollywood. For a while it seemed like he’d stick to a Daniel Day-Lewis level of selectiveness and only work with prominent filmmakers like Spielberg and Nolan but I think The Outfit suggests that the quality control filters have been pretty much dropped. That’s not to say that the film looked completely moribund from moment one but it’s a loopy little crime thriller from an unproven director. The film is about a tailor who caters to the local mafia in Chicago who one night finds himself in a bit of a tense standoff with some of the local criminals he’s come to know. That does not strike me as a terrible compelling high concept and honestly I’m not sure how this got the green light, it sure seems like the kind of mid-level adult drama that doesn’t get made anymore and frankly it’s the kind of mid-level adult drama that gives the rest of them a bad name. The film doesn’t feel like a terribly authentic look at the 50s mafia; it’s in an odd place where it’s too heightened to feel real but not heightened enough to be interesting. It gets a touch more compelling in its second half but not enough to save the film, it’s just a movie too mediocre to get a pass. ** out of Five
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PhantomKnight
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Post by PhantomKnight on Jun 26, 2022 16:55:03 GMT -5
The Outfit is a movie that ends up working better for me in theory than in execution. The concept of a crime thriller taking place/playing out entirely in one location -- in this case, an English tailor shop -- is intriguing enough to certainly move my needle, but it feels like this movie unfortunately stopped there. Despite its solid premise/interesting concept, the fact of the matter is that the story being told here just isn't as compelling as writer/director Graham Moore thinks it is. It sort of resembles Reservoir Dogs in the sense that it concerns the aftermath of a botched criminal operation and the characters both directly and indirectly involved in said operation hunkering down in one location as they try to figure out their next moves, but that formula didn't really work for me in Reservoir Dogs, and the same is true for The Outfit. And it's not because of the confines that the story intentionally imposes on itself, but rather that the story and the characters being presented here just aren't all that interesting. The mob characters, especially, feel pretty stock and one-note, although actors like Dylan O' Brien bring a decent amount of charisma. The Outfit is a movie that relies pretty heavily on its sense of suspense, but it's also a movie where it's honestly pretty easy to predict certain twists and events, which takes a lot of the novelty away from it. The movie has a certain gravitas, in that it feels very stage-like and the performances are fairly gripping enough to carry you through everything, but there are certain predictable plot beats that do get in the way of the movie's overall effectiveness. Especially in regards to the Mark Rylance character. It's a shame, too, because The Outfit really could have been something pretty fun. But it feels like it needed more time in the back room, so to speak.
**/****
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frankyt
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Post by frankyt on Jun 27, 2022 8:42:09 GMT -5
Low effort. Predictable. Pretty boring.
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