SnoBorderZero
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Post by SnoBorderZero on Feb 28, 2022 22:09:04 GMT -5
You know a movie is doing something right when it's being awarded with a trifecta of nominations never granted to another film. Flee, the animated documentary from Danish director Jonas Poher Rasmussen, is Oscar-nominated for: Best Documentary Feature, Best Animated Feature, and Best Foreign Film. Even if it only walks away a winner in one of those categories, Flee is an impressive film that reminded me a lot of 2008's Waltz with Bashir, another animated documentary where its subject reflected on the war torn past that they've never discussed up to this point. In Flee, Amin Nawabi (not the person's real name to protect their identity, the details of which we learn through the film as to why it's imperative to be kept a secret) is from Afghanistan and escaped to Russia following the end of the conflict with the Soviet Union with the encroaching Taliban forces taking advantage of the power struggle in the country. Amin, along with his siblings and mother, desperately try to leave Russia and get into Sweden, where his oldest brother lives and they can carve out the new lives from themselves that they've always dreamed of. Things don't go as planned however, as the family is relying on shady human traffickers in order to grant them this safe passage to Europe, one of many setbacks and grueling trials that Amin and his family must endure. In the present day, Amin is living in Denmark with his partner and is finally ready to tell his story (Amin is voiced by an actor, reading over the recorded audio of Rasmussen's interview sessions) in a harrowing recollection of the intense hardships that refugees are forced into when their country becomes an uninhabitable place. Like Waltz with Bashir, the beautiful animation In Flee is more than just an interesting quirk and allows the documentary to move beyond talking head interviews and depict the action with blends of naturalism and surrealism. It also pushes the documentary into traditional narrative storytelling (the portrayals of the human trafficking is shocking to watch) that makes it feel especially cinematic, and you sort of forget that this is indeed a documentary during these sequences until Amin's narration returns. Obviously not every documentary has the means to be animated, nor does it always make sense aesthetically or thematically, but it's a huge benefit to Flee and gives the film an extra edge in intrigue. There's still many questions left unanswered by the end of it - some of this can be accredited to protecting his family - and at times it feels like some of the information presented to us could be better arranged. Nevertheless, Flee is an absorbing piece of cinema that leans on its superb animation to tell an incredible refugee story that should net it at least one Oscar, maybe more. 8/10
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Dracula
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Post by Dracula on Feb 28, 2022 23:25:42 GMT -5
Flee(1/25/2022) In 2008 we got the first “animated documentary” in the form of the Israeli film Waltz With Bashir, which was a great movie but was not by my definition (at the time anyway) really a documentary. To me a documentary is defined by being built of authentic footage and with few exceptions that movie didn’t really have any kind of real documentary footage, it was a constructed animated film that just so happened to have the real subject narrating it. Twenty three years later we’ve gotten a new “animated documentary” also nominally about conflict in the middle east, and I think I’m a little more comfortable with calling this one a doc. The film is mostly told via a set of interviews with a man named Amin Nawabi, a naturalized Dane who was born in Afghanistan and had to flee with his family after the Taliban took over that country from the Soviets in the early 90s and much of the film is about him recounting the various ordeals they needed to go through in order to get into Western Europe. The film is rendered predominantly through traditional 2D animation, which is used to reenact all of Nawabi’s stories about his emigration attempts that obviously weren’t filmed but the film also continues using the animation when it cuts to his “talking head” interviews and other bits depicting his life within the present. The film does use some live action stock footage from time to time however, and in some ways that gives it a bit of a clearer connection to that documentary format and given that the interview segments were presumably “filmed” but then animated just to make everything a little more uniform I don’t think I’ll be questioning the documentary designation.
In many ways the animated Middle East set this more closely resembles than Waltz With Bashir is the film Persepolis, about a girl whose family leaves Iran after that country’s revolution. Both films look at the European immigrant experience of fairly young people around the same point in history and both have their occasional points of levity centered around the character listening to cheesy 80s music. This one though is more specifically about the challenges of refugees and is clearly trying to build empathy for those escaping from dangerous places, possibly in hopes of making its audience more accepting of modern refugees from places like Syria. As such this is not exactly the most complex case study in the refugee experience: Nawabi has basically been handpicked for this project because he’s something of a best case scenario, someone who fled from certain death at great hardship as a child to one day become a highly productive member of society in his host country. Still, the film is good at eliciting interesting little details of his escape that you might not expect like the major role that corrupt Russian cops played in this guy’s life or the perils of wearing light-up sneakers when attempting to flee a country. In broad strokes I can’t say there was much in the movie that truly surprised me but it certainly tells its story with style and definitely kept me pretty interested throughout. ***1/2 out of Five
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frankyt
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Post by frankyt on Mar 1, 2022 16:50:10 GMT -5
Brilliant.
Deserves the win and all the praise it gets.
8/10
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SnoBorderZero
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Post by SnoBorderZero on Mar 1, 2022 17:30:03 GMT -5
Not sure about Foreign Film (one would think it'd be either Drive My Car or Worst Person in the World), but seems like a shoe-in to win Best Documentary and then at a more cautious second Animated Feature if people want to move away from the usual suspects in that category (namely Disney/Pixar movies). It's happened before.
It'll walk away with at least one Oscar.
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Dracula
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Post by Dracula on Mar 1, 2022 17:34:06 GMT -5
Not sure about Foreign Film (one would think it'd be either Drive My Car or Worst Person in the World), but seems like a shoe-in to win Best Documentary and then at a more cautious second Animated Feature if people want to move away from the usual suspects in that category (namely Disney/Pixar movies). It's happened before. It'll walk away with at least one Oscar. It won't. Summer of Soul is winning Doc and Encanto is winning animated.
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SnoBorderZero
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Post by SnoBorderZero on Mar 1, 2022 17:43:03 GMT -5
It won't. Summer of Soul is winning Doc and Encanto is winning animated. Shit, you're right. I forgot that Summer of Soul has a lot of hype around it after winning Grand Jury at Sundance.
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