donny
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Post by donny on Nov 18, 2021 9:25:58 GMT -5
Yeah, I don’t know how I feel about this. While I’m at best indifferent towards Diana, I did start to turn my opinion around on Kristen Stewart in the previous decade, post Twilight. I thought she picked some interesting roles, and some good movies to be apart of, albeit some mumbly dialogue here and there. Needless to say, I was at least intrigued when I heard this was her next role.
Spencer, sadly is a bit all over the place. It does have a great sense of costume design and the palaces look magnificent, but beyond the Royal flair, it’s a bit too flat. Unlike Jackie, Pablo Larrians other directed feature about a sad female historical figure, the messaging is laid on thick with Spencer, and it never needs to be. I love when I can watch something that might involve spirits or some sort of ghost story, but the Anne Boleyn stuff was brought up every other scene. We get it.
I liked they brought in Greenwood for the score, and the cinematographer from Portrait of a Lady on Fire. The look of the film is the strength of Spencer. But yeah that Jazz was whack.
As for Stewart, ehh, IDK. I think she’s given better performances than this, and while I’m not a stickler on accents, I felt a little distracted by it in this. I think they highlight well her feeling like an outsider with the family, and some of the mannerisms she brings help make those scenes stand out, but I never felt like that was watching Diana film per se, but rather another Kristen Stewart movie.
All in all, a little too flat and heavy handed flick for me.
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PG Cooper
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And those who tasted the bite of his sword named him...The DOOM Slayer
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Post by PG Cooper on Nov 26, 2021 21:38:22 GMT -5
Y'all need Jesus. This movie was really good. It's not Jackie good but it's still a fascinating little movie.
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Neverending
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Post by Neverending on Nov 27, 2021 1:36:02 GMT -5
Doomsday and SnoBorderZero’s next project is Trump. You get to witness Trump eating gold watches, talking to the ghost of Andrew Jackson and sharing KFC with his children. PG Cooper calls it, “riveting.” “Cinema’s newest masterpiece.”
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PG Cooper
CS! Silver
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And those who tasted the bite of his sword named him...The DOOM Slayer
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Post by PG Cooper on Nov 27, 2021 9:43:58 GMT -5
Doomsday and SnoBorderZero’s next project is Trump. You get to witness Trump eating gold watches, talking to the ghost of Andrew Jackson and sharing KFC with his children. PG Cooper calls it, “riveting.” “Cinema’s newest masterpiece.” Johnny Greenwood does the score you might have something.
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SnoBorderZero
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Post by SnoBorderZero on Nov 27, 2021 18:21:15 GMT -5
Doomsday and SnoBorderZero ’s next project is Trump. You get to witness Trump eating gold watches, talking to the ghost of Andrew Jackson and sharing KFC with his children. PG Cooper calls it, “riveting.” “Cinema’s newest masterpiece.” Don't forget hiding in a bunker.
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Neverending
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Post by Neverending on Nov 27, 2021 19:03:49 GMT -5
Doomsday and SnoBorderZero ’s next project is Trump. You get to witness Trump eating gold watches, talking to the ghost of Andrew Jackson and sharing KFC with his children. PG Cooper calls it, “riveting.” “Cinema’s newest masterpiece.” Don't forget hiding in a bunker. A montage of him dancing in the bunker.
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Doomsday
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Post by Doomsday on Nov 27, 2021 19:09:47 GMT -5
Be sure to add a scene where he's walking through a walk-in freezer looking at and touching all the food. The freezer at McDonalds.
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PG Cooper
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Post by PG Cooper on Nov 27, 2021 19:19:08 GMT -5
Don't forget hiding in a bunker. A montage of him dancing in the bunker. She dances in one scene, as part of a montage which seems to represent some sort of psychological breakthrough for her. It's not Joker levels. Diana spends more of the movie vomiting into toilets than she does dancing. Maybe that's why I liked it so much. It's relatable.
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PhantomKnight
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Post by PhantomKnight on Nov 29, 2021 20:42:02 GMT -5
I was much too young in the 1990's to really care about who Princess Diana was, so I've always viewed her tragedy at something of a distance. So, maybe it's fitting that for the film Spencer, I would feel much the same way. To give credit where it's due, though, I ultimately do see what this film was going for and I can respect the approach...but it really just comes down to the fact that I found it kind of hard to truly connect with the subject matter and main character here. The film opens by saying that it's a "fable from a true tragedy", and that really is reflected in the film's overall tone. It's clear that Spencer isn't positioning itself as an overly factual or as close-to-reality a narrative as possible (not when it has scenes like Diana eating a pearl necklace that falls into some pea soup or her routinely hallucinating the ghost of Anne Boleyn), and I admit that there was a bit of an adjustment period for me as I had to get onboard with what this movie was doing. But even by then, I still felt a certain disconnect. At first, the film seems to take a stance of being about the woes of first world problems, and maybe that was what was sort of bugging me about it. But as it goes on, it's obvious it's more about depression than a rich woman feeling sorry for herself. I think it's because by the time the film makes it clear what its theme really is, it starts to draw attention to itself a bit too much, to the point where it feels like there's a constant battle going on between the film's story and its tone/style, and it intrudes on how much I could actually get involved in anything. In short, they REALLY lay it on thick, when the movie could've benefitted from more restraint. Is Kristen Stewart any good? I still can't tell, but one thing's for sure: she's committed to it. But as a film, Spencer comes off a bit too obvious and flat. Yet at the same time...I can't call it bad, just...kind of blah. One of those movies that never works the way it thinks it is.
**1/2 /****
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