thebtskink
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Post by thebtskink on May 29, 2021 17:27:39 GMT -5
My first theater experience since covid. The opening flashback is quite effective, playing on the tensions of the first movie, and with some interesting camera work. Unfortunately the tension of the first movie can't really be matched, though there's still a lot to like. Cillian Murphy turns in a pretty good performance, and the parallel story structure ends up being the real star. Almost too lean for its own good. Could've stood another 10-15 minutes of story.
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Dracula
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Post by Dracula on Jun 2, 2021 7:48:16 GMT -5
A Quiet Place Part II(5/30/2021)
A Quiet Place Part II was originally supposed to come out on March 20th 2020… probably not the best choice of release date in retrospect. It wasn’t the first movie to be postponed because of COVID but of all the major releases delayed by the pandemic it was probably the closest to having gotten release before finally blinking and postponing just eight days before it was set to open. It had already had its red carpet premiere, certain critics had already taken in screenings (and remained shockingly tight lipped with their opinions), and I even had a ticket reserved for that original release before it became clear everything was falling apart. Now, over a year later, this film’s release is still tied to the pandemic, but hopefully for better reasons as its looking like it’s the first of a string of major releases that will hopefully bring the theatrical exhibition business back to life. Of course depending on your perspective this could either be the best or the worst movie for people to be watching as they come out of a pandemic given that it’s about people who have had their lives turned upside down by a worldwide phenomenon that has killed tons of people while forcing those who remain behind to keep to themselves while giving up many of the day to day activities they’ve become accustomed to… as with many post-apocalyptic movies there are some notable parallels.
This sequel opens with a scene that flashes back to the first day of the alien invasion that would eventually bring down much of society and lead to the events of the first film. After that prologue the film picks up right were the previous entry left off; the family has found a way to stun the blind alien monsters using feedback from an altered hearing aid, but the family patriarch Lee Abbott (John Krasinski) has been killed and their home base has been wrecked and they’re stuck with a damn infant that is likely to cry at any moment and draw the attention of the planet’s new apex predators. Evelyn Abbott (Emily Blunt) opts to move the family out of the valley they’d been living in and head toward an abandoned factory, where they meet an old friend from the “before times” named Emmett (Cillian Murphy), who has been using that factory as a bunker. But before they enter the family’s younger child Marcus (Noah Jupe) steps in a bear trap leaving him injured and unable to move, so the plan is to lay low, but the strong willed older child of the family Regan (Millicent Simmonds) wants to bring their new discovery of an anti-alien frequency to the masses by bringing it to a nearby radio station which seems to still be broadcasting.
My eagerness to go out and see this movie, both before and after the pandemic, is perhaps a bit odd given that I actually didn’t see the first movie until a couple weeks after it released (in part because I was on vacation the week it came out and there were other movies that week I was more interested in) and also because I don’t really like that movie as much as a lot of other people seem to. I certainly didn’t dislike it, and there were elements of it like the sound design and the set decoration and the general world building that I enjoyed quite a bit and I also liked the general ballsyness of making a mainstream horror movie that goes for long stretches without spoken dialogue. However, I thought the movie lost its way once the CGI monsters actually showed up and in general I just didn’t find it all that scary. Frankly it just felt like a watered down version of It Comes at Night for the masses. But clearly I was outvoted because that movie made hundreds of millions of dollars and was generally loved by critics, and I did like it enough that I was curious to see where they’d go with it and give them a chance.
In many ways A Quiet Place Part II is a lot different from the original film; Krasinski and his co-writers seem to know that they won’t be able to replicate the first movie’s slow burn structure and that most of the world building has already been done. So instead the film uses its higher budget and makes a bit more of a full-on monster movie, which would seem to be the opposite of what I’d want given that I thought the monsters actually showing up was what hurt the first film but they make a little more sense here. That opening prologue is a good example; while the first movie almost treated these creatures like off-screen ghosts who would only be seen in brief glimpses up until the film’s finale, here we get to see them wrecking large portions of a city in what feels more like War of the Worlds than Night of the Living Dead. I wouldn’t go so far as to call this the Aliens to the original film’s Alien, because it does calm down some after that and it never really becomes an action movie, but there is a noticeable shift.
For the most part this works, but it doesn’t necessarily stand out a whole lot. It was interesting to see the various ways the family in the first film tried to soundproof their lives but there’s less of an emphasis on that here and most of the world building we do get is closer to rather typical post-apocalypse stuff. It also has this structural issue in its second half where it splits its story into two or three different locations in its second half as characters go off in different directions which forces the film to cut between certain suspense sequences which sort of hurts the momentum of both scenes. Those complaints aside, I do ultimately find myself with the same basic level of enthusiasm for this that I had for the first film. There’s clearly some talent behind it, the cast is decent, there are some strong scenes… it’s a generally decent time at the movies. But let’s not make this into something more than it is. This to me is a slightly above average horror movie coming out in a cinematic landscape where there should be better options for the discerning horror fan. Here’s hoping that if and when they make a third part (which I’d say is a near certainty) they finally find a way to kick this series up to the next level.
*** out of Five
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1godzillafan
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Post by 1godzillafan on Jun 2, 2021 13:34:43 GMT -5
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thebtskink
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Post by thebtskink on Jun 2, 2021 13:58:28 GMT -5
His character acts like a complete idiot at the drop of a hat.
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IanTheCool
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Post by IanTheCool on Jun 2, 2021 18:58:30 GMT -5
Is this theaters only?
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1godzillafan
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Post by 1godzillafan on Jun 2, 2021 19:08:16 GMT -5
For now. It'll be on Paramount+ after a 45 day theatrical window.
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SnoBorderZero
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Post by SnoBorderZero on Jun 7, 2021 17:43:46 GMT -5
As theaters have finally reopened around the world and moviegoers are returning (slowly) to sit in front of the large screens in the comfortable seats that many gloomy forecasters predicted in 2020 were a dying relic, we're all in what's being deemed a sort of make-or-break period for the distribution end of the movie industry. The advent of streaming has ushered in the same debate that's been had since television burst onto the scene in the 1950s, with people wondering why anyone would want to attend the theater when you can watch content from the comfort of your home. This is a baseless argument that is essentially being supported by the same logic of 70 years ago (you know, when cinema was supposed to have died) that assumes people would rather stay in their residences and not leave them in order to view the same movie they could in theaters minus all the perks of surround sound and massive screens, the social interaction, and the simple act of leaving the damn house. With the world largely cooped up at home in 2020, people are starving to get out and return to the sense of normalcy we all covet, and so where does that leave the forecasters predicting the demise of traditional distribution now? Probably they haven't wavered, despite evidence already that people are going back to the movies and there is still very much a place in society for large multiplexes and art house cinemas alike. But without divulging too deep into this topic, one of the first big movies to succumb to 2020 was A Quiet Place Part II, the sequel to the massive hit from 2018. And fittingly enough after being one of the first movies pulled from the theatrical rollout, now in 2021 it finds itself as one of the first "guinea pigs" to be back in theaters while also following what's becoming a 2021 standard in having the film go to streaming later this month. Is this the future of distribution? Too early to tell, but I'll admit that after seeing only one movie in theaters in all of 2020 (Tenet) that it was great to be back, amongst vaccinated friends no less, and watching a movie on the big screen. And others seem to think so as well, as Part II has had a strong box office run given the rollout, so perhaps we don't have to adjust to a new normal just yet... After beginning with a well-designed opening sequence, Part II picks up immediately where its predecessor left off. The patriarch of the family, Lee (John Krasinski), is dead, leaving his wife, Evelyn (Emily Blunt), and their children, Regan (Millicent Simmonds) and Marcus (Noah Jupe) and a newborn baby, to fend for themselves in the apocalyptic aftermath of a still ongoing alien invasion. I liked the first film; it worked its premise well (you could argue gimmick I suppose) and was able to function as a solid piece of genre despite not exactly pushing anything new either. That's essentially how I feel about Part II, in that it's a fun but fleeting thrill ride that doesn't so much expand the world and story and themes the original establishes but just continues them. The family makes their way to a safe place, presided over by former friend and neighbor, Emmett (Cillian Murphy). Regan decides to splinter off from the group in order to track down a radio signal, from which she can broadcast the hearing aid-amplifier combo introduced in the first film to even the playing field and destroy the invaders. These films are PG-13, and as such don't exactly push the usual terrors of apocalyptic themes that most of us have seen done before and better, but Krasinski is effective in keeping the tension consistent and the cross-cutting of peril between characters exciting. There's nothing new here, and the returns of innovation have certainly diminished the second time around. But at the same time my interest in the action never wavered, held together by strong performances from the cast and an unrelenting sense of dread that permeates throughout the movie. As I said previously, this isn't a movie that expands on the original but just continues it, for better and for worse. The film does lose steam though in its third act. We're introduced to some interesting elements, namely that of the invaders' sort of weakness (M. Night says hi) and also a community of people surviving in bliss on the island where the radio broadcast is coming from . This is where Part II has a lot of potential to surpass the original and delve into some interesting, if still not unfamiliar within the apocalypse genre, material but instead elects to hold fast to this being nothing more than an adrenaline-fueling monster movie. These elements are pushed aside as quickly as they're introduced, so any hope of a sort of 28 Days Later full circle metaphor will have to wait for the inevitable Part III. Krasinski seems so intent on keeping his foot on the gas pedal that he's overlooked the importance of slowing things down for the sake of world building, and the third act as a result rushes towards its abrupt and dissatisfying conclusion. Part II doesn't so much as end but cross the finish line, but is also under its own gun and not anyone else's. Part II can have its thrills and story too, but has instead settled for just the former. Being back at the movies was great for this type of blockbuster escapism, and I certainly enjoyed watching A Quiet Place Part II on a big screen, with great sound, and a fun audience: the way it was intended to be viewed. But when the denouement to this trilogy (I assume that's what it'll end up being) rears its head in the near future, let's hope that Krasinski isn't so content with more of the same and will bring some of the fresh ideas he had in the original to the final installment. 6/10
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frankyt
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Post by frankyt on Jun 9, 2021 7:58:28 GMT -5
I liked it. Some convenient story mechanics (3 feet of concrete, gentle alien in the final scenes, sea star) but I thought it was quite well done, and a worthy sequel to the first one.
The beginning few minutes were obviously the highlight though and I would love a world war z found footage type tale of multiple perspectives of phone footage or whatever for the first few weeks while the aliens raged across the states.
7/10 - solid dug it territory.
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PhantomKnight
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Post by PhantomKnight on Jun 10, 2021 19:33:19 GMT -5
I quite plainly think A Quiet Place is easily one of the best horror films in recent years, yet I was always a bit hesitant about the idea of a sequel, cause of that lightning-in-a-bottle magic that first one had. So here, finally, we have it after a year of COVID delays, and...you know what? I have to eat my words a little bit; John Krasinski and co. delivered! If I'm being completely honest, I don't think it's quite on the level of the first, but A Quiet Place Part II is still an excellently-crafted piece of horror filmmaking, even if the novelty of the concept seems to have worn off slightly. Mostly, it comes down to the fact that the ways in which the film chooses to explore the world outside of the rural farm we spent the entirety of the original on feel like natural progressions of the mythology/state of the world in this reality, rather than anything that was forced for the sake of a sequel -- which is sort of what I initially feared. Of course, the film DOES play around somewhat with the whole idea that "survivors have become just as bad as the monsters", which we've seen in other movies/shows of this ilk, but it's not as emphasized as heavily as I thought it would be, nor does it feel tired. Instead, the movie primarily focuses on Millicent Simmonds' character from the first, after the movie essentially branches off into two storylines. I appreciated the emphasis on and strengthening of her character, especially since it allows the film to have a bit of fun with playing around with the sound in crafting the suspense sequences around her, seeing as how the character is deaf. It also brings Cillian Murphy in as a new male lead and fortunately, he's not just a John Krasinski stand-in. This guy is his own character with his own flaws and tragic backstory, and watching the relationship that forms between his and Simmonds' character is another strong aspect of the film. As a director, John Krasinski continues to prove that he knows how to create tension and suspense, and the set pieces he comes up with here are still clever and inventive and never feel like repeats of what we saw in the first film. These set pieces are every bit as suspensefully and hold-your-breath worthy as the first film's, too. He's also very good with pacing. Just like the first, this one's also about 90 minutes in some change, and something that could be seen as both good and bad that way is that by the end, you're left wanting more. But, hey -- this certainly isn't a movie that overstays its welcome. So I'm happy to report that A Quiet Place Part II is a worthy sequel that feels more like a natural progression rather than a cash grab. John Krasinski has said that he already has ideas for a third and, at this point, I won't doubt in him at all.
***1/2 /****
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donny
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Post by donny on Jun 11, 2021 9:59:36 GMT -5
Almost too lean for its own good. Could've stood another 10-15 minutes of story. My main takeaway as well. In some ways I like this a little more than the first. The opening is great, and there are some fantastic shots throughout. At times the movie looks beautiful. There's a real sense of dread, and the monsters feel relentless this time around. However, while I liked some of the world building, it just wasn't enough. I get what Kransinski wants here, a lean story where it doesn't overstay it's welcome. A lot of times, I'm all for a shorter runtime, but I think in this case it's to it's detriment. Some of the themes do work though, mostly the children/adult conflict throughout. Both of the kids have their time to shine, and surprisingly, it didn't feel forced.
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IanTheCool
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Post by IanTheCool on Jul 7, 2021 18:13:48 GMT -5
I thought it was a solid sequel. Loved the opening, I wish they would have had flashbacks tot he beginning run throughout the whole movie.
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1godzillafan
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Post by 1godzillafan on Aug 5, 2021 20:02:28 GMT -5
This goes back to my point of "Emily Blunt is a screamer."
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