frankyt
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Post by frankyt on May 10, 2021 14:14:46 GMT -5
Absolute all star ensemble cast helps Netflix create a true frigging banger. This one's outta the lord miller (producers) school of making colorful ass stories with tons of Easter eggs and a distinct animation style.
Story is kind of an also ran with a new ai baddie set to take over the world. The Mitchells are facing down a half empty nest as their eldest is going off to college, to try to save the father daughter relationship they decide to drive her across country to her dorm on the first day of college and just so happens the big tech company of the universe is releasing their brand new robots/machines.
It's a whole lotta fun with great jokes, solid meta humor, fun action and again just a stellar cast.
I'll give it a 9/10 and a big ole dug it from me.
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1godzillafan
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I like pie!
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Post by 1godzillafan on May 11, 2021 16:48:16 GMT -5
I liked it. But any movie with "Mitchell" in the title needs Joe Don Baker.
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IanTheCool
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Post by IanTheCool on May 11, 2021 20:16:24 GMT -5
My 5 year old niece recommended this to me. But I think I'm supposed to watch it with her.
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mikeyb
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Post by mikeyb on May 12, 2021 15:23:51 GMT -5
Really enjoyed this it made me laugh a lot more than I was expecting too. Solid 8.5/10
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PhantomKnight
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Post by PhantomKnight on Jun 7, 2021 17:41:56 GMT -5
I fell pretty hard for The Mitchells vs. The Machines. Granted, it took the whole First Act for me to really get in sync with this movie's rhythm, but once I did, it became a blast. You can clearly tell this is a Lord/Miller production, because this movie pretty much matches the overall energy of something like The Lego Movie or Spider-Man: Into the Spider-Verse, both in terms of the animation and the comedy. Much like those movies, this film had me laughing really hard and very consistently; it's clear that I'm just a sucker for this kind of silly/goofy, yet oddly endearing style of comedy. And that's the best way to describe The Mitchells vs. The Machines as a whole: silly and goofy, yet oddly endearing. It's a style that the movie pulls off tremendously well. I mean, the central emotional component -- that of a father/daughter duo learning to reconnect after years of being "separated" by diverging interests -- isn't exactly new or exciting ground to cover, yet it's the sincerity and heart with which the movie ultimately sells it that really makes it work. Dare I say that the movie even flirts with feeling like a Pixar film at times, with how fluidly it combines its heart and humor? I think I'd be comfortable going that far, yes. What especially contributes to that is the fact that I really wasn't even aware of this film until it hit big with others on Netflix. But in a way, these kinds of unexpected surprises usually are the most impactful, and it's safe to say that The Mitchells vs. The Machines is one of the first most pleasant surprises of 2021.
****/****
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Dracula
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Post by Dracula on Jun 12, 2021 10:52:43 GMT -5
The Mitchells Vs. The Machines(5/3/2021) The new Sony produced Netflix distributed animated film The Mitchells Vs. The Machines was written by Mike Rianda and Jeff Rowe and directed by the former but is largely being sold on the talents of its producers Phil Lord and Christopher Miller, who have become pretty large voices in cinematic comedy both through live action projects like 21 Jump Street and animated projects like The Lego Movie and perhaps most relevantly here their work bringing Spider-Man: Into the Spiderverse to the big screen. Personally I’m a bit agnostic about the two, they make clever and enjoyable films but their self-referential snark does sometimes go too far and undermine the movies they’re making and this latest project has a lot of their usual strengths and weaknesses. The film’s protagonist is a girl named Katie who enjoys making odd Youtube videos and has just been accepted to film school but rather than flying out to California her father surprises her with a plan to make this a family road trip instead in hopes that it will shore up the family’s fractured relationship before she’s gone for good. Katie is an interesting protagonist for an animated family film as she’s older than the film’s ostensible target audience but the film portrays her discontent well and does a pretty good job of illustrating why she would think her parents and particularly her father was rather insufferable. Then the movie takes a left turn when a very PG-rated robot apocalypse breaks out around them and it essentially becomes a zombie movie for kids (but with robots, to keep things less gory) and it becomes a “family unites under pressure” situation.
The animation is a bit reminiscent of “Spiderverse,” I don’t think it’s animated “on twos” like that was but there’s a similar stylization and an even greater willingness to break the fourth wall. The characters are engaging, though certain characters definitely get more screentime than others. The mother in the family gets shortchanged a bit and the brother is kind of a one-joke entity. I think what ultimately kind of brought the movie down for me was the story, specifically the way it kind of makes this family the center of the universe in its third act. There’s a bit of a cheap childhood wish fulfillment to having your family save the world and to do make that happen here the script takes some kind of silly shortcuts and indulges in some goofiness like making robots short-circuit at the sight of a dog. Had they made it a slightly more lowkey tale of a family surviving through some crazy times I think it might have been better off and frankly a bit more relevant to recent events, though I guess it’s not the movie’s fault it didn’t play into that a bit better. But then again maybe that’s just me being a picky grump because I do suspect that this is going to be a very popular movie with audiences and that few people are going to find themselves not at least finding something to enjoy about it. It is perhaps a shame that the aforementioned recent events have basically forced this go straight to Netflix because I think it would have caught on pretty strong in theaters and been quite the event for Sony if they hadn’t sold it off. ***1/2 out of Five
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frankyt
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Post by frankyt on Oct 2, 2021 10:39:36 GMT -5
Gave this another spin last night, still a great movie. First ten or 15 minutes tho do kinda feel a little focus group-y, so I can see some people turning it off after a little bit but it really kicks into gear rather quickly once the Mitchell's start driving cross country.
Still a big ole dug it.
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