Dracula
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Post by Dracula on Mar 21, 2021 10:46:06 GMT -5
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Neverending
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Post by Neverending on Mar 21, 2021 13:56:49 GMT -5
Dracula is a member of the Minnesotan Satanic Church.
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Dracula
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Post by Dracula on Mar 21, 2021 14:24:26 GMT -5
Dracula is a member of the Minnesotan Satanic Church. Not anymore. Those motherfuckers like to act hardcore but the second you try to sacrifice just one goat around them they turn into a bunch of pussies.
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1godzillafan
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Post by 1godzillafan on Mar 21, 2021 14:44:07 GMT -5
At long last, Dracula's hatred for Kirk Cameron makes sense now.
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Post by Doomsday on Mar 21, 2021 17:44:15 GMT -5
Say what you will about Kirk Cameron, if he thinks God wants a sacrifice Kirk is sure as fuck gonna give him one.
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Dracula
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Post by Dracula on Mar 21, 2021 17:58:24 GMT -5
Best Cinematography
Another category where it feels weird to be judging these movies despite having not been able to watch many of them in theaters. Incidentally this was shaping up to be the first year on record where every nominee was shot digitally until I saw Martin Eden at the last minute, though that was actually shot on 16mm, so even that’s kind of an odd format from previous conventions. First Cow: First Cow is ostensibly a western, but a unique breed of Pacific Northwest Oregonian western, which is to say it’s a western with trees, meaning there are a lot of shots here of light going through trees and hitting the ground. That’s a pretty common image in the film, as are various nice looking shots of the water and the rest of the environment, each one with some very nice natural lighting. Additionally the film needs to do a lot of scenes that are very dark (since they’re outdoors at night before the invention of the lightbulb) but still allow you to see and comprehend what’s going on. I’m Thinking of Ending Things: Cinematography awards usually go to movies that are filled with beautiful scenery and shining light, but Łukasz Żal’s work photographing Charlie Kaufman’s I’m Thinking of Ending Things is kind of a great example of how you can photograph incredibly drab surroundings and still make it look really interesting. Almost all of the movie takes place on an overcast day with snow coming down but the film still has a very distinct look which is really striking and sharp. Mank: The cinematographer Erik Messerschmidt appears to be someone David Fincher has sort of trained up, having worked with him as a gaffer on Gone Girl and then making him one of his more trusted collaborators on the “Mindhunters” TV series and finally hiring him for the very high profile job of filming this ode to the cinema of the past. Black and white can be something of a cheat code in creating beautiful film images and Mank is perhaps noteworthy not just for what it is but for what it isn’t as it is willing to look genuinely+6 classic and avoids going too crazy with venetian blinds and the likes to make things too showy. Martin Eden: Retro cinematography can come in a lot of forms and Martin Eden is a good example of how you can sort of invoke a previous era of filmmaking without, like, completely putting a clear stamp on what you’re doing. In this case the movie is kind of invoking the style and feel of European cinema of the late 60s into the 70s (despite the fact that the movie is set around the turn of the century) and yet there isn’t really any one filmmaker or movement that it’s clearly aping. It’s also a movie that’s pretty willing to go off in some different directions here and there and isn’t afraid to try different visual things here and there. News of the World: Western vistas are almost always going to lend themselves to amazing cinematography and Dariusz Wolski’s cinematography on News of the World fits well into that tradition. The film captures the New Mexico landscapes the story is set against really vividly both in day scenes and night scenes and also manages to capture the gas/candle lit town halls where the Hanks character does his news readings really well. It’s not re-inventing the wheel but it executes on the usual western pallet really well. And the Golden Stake goes to…I’m Thinking of Ending Things
This is not the film I expected to be giving this to and it’s not a readily obvious choice to be making on first glance, but the more I thought about it the more it became clear to me that this was the movie that did the most with the least. It was given subject matter that did not lend itself of beautiful cinematography and yet DP Łukasz Żal managed to make something really visually arresting. This was actually the first movie that this Polish cinematographer had made outside of Europe after having done some really exquiset black and white cinematography while working with Paweł Pawlikowski and here she shows that he’s more than capable working in color (though still in the academy ratio interestingly) and makes these snowy landscapes into something you can’t really take your eyes off of.
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thebtskink
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Post by thebtskink on Mar 21, 2021 18:33:20 GMT -5
The use of blank space outside the frame is really astounding in your winner
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Post by PG Cooper on Mar 21, 2021 19:22:26 GMT -5
Yeah, I think that would be my choice as well.
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Dracula
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Post by Dracula on Mar 22, 2021 7:19:38 GMT -5
Villain of the Year
The category dedicated to the worst of the worst in film characters this year. As always I’m limiting this to characters who were active antagonists rather than any character that was evil and am also limiting it to characters who were essentially human. With the downturn in action movies and the like this year I’ve had to focus on villains that are perhaps a bit less grandiose and more human for my current crop of great movie villains, but I think my choices work well. I didn’t do it intentionally but something of a theme emerged this year as four of the five nominees to make the list are rather conspicuously wealthy which may say something about where people’s minds were this year when it came to the subject of evil. Black Mask - Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn): A lot of the villains nominated this year are very human figures that seek to represent very real negative forces in society, sometimes in fairly subtle ways. Black Mask is not one of those villains. This iteration of the Black Mask comic book character is just the most over the top embodiment of wacky evil imaginable. A dude who really goes over the top in being this hyperactive force for unpleasantness in the world and is played scenery devouring over-the-topness by Ewan McGregor. Enid Nora Devlin – Blow the Man Down: Enid is an interesting figure in that she’s a wolf in… I wouldn’t even say sheep’s clothing, more like a wolf hiding under a bush not seen by anyone. She looks from the outside like an average frumpy middle aged woman but in actuality she’s something of a local gangster as she runs the local brothel and has her finger in all the small town illegality that the film revolves around. She’s not pure evil though and you see in Margo Martindale that the years have worn her down and that she’s conflicted about the world she’s created. The Chief Factor – First Cow: I don’t believe we ever learn the chief factor’s real name in First Cow. A “factor” is a type of merchant who acts as an agent selling goods on commission (or something, I had to look it up) and in this case the factor in question is played by Toby Jones and kind of kicks the plot into gear by hording the only cow in the territory and then protecting this violently. He’s like a living symbol of greed and the worst kind of capitalism moving in to untamed lands and acts as quite the contrast to the more modest enterprise the main characters are trying to operate. Adrian Griffin - The Invisible Man: Adrian Griffin is an interesting villain as you don’t see him for most of the film’s running time… I mean, not just because he’s frequently invisible. Even if you count all the moments when he may or may not be in the room with Elisabeth Moss there’s still a lot of time he’s not a physical presence at all in the movie and yet you still feel you really know a lot about him both because of the things you hear about him and because of how much Moss’ character is haunted by him even before she’s literally haunted by him. Andrei Sator – Tenet: When I first saw Tenet I thought Kenneth Branagh’s Andrei Sator was one of the weaker elements and while I still don’t think the character is perfect I have warmed up to it quite a bit. The guy is essentially meant to be something of an avatar of pure nihilistic greed, especially once you find out how unabashedly selfish his ultimate endgame is. But beyond what he may or may not represent he’s just a wonderfully slimy individual who manages to be an imposing threat throughout the film despite not exactly being someone who could personally fight the hero if he came to that. And the Golden Stake goes to…The Invisible Man
Adrian Griffin is of course the latest iteration of a classic of horror/science fiction literature and film, but is notably a fairly original character beyond the name and the basic fact that he’s a scientist who found a way to make himself invisible. There are a lot of easier routes they could have taken in bringing this character back to the screen but they instead opted to turn him into an extreme example of domestic abuse personified both in the literal way he’s treated the main character and in the way they essentially turned him into a symbol for how this kind of abuse can linger in the minds of victims.
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IanTheCool
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Post by IanTheCool on Mar 22, 2021 7:34:14 GMT -5
Good pick
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Dracula
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Post by Dracula on Mar 22, 2021 18:18:58 GMT -5
Best Cameo
I’ve always gone back and forth with the category as to how big a role still qualifies as a cameo and how famous someone can be to really make their presence count as a cameo. Often it’s been closer to simply being “best performance in a limited capacity” while at other times it’s been more about the novelty of certain castings. This year I’ve opted to focus more clearly on appearances that don’t venture too far into just being smallish supporting roles (sorry Michael Keaton and Mathieu Amalric) but don’t strictly require the viewer to immediately know who the performer is. Dave Grohl – Bill and Ted Face the Music: In this amusing scene from Bill and Ted Face the Music our duo think they’re in their future selves’ home but right as they’re leaving they run into Foo Fighters lead singer Dave Grohl, who actually owns this house and is pretty pissed to see these trespassers. Grohl was perhaps the only person who could have done this cameo as he’s kind of one of the last really huge recognizable names in rock, or at least the kinds of rock these guys embody and aspire to. Tom Hanks – Borat Subsequent Moviefilm: This would be one of the most plainly cameo-like cameos nominated here as it’s a moment that takes up something like ten seconds of screen time and yet it feels like a really outlandish “get” just the same. As the film winds down we get this Usual Suspect spoof where we find out that Borat was actually the carrier who sparked the entire pandemic that was going on as the film got made and part of this was aparantly bumping into Tom Hanks in Australia (where in real life he was one of the first celebrities to get the virus). Hanks’ role as one of the preeminent movie stars makes his willing to play along with this weird joke about his own painful experience feels shocking and subversive. Bill Nye – Mank: The author and activist Upton Sinclair is a major part of David Fincher’s Mank through the California governor’s race that he’s a candidate in which is going on in the background and foreground of much of the movie. Sinclair himself, however, only shows up in one key scene where he’s seen passionately stumping in Los Angeles. In some act of mad genius Fincher had the idea of casting Bill Nye The Science Guy of all people in this role, which is appropriate firstly because Nye does kind of look like Sinclair but also because it matches his current role in public life as a frustrated climate change activist. Bob Wells – Nomadland: Bob Wells is not an actor, he’s a real life Van-dweller who has become something of a celebrity in that community and has a YouTube channel about his life on the road and he’s basically playing himself in Nomadland. You see him on the periphery of some early scenes where the various nomads are congregating but his most notable moment in the film is a scene late in the movie where he and Frances McDormand’s character sit down and have a heart to heart about what drives her and he reveals some of the trauma in his own life and what the lifestyle means to him. Christopher Mintz-Plasse – Promising Young Woman: In this early sequence in Promising Young Woman Christopher “McLovin” Mintz-Plasse plays one of the men who the protagonist ensnares in her sting operation. This dude is something of a goofy looking nerd who sees himself as being different from the alpha bros we see her going after elsewhere in the film but who actually behaves almost identically to them. This is one of the longer cameos nominated here, bordering on being more of a simple casting decision than a true cameo, but I think the casting here was pointed and that there’s a sort of meta-element to the fact that this character is being played by a guy made famous for his role in a light comedy premised around teenagers trying to get girls drunk for sex. And the Golden Stake goes to…Nomadland
Once it was determined that this performance was going to be eligible as a cameo I really couldn’t see a way it wasn’t going to win as it’s basically the heart and soul of the movie laid out and it gains a great deal of authenticity and gravitas by the decision to cast this real life figure in the role. That he is a non-actor drawing from his own life is palpable and by all accounts the traumatic event that he describes is something that really happened to him. That he was willing to put this all out there on the screen is a testament to how much trust Chloé Zhao was able to engender.
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Neverending
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Post by Neverending on Mar 22, 2021 18:35:22 GMT -5
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Dracula
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Post by Dracula on Mar 22, 2021 18:47:58 GMT -5
Reggie was on my long list, not so much the other two.
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IanTheCool
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Post by IanTheCool on Mar 22, 2021 18:50:39 GMT -5
Who's Bill Wells?
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Dracula
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Post by Dracula on Mar 22, 2021 19:00:35 GMT -5
Real life van dweller/nomad. Is sort of a guru in that world and has a popular youtube channel about it.
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Post by PG Cooper on Mar 22, 2021 19:26:07 GMT -5
Was Patrick Wilson in The Assistant on your shortlist? Or Michael Caine in Tenet?
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1godzillafan
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Post by 1godzillafan on Mar 22, 2021 19:28:45 GMT -5
Reggie was on my long list, not so much the other two. Literally nobody this year was happier to see a cameo than Bad Boys fans seeing Reggie. There is not a single person out there that doesn't love Reggie.
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Post by Neverending on Mar 22, 2021 19:56:10 GMT -5
Literally nobody this year was happier to see a cameo than Bad Boys fans seeing Reggie. There is not a single person out there that doesn't love Reggie. Were there any cameos in Fantasy Island? I don’t remember.
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Post by Dracula on Mar 22, 2021 19:59:21 GMT -5
Was Patrick Wilson in The Assistant on your shortlist? Or Michael Caine in Tenet? Not really. Patrick Wilson kind of struck me as someone who maybe wasn't famous enough to really stand out like the movie wanted him to. As for Michael Caine, that was a good scene but I don't know that I'd call it award worthy.
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Post by PG Cooper on Mar 22, 2021 20:06:06 GMT -5
Was Patrick Wilson in The Assistant on your shortlist? Or Michael Caine in Tenet? Not really. Patrick Wilson kind of struck me as someone who maybe wasn't famous enough to really stand out like the movie wanted him to. As for Michael Caine, that was a good scene but I don't know that I'd call it award worthy. You're not wrong, but it's Nolan's boy. Gotta represent.
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Post by 1godzillafan on Mar 22, 2021 20:27:47 GMT -5
Literally nobody this year was happier to see a cameo than Bad Boys fans seeing Reggie. There is not a single person out there that doesn't love Reggie. Were there any cameos in Fantasy Island? I don’t remember. Not really a cameo, but the fact that the Asian guy was revealed to be Tattoo at the end was it's big attempt of "HE'S FROM THE SHOW!" twist.
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Post by Dracula on Mar 23, 2021 7:08:57 GMT -5
Best Supporting Actress
I must say, I’m a bit at a loss with this category because the pickings were kind of slim. Hollywood, get to work getting better supporting roles for women because I shouldn’t need to dig this deep to find supporting actress performances I want to nominate. But don’t take that as some sort of insult against any of these performers, all of whom did do some really impressive work. Vasilisa Perelygina – Beanpole: I didn’t really like the Russian film Beanpole when I saw it super early in the year, it’s one of the few movies that I think legitimately deserves the label of misery porn, but the acting by the actress Vasilisa Perelygina has stuck with me after all these months. In the film she plays a character who has been completely broken by her trauma on the World War II eastern front and has been turned into a psychotic manipulator and Perelygina manages to sell some really outlandishly cruel behavior as a sort of plausible mania by bringing that trauma to the forefront. Margo Martindale – Blow the Man Down: Character actress Margo Martindale has been having something of a renaissance as of late, especially on television but she can still do some fine work in film and clearly isn’t above showing up in an indie like Blow the Man Down. Playing the film’s villain, Martindale plays a character who is haunted by past mistakes and tired from years of hard living but who nonetheless is determined to fight to keep her position and is willing to manipulate our protagonists to get her way. Amanda Seyfried – Mank: One of the more insightful things about Mank is that it realizes that if Citizen Kane can be accused of misrepresenting William Randolph Hearst it’s likely even more guilty of misrepresenting his mistress Marion Davies, whose surrogate in that film is a kind hearted but not terribly smart or worldly woman that the media mogul tried to buy into opera stardom. Seyfried’s performance here is in many ways looing to redeem Davies within the world of cinema and make her a much cannier and more three dimensional figure. Ellen Burstyn – Pieces of a Woman: Ellen Burstyn is an actress that’s been somewhat easy to take for granted. You sort of forget her for stretches of a few years and then she’ll land a good role and remind everyone she’s something of a powerhouse. In Pieces of a Woman she plays the mother of the main character who acts as something of a toxic element in her grieving and acts as something of a contrast to her. There are some fairly intense emotional scenes between the two which really require Burstyn to do some impressive acting that elevates the movie. Olivia Cooke – Sound of Metal: Olivia Cooke has a small but critical role in Sound of Metal as the girlfriend and bandmate of our protagonist who plays a large part in the beginning and ending of the film but is off screen for much of the rest of the film while the protagonist works things out separate from her. He work in that opening segment is particularly impressive, perfectly capturing the fear, concern, and frustration of the situation while her boyfriend is sort of in denial. Then she needs to re-introduce herself after her character’s development has largely been off screen and seem in many ways different from the version we saw that the beginning. And the Golden Stake goes to…BeanpoleWhen I saw Beanpole back in February (I think it was the fourth from last movie I saw before lockdown) I certainly didn’t expect Vasilisa Perelygina’s performance to remain the best supporting performance of the year, in no small part because I didn’t care for the movie and also because its status as supporting rather than lead is borderline, but looking back I do think it’s the supporting performance that has the most going on of any of the others I can think of this year and aspects of it have really stuck with me. She’s playing a remarkably unlikeable person and managing to nonetheless let you see what made her that way and sympathize on some level.
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Post by Dracula on Mar 23, 2021 19:18:04 GMT -5
Best Supporting Actor
These acting categories usually don’t take a lot of explaining. It was a little tricky this year however as there were a lot of films with largish male ensembles so a lot of these nominees had internal competition. Arliss Howard – Mank: There are a couple of good supporting actor contenders in Mank (Charles Dance was certainly in the running) but the supporting performance that I liked the best was probably Arliss Howard’s work as the legendary studio head Louis B. Mayer. Mayer was something of a larger than life person and was something of a model for the stock type of the overbearing producer which lives on to this day and Howard has a lot of fun embodying this guy while also giving you an idea of what being in the presence of this guy would have been like. Colman Domingo – Ma Rainey’s Black Bottom: Colman Domingo plays Cutler in Ma Rainey’s Black Bottom, a trombone player who is something of the defacto leader of the band at the film’s center who acts as something of a foil for the younger hotshot trumpet player played by Chadwick Boseman. It’s not the showiest role in the movie by any means but Domingo manages to do a lot with it and you can see his mounting frustration through much of the film as he’s probably the closest thing to an audience surrogate in the film. Bo Burnham – Promising Young Woman: Bo Burnham is a standup comedian and occasional actor who gained a lot of credibility in film a few years ago as the writer and director of the film Eighth Grade and has gotten his most prominent role as an actor in the film Promising Young Woman as a suitor of the protagonist who ends up having a bit of a dark side. Like many characters in the film, this guy is mean as something of a representative of forms of toxic masculinity, in this case pushy men who take the wrong lessons from romantic comedies and also people willing to look the other way in the presence of rape culture and he needs to embody these ideas while also seeming like someone the main character would still find herself liking. Paul Raci - Sound of Metal: This year’s biggest “discovery” was likely Paul Raci, who played the part of a deafness teacher named Joe in the film Sound of Metal. Raci was the son of deaf parents and has had a foot in that community for a while and has also done a fair amount of work doing bit parts in movies and as a one-time guest star on TV shows but this is his first role to gain serious recognition, in large part because it’s a role that’s perfect for his background and also because he rises to the occasion and manages to subtly portray this character’s hopes and ambitions for the Riz Ahmed character. Mark Rylance - The Trial of the Chicago 7: There are a ton of great supporting actors from the large ensemble of The Trial of the Chicago 7 and I suppose the one that stands out the most to be is the performance by Mark Rylance as the legendary civil rights attorney Bill Kunstler. Kunstler was a rather distinctive person known for being an ally of the counter-culture while still being a law professional and Rylance does a good job of portraying this duality while also avoiding making him too much of a perfect crusader. And the Golden Stake goes to…Sound of Metal
When looking at performances like this you do need to wonder if you’re just being swept up in the novelty of a new face showing up and doing impressive work and also if this was perhaps more of a casting coup than a performance where someone is truly stretching themselves. Honestly I’m not sure if something like that is going on here or if Raci will be able to continue to get big roles and challenge himself like this but he was nonetheless a very interesting performer to watch in this movie and one that stood out more than others.
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thebtskink
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Post by thebtskink on Mar 23, 2021 20:05:16 GMT -5
Ooh I loved that performance.
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Post by PG Cooper on Mar 23, 2021 21:41:32 GMT -5
Great choice. Also thrilled to seee Howard make the nominees. Loved his work in Mank.
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