PG Cooper
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Post by PG Cooper on Mar 25, 2020 14:53:07 GMT -5
19. If Beale Street Could TalkBecause Barry Jenkins makes crafting a tragic love story, a social critique, a period piece, and an adaptation of James Baldwin's literary voice look effortless.
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PG Cooper
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Post by PG Cooper on Mar 25, 2020 15:56:28 GMT -5
18. AnnihilationBecause this type of haunting science-fiction and ambiguous storytelling is 100% my shit.
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Post by Dracula on Mar 25, 2020 17:07:50 GMT -5
37. Eighth Grade (2018) Year: 2018 Release Date: 7/13/2018 Director: Bo Burnham Writer(s): Bo Burnham Starring: Elsie Fisher, Josh Hamilton, Emily Robinson, Jake Ryan, and Fred Hechinger Based on: N/A Distributor: A24 Country of Origin: United States Language: English Running Time: 94 Minutes Aspect Ratio: 1.85:1 When the (slightly over-rated) film Lady Bird came out actress Saoirse Ronan received several accolades for choosing not to use makeup to clear up some acne in order to better convey the realities of teenage bodily awkwardness. Eighth Grade is a movie that takes a look at that gesture and says “hold my beer.” Most teen movies like to make their protagonists look like underdogs within their schools, but the truth of the matter is that most of them actually seem to have plenty going for them. Eighth Grad is by contrast one of the only teen (well, tween) movies I can think of where the protagonist truly is an outcast within the school. The film is highly sympathetic about this but it also doesn’t take the easy way out by blaming the rest of the world for this girl’s plight. The popular kids in the school do not go out of their way to be mean to Kayla so much as they just kind of ignore her and frankly you can kind of understand why because Kayla is a bit all over the place. Her Youtube videos are an inarticulate jumble of advice given by someone who has no idea what she’s talking about. I wouldn’t be too interested in watching them, not as an adult and not when I was her age, and true to form they’re shown in the film to have some severely low view counts. People like to suggest that this is some highly modern film about what the internet is doing to “the kids” but if anything it just suggests that social media acts as little more than an extension of the same old middle school pains of trying to be noticed and reach out to people. Her in-person attempts at social interaction are also just painful to watch at times. That’s the thing about this movie, it’s so empathetic that it can be downright hard to watch as Kayla is put through the emotional ringer, but it’s a rewarding viewing experience just the same in order to get to the truth of what it’s like to be someone like this.
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PG Cooper
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Post by PG Cooper on Mar 25, 2020 17:29:29 GMT -5
37. Eighth Grade (2018) Year: 2018 Release Date: 7/13/2018 Director: Bo Burnham Writer(s): Bo Burnham Starring: Elsie Fisher, Josh Hamilton, Emily Robinson, Jake Ryan, and Fred Hechinger Based on: N/A Distributor: A24 Country of Origin: United States Language: English Running Time: 94 Minutes Aspect Ratio: 1.85:1 When the (slightly over-rated) film Lady Bird came out actress Saoirse Ronan received several accolades for choosing not to use makeup to clear up some acne in order to better convey the realities of teenage bodily awkwardness. Eighth Grade is a movie that takes a look at that gesture and says “hold my beer.” Most teen movies like to make their protagonists look like underdogs within their schools, but the truth of the matter is that most of them actually seem to have plenty going for them. Eighth Grad is by contrast one of the only teen (well, tween) movies I can think of where the protagonist truly is an outcast within the school. The film is highly sympathetic about this but it also doesn’t take the easy way out by blaming the rest of the world for this girl’s plight. The popular kids in the school do not go out of their way to be mean to Kayla so much as they just kind of ignore her and frankly you can kind of understand why because Kayla is a bit all over the place. Her Youtube videos are an inarticulate jumble of advice given by someone who has no idea what she’s talking about. I wouldn’t be too interested in watching them, not as an adult and not when I was her age, and true to form they’re shown in the film to have some severely low view counts. People like to suggest that this is some highly modern film about what the internet is doing to “the kids” but if anything it just suggests that social media acts as little more than an extension of the same old middle school pains of trying to be noticed and reach out to people. Her in-person attempts at social interaction are also just painful to watch at times. That’s the thing about this movie, it’s so empathetic that it can be downright hard to watch as Kayla is put through the emotional ringer, but it’s a rewarding viewing experience just the same in order to get to the truth of what it’s like to be someone like this. It seems this movie has also grown on you over time. I don't recall it being in your top ten list. Also, quick picking on Lady Bird!
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PG Cooper
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Post by PG Cooper on Mar 25, 2020 17:31:22 GMT -5
17. Cloud AtlasBecause as wildly uneven and imperfect as it may be, Cloud Atlas is also one of the most unique and ambitious movies to come from Hollywood in recent years and frankly, we're lucky to have it.
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Dracula
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Post by Dracula on Mar 25, 2020 17:43:55 GMT -5
37. Eighth Grade (2018) Year: 2018 Release Date: 7/13/2018 Director: Bo Burnham Writer(s): Bo Burnham Starring: Elsie Fisher, Josh Hamilton, Emily Robinson, Jake Ryan, and Fred Hechinger Based on: N/A Distributor: A24 Country of Origin: United States Language: English Running Time: 94 Minutes Aspect Ratio: 1.85:1 When the (slightly over-rated) film Lady Bird came out actress Saoirse Ronan received several accolades for choosing not to use makeup to clear up some acne in order to better convey the realities of teenage bodily awkwardness. Eighth Grade is a movie that takes a look at that gesture and says “hold my beer.” Most teen movies like to make their protagonists look like underdogs within their schools, but the truth of the matter is that most of them actually seem to have plenty going for them. Eighth Grad is by contrast one of the only teen (well, tween) movies I can think of where the protagonist truly is an outcast within the school. The film is highly sympathetic about this but it also doesn’t take the easy way out by blaming the rest of the world for this girl’s plight. The popular kids in the school do not go out of their way to be mean to Kayla so much as they just kind of ignore her and frankly you can kind of understand why because Kayla is a bit all over the place. Her Youtube videos are an inarticulate jumble of advice given by someone who has no idea what she’s talking about. I wouldn’t be too interested in watching them, not as an adult and not when I was her age, and true to form they’re shown in the film to have some severely low view counts. People like to suggest that this is some highly modern film about what the internet is doing to “the kids” but if anything it just suggests that social media acts as little more than an extension of the same old middle school pains of trying to be noticed and reach out to people. Her in-person attempts at social interaction are also just painful to watch at times. That’s the thing about this movie, it’s so empathetic that it can be downright hard to watch as Kayla is put through the emotional ringer, but it’s a rewarding viewing experience just the same in order to get to the truth of what it’s like to be someone like this. It seems this movie has also grown on you over time. I don't recall it being in your top ten list. Also, quick picking on Lady Bird! It was number seven on my top ten list that year, but yeah, it has grown on me. It was previously ranked behind Roma, First Reformed, Annihilation, and The Favourite, but now it's ahead of them.
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Neverending
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Post by Neverending on Mar 25, 2020 17:55:38 GMT -5
I’ll take Lady Bird over Eighth Grade.
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PG Cooper
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Post by PG Cooper on Mar 25, 2020 18:42:45 GMT -5
16. The Florida ProjectBecause while it's too early to call The Florida Project the 'definitive' Sean Baker film, it is an exceptional example of fusing social critique with heartfelt and entertaining cinema.
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PhantomKnight
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Post by PhantomKnight on Mar 25, 2020 18:47:01 GMT -5
Nothing against Lady Bird. I just prefer Eighth Grade so much more.
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Post by Neverending on Mar 25, 2020 18:51:12 GMT -5
Nothing against Lady Bird. I just prefer Eighth Grade so much more. Cause you’re emo.
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PG Cooper
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Post by PG Cooper on Mar 25, 2020 19:07:34 GMT -5
Nothing against Lady Bird. I just prefer Eighth Grade so much more. Cause you’re emo. Neverending's trolling can be infuriating, but it's a force for good when you're on his side.
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Post by PhantomKnight on Mar 25, 2020 19:41:46 GMT -5
Nothing against Lady Bird. I just prefer Eighth Grade so much more. Cause you’re emo. *stares sullenly back at Neverending*
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PG Cooper
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Post by PG Cooper on Mar 25, 2020 19:49:49 GMT -5
15. BirdmanBecause while huge swathes of the internet seem to hate Alejandro G. Iñárritu, I love the man, and Birdman may well be his best movie.
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Neverending
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Post by Neverending on Mar 25, 2020 20:21:55 GMT -5
huge swathes of the internet seem to hate Alejandro G. Iñárritu Nah
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PG Cooper
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Post by PG Cooper on Mar 25, 2020 21:07:04 GMT -5
14. The HandmaidenBecause it's a deeply entertaining and twisty movie with a phenomenal cast that evolves into something honestly touching.
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IanTheCool
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Post by IanTheCool on Mar 25, 2020 21:50:04 GMT -5
sure
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thebtskink
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It puts the lotion on its skin or else it gets the hose again.
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Post by thebtskink on Mar 25, 2020 21:53:28 GMT -5
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Post by Doomsday on Mar 26, 2020 0:42:32 GMT -5
Loved If Beale Street Could Talk, nice!
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Post by Doomsday on Mar 26, 2020 0:43:14 GMT -5
I think the way you guys feel about Dunkirk is the way I feel about 1917, and the way I feel about Dunkirk is the way (most of) you feel about 1917.
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Post by Dracula on Mar 26, 2020 8:27:00 GMT -5
36. The Lighthouse (2019) Year: 2019 Release Date: 10/18/2019 Director: Robert Eggers Writer(s): Robert Eggers and Max Eggers Starring: Robert Patinson and Willem Dafoe Based on: N/A Distributor: A24 Country of Origin: United States Language: English Running Time: 109 Minutes Aspect Ratio: 1.19:1 Robert Eggers’ follow-up to The Witch was made with a higher budget and had the participation of some fairly high profile actors but rather than try to break into more commercial fare he doubled down on weirdness and put together a nightmare vision of a movie called The Lighthouse. The film featured only two characters with speaking roles and put them into a sort of hotbox where they proceeded to turn against one another and things grow increasingly surreal as the movie goes on. Among the film’s highlights are a series of dream/nightmare images involving things like demonic mermaids and staring Neptune figures and when things really start getting intense toward the end you start feeling like what you’re watching may in fact simply be a waking nightmare or some kind of purgatory for the Robert Patinson character. Like The Witch before it the film is written in a dialect of a different time, in this case in a sort of old New England brogue steeped in nautical slang that almost sounds like the type of speech you’d associate with pirates and Eggers gives Dafoe some staggeringly elaborate speeches he needs to read off with utter sincerity. The film was also shot in black and white and in an extremely narrow aspect ratio that emphasizes the verticality of the lighthouse in the film and this accentuates the film’s otherworldliness and a color version of the film is almost unthinkable once you’ve seen it. It’s the kind of sophomore effort that makes a pretty strong statement that the filmmaker is going to be here to stay and that he’s not afraid to let his freak flag fly.
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PG Cooper
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Post by PG Cooper on Mar 26, 2020 8:32:00 GMT -5
I think the way you guys feel about Dunkirk is the way I feel about 1917, and the way I feel about Dunkirk is the way (most of) you feel about 1917. I was gonna argue this point, but then I saw your support for Beale Street, so instead I'll give you the old respectful nod. 13. Blade Runner 2049Because it's a cinematic miracle that this turned out as well as it did.
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PG Cooper
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Post by PG Cooper on Mar 26, 2020 9:43:29 GMT -5
12. Mad Max: Fury RoadBecause while it's bizarre to think a Mad Max movie is this fucking good, it really is this fucking good.
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Neverending
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Post by Neverending on Mar 26, 2020 10:24:04 GMT -5
it's bizarre to think a Mad Max movie is this fucking good
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PG Cooper
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Post by PG Cooper on Mar 26, 2020 10:40:45 GMT -5
it's bizarre to think a Mad Max movie is this fucking good I love Road Warrior a lot (just rewatched it) but Fury Road is some next level shit.
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Post by PG Cooper on Mar 26, 2020 10:47:27 GMT -5
11. Before MidnightBecause the continual evolution of this series over the years is arguably the most comprehensive look at romance over put on film, with this third entry challenging our expectations for these characters in at times deeply upsetting ways.
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