Neverending
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Post by Neverending on Dec 14, 2018 22:32:53 GMT -5
It's.......... great.
Peter Parker dies. Miles Morales takes over, even though he's not ready at all. Hobo Peter Parker, Spider Gwen, Nicolas Cage, John Mulaney and Spider Anime Girl travel from another dimension to help him stop the Kingpin. How the fuck they get the rights to that???
It's funny, dramatic when it needs to be, well animated and has solid action scenes. Check it out.
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Pbar
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Post by Pbar on Dec 15, 2018 1:37:35 GMT -5
One of the best animated films ever made.
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Wyldstaar
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Post by Wyldstaar on Dec 15, 2018 1:39:05 GMT -5
It's.......... great. Peter Parker dies. Miles Morales takes over, even though he's not ready at all. Hobo Peter Parker, Spider Gwen, Nicolas Cage, John Mulaney and Spider Anime Girl travel from another dimension to help him stop the Kingpin. How the fuck they get the rights to that??? It's funny, dramatic when it needs to be, well animated and has solid action scenes. Check it out. It's good to hear that it's well animated. I was kinda worried, based on that first trailer. As for Kingpin, Sony had to renegotiate with Marvel/Disney just to get the rights to make an animated feature at all. Kingpin may have been part of that, or he may simply have always been a character that was shared by both the Spider-Man and Daredevil licenses. Hard to say for certain.
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1godzillafan
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Post by 1godzillafan on Dec 15, 2018 7:03:26 GMT -5
It was really good
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IanTheCool
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Post by IanTheCool on Dec 15, 2018 9:35:48 GMT -5
A friend of mine worked on the animation. He seemed pretty excited about it.
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Ramplate
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Post by Ramplate on Dec 15, 2018 9:58:59 GMT -5
coolness
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frankyt
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Post by frankyt on Dec 15, 2018 15:44:28 GMT -5
Yea it's fantastic see it on the best screen possible.
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FShuttari
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Post by FShuttari on Dec 16, 2018 7:25:17 GMT -5
This isn't the best animated movie of the year. It isn't the best Superhero movie of the year.
It's easily the best movie of the year. I dare say it might even be in my top 3 movies I've seen all year.
What a gem of a film, completely daring, inventive, imaginative, and just beautiful from start to finish.
Phil Lord and his brother Chris Miller are game changers and since Lego Movie, they have made some of the most unique films.
This is there best work yet!
10/10
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IanTheCool
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Post by IanTheCool on Dec 27, 2018 18:28:38 GMT -5
I liked it.
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daniel
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Post by daniel on Dec 27, 2018 21:37:37 GMT -5
great movie
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PhantomKnight
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Post by PhantomKnight on Dec 31, 2018 20:19:16 GMT -5
Well, chalk this up as one of the most pleasant surprises of the year. Leading up to this film's release, I wasn't quite sure what to make of it, but I definitely have to agree with the heaps of praise it's been getting; Spider-Man: Into the Spider-Verse is a REALLY damn good movie and proof that there's still plenty of life left in the superhero genre. Where this film mainly succeeds is in its storytelling. Not only does it make use of the animation medium to really creative effect, it also has a story that's surprisingly engaging and emotional in more than a few places. Now, I'm no expert i Spider-Man lore, but even I could appreciate the ingenuity here in how the filmmakers and incorporated different aspects of the character's history and mythology. With a plot brimming with so many characters and ideas, there was always the risk of this film feeling overstuffed, but fortunately, Into the Spider-Verse knows how to weave (no pun intended) everything together in a way that feels natural and fluid, while still retaining a very emotional core at the center. It made me look at Spider-Man in a way I hadn't before, as well as present more than one version that felt fresh and unique, much like the overall film itself. Film critic Scott Mantz called this the It's A Wonderful Life of Spider-Man movies, and I have to agree. Seeing a different avenue that Peter Parker's life could have gone down was fascinating, but more importantly, the way this film shines the spotlight on Miles Morales is pretty great and Miles himself proves to be a really compelling character. Also, Into the Spider-Verse might well be the funniest film of the year. The jokes it throws fast and furious at you all land for the most part, and combined with the unique visual style and surprisingly strong script, it all balances out rather wonderfully. Overall, while not quite something I'd consider transcendental or anything, Spider-Man: Into the Spider-Verse is one of the most pleasant surprises of 2018 and one of the more unique superhero films as of late.
***1/2 /****
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Dracula
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Post by Dracula on Jan 2, 2019 18:52:19 GMT -5
Spider-Man: Into the Spider-Verse(12/30/2018)
2018 was generally a pretty bad year for humanity, but it was a pretty good year for one fictional character: Spider-Man. The character was going strong coming off of his successful Marvel Cinematic Universe debut in last year’s Spider-Man: Homecoming and also played a prominent role in this year’s Avengers: Infinity War. On top of that he had a hit video game come out for the Playstation 4, which was a huge seller and one of the most acclaimed superhero games since the end of the Batman: Arkham series. Hell, even the dude’s villains are now getting majorly successful movies made about them. With all that web-slinger content to go through I must say I wasn’t exactly doing much to anticipate Spider-Man: Into the Spider-Verse, an animated feature film that Sony was planning to release late in the year almost as an afterthought separate from all the other Spider-Man related releases they were cranking out. Was it based on some Saturday Morning cartoon I wasn’t familiar with? Was it going to be something that was strictly for kids? Was it going to be more like the dozens of animated movies that DC puts out for whoever it is buys those things? Well to my surprise it’s being treated as something more substantial than all those things, in fact among critics it’s become one of the more universally liked animated movies of the year and something I probably couldn’t just ignore.
This Spider-Man film is set in an alternate universe from the one we’re used to seeing Spider-Man in. In it Peter Parker (Chris Pine) is a blond guy who has been fighting the good fight as Spider-Man for many years and is pretty widely accepted as a superhero, but this film isn’t told from his perspective. Instead it’s told from the perspective of Miles Morales (Shameik Moore), a middle school student who’s recently been accepted to a top end charter school but who feels stifled by his parents’ expectations. One day his uncle Aaron (Mahershala Ali) takes him to a hidden subway where he is (for reasons unexplained) bitten by a radioactive spider. Soon he begins to obtain Spider-Man like powers that he doesn’t know how to control, and he’ll need them because shortly afterward he stumbles upon a giant particle collider that The Kingpin (Liev Schreiber) has built while Spider-Man is trying to take it down. Spider-Man does damage it but is injured in the process. He warns Morales that this collider could cause a full on apocalypse and gives Morales a USB drive that can be used to bring it down for good. Unfortunately Spider-Man is found by The Kingpin and unable to help, Morales watches as Spider-Man is killed. Morales escapes, but feels ill-equipped to finish what Spider-Man started, that is until he realizes that this collider has opened up some sort of inter-dimensional rift and he meets another alternate version of Spider-Man, and another, and another.
This highlight of Spider-Man: Into the Spider-Verse is almost certainly its screenplay by Phil Lord (of Lord and Miller fame) and Rodney Rothman. In it they do a pretty good job of doing a new take on Spider-Man that feels quite distinct from the many other iterations of the character without feeling like it was trying to tear those versions down in any way. The film also does a good job of having a rather sarcastic wit without constantly feeling more snarky and self-referential than it needed to. I especially liked the creation of Peter B. Parker, an alternate universe Spider-Man voiced by Jake Johnson, who appears to be a perfectly competent superhero despite sort of being a fuck-up whose personal life is a mess and who just sort of “wings it” while out on missions rather than meticulously planning everything. I love the way the film manages to pretty much mock this guy while still making him very clearly a hero in all the ways that count. The film also does a good job of getting kind of serious when it needs to and prioritizing Morales’ character arc over gags.
So there’s a very solid stand-alone Spider-Man story here to work with, but I found the way that it was executed to be a bit… all over the place. In particular I found the animation style they landed on to be quite the mixed bag. Now before I get too deep into this I do want to say that I’m glad the people making this did at least try to use a somewhat experimental animation style for this relatively high profile film. That kind risk taking is necessary and that kind of variety is necessary in the film landscape. That having been said, I think what mars the look of this film is that it kind of has a whole lot of ideas and never really settles on a specific set of them. It’s over-riding goal is seemingly to take on something of the look of a silver-age comic book but it also doesn’t want to go all the way and use traditional animation so it instead takes the form of a CGI animated film but one that uses cel-shading, kind of like a Telltale game. The result really doesn’t look that much like a vintage comic book to me so I’m not sure why they still bothered with certain filters to try and give it that four color look. Occasionally the film will use some overt comic book techniques like word bubbles and panel divides, but it never really commits to this and or consistently uses it as part of its film language.
On the positive side, the film does have its characters move in a way that feels unique and it also has a bit more of a sense of depth within the frame, and almost gives the illusion of the film being a work stop-motion at times, which is interesting. I will also say that the film does a very good job of blending in the divergent styles of some of the alternate universe Spider-people and making them all cohere on screen, which was probably an even harder task than it appeared given that a couple of the characters really take on the features of traditional animation in ways that most of the film doesn’t. On the less positive side, while this is still a movie that was made for $90 million dollars that’s still kind of low budget for a feature length animated movie like this (by comparison The Incredibles 2 cost more than twice as much), and at times that budget does show. Certain elements of the movie like the cityscapes and the backgrounds during a scene set in a forest seem to really use their stylization to conceal corners that are being cut and certain elements just look kind of unfinished. I must also say that for all of the film’s success in designing the alternate universe spider-people I think the film really dropped the ball in their designs for some of its villains. The Kingpin just looks silly with his insanely large bulk combined with a sort of hump on his back, when the Green Goblin is briefly present he looks like an indistinct snarling monster, The Prowler almost seems to be hard to see on screen at times, and their makeover of The Scorpion just looks plain ridiculous.
That’s not to say I dislike the movie because of any of this. Again, the writing in it is very strong and despite my misgivings the animation does have some things going for it. The movie is certainly a whole lot better than it needed to be given that it looked like something of a weird side-project by Sony Pictures to exploit the one franchise they have that still seems to be working for them. All that said I think I am a bit less into this movie than some people are, in part because I’m sort of part of a second wave of people who went to see it. Unlike the first round of critics who were blindsided by it, I was going into it with higher expectations because of the hype and that probably made its shortcomings stand out a little more to me.
***1/2 out of Five
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SnoBorderZero
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Post by SnoBorderZero on Jan 17, 2019 20:37:18 GMT -5
Despite attempts at deviating from the status quo or seeking to be the innovative entry in a tired but still overwhelmingly successful genre, the superhero film's formula has largely been established and fortified by the Marvel Cinematic Universe. Oh sure, Fox is still mostly walking to its own beat with the X-Men and Deadpool films, but Disney has all of the other studios far behind them when it comes to delivering hit after hit with their characters. That's not to say that the X-Men films haven't been huge successes in their own right though, and I have to applaud Fox somewhat for largely standing pat and not succumbing to the pressure of remodeling their films after the MCU's. The studio that has consistently shown to not have any clue what it's doing with its one significant property and has even pathetically attempted to shoehorn its way into the success of the MCU with their disastrous (from a critical standpoint, not a financial one) Venom a few months ago though is Sony. In fact, Sony has been so bumbling in how to handle the one coveted intellectual property they have left after losing James Bond that they actually entrusted the MCU to deliver for them with 2017's Spider-Man: Homecoming. It's odd in a way, since in 2002 and 2004 Sony (or Columbia, whatever you want to call them) they were the ones at the forefront of changing the superhero genre with Sam Raimi's Spider-Man and Spider-Man 2, respectively. But times have changed, and Sony has failed to change with them, and after the general distaste for their poor handling of Venom, I suppose we should all be grateful that they did hand off their live action Spider-Man films to the people who know what they're doing with them. But here we are with a sort of spin-off, animated Spider-Man film from Sony, one that completely deviates from anything they're doing with the character though the MCU and even centers around an entirely different protagonist than Peter Parker in Miles Morales. Not only that, but the film is bolstered by a screenplay from one of the scribes of The Lego Movie, Phil Lord. I wouldn't call a film with a 90 million dollar price tag a low-risk venture, but freed from the restraints of live action Sony has seemingly achieved the opposite of their recent track record; create a fresh, original, and innovative take on Spider-Man. It doesn't even sound right typing that. And yet here we are with a spin-off, side project film that's actually better than the live action film that Sony groveled at Disney's feet to make for them. Spider-Man: Into the Spider-Verse is not only the most fun that the superhero has been, but takes the most risks and "see if they stick" ideas, and somehow compiles them into making one of the best films of the year.
The first major deviation from previous Spider-Man films is that the protagonist here is not Peter Parker, who's relegated to a supporting role, but Miles Morales (Shameik Moore), a Brooklyn kid attending a prestigious preparatory school who gets bitten by a radioactive spider while down in an abandoned subway tunnel. He begins to experience the usual changes while coming to grips with his newfound abilities, and shortly after stumbles upon Peter Parker (Chris Pine) battling the Green Goblin and Kingpin (Liev Schrieber), who has created a device called the Super Collider which has the ability to open multiple dimensions so that Kingpin can get a second chance with his wife and son, who left him when they walked in on him about to kill Spider-Man. Somehow this actually sounds a whole lot more convoluted than it's executed onscreen, a good thing considering when I saw the previews for this film I thought the narrative looked like a mess and couldn't believe they pulled this thing off. During the battle, Peter Parker is killed by Kingpin. Later, Miles ventures to Parker's grave, only to encounter Peter B. Parker (Jake Johnson), who informs him that the Super Collider has altered his own dimension where he's the only Spider-Man, and needs Miles' help to get back. Again, this all sounds ridiculous and convoluted writing it down, which makes it all the more impressive that the writing team of Phil Lord and Rodney Rothman are able to make this thing work as well as they do. Miles and Peter eventually meet other "Spider-Men" from other dimensions including Gwen Stacy (Hailee Steinfeld), Spider-Man Noir (Nicolas Cage), Peni Parker (Kimiko Glenn), and Spider-Ham (John Mulaney). Together, they look to thwart Kingpin and his small team of super villains and return to their dimensions.
As complicated as all of this sounds, fortunately the film never bogs itself down in too much jargon or chatter about the implications of all of this. The pacing is run-and-gun throwing one clever joke after another at the audience, similarly to The Lego Movie, and it's a huge benefit to making this narrative come together and never feel as scatterbrained as it should. All of the characters are likable, funny, and bring their own unique set of comedy to the table, especially Peter B. Parker as the burned out, out of shape Spider-Man that's supposed to serve as Miles' mentor. The film largely eschews a lot of the typical origin story tropes by poking fun at them, something Phil Lord has proven to be exceptional at doing. He's well versed in story, namely that of big budget superhero films and Hollywood in general, and as a result is able to pick apart their cliches in clever manners that never come off as snarky or above them either. None of this should work, but the screenplay is so smart and confident in what it's doing that it does, and quite well at that. It's a true testament to the success of the film that avid Spider-Man fans and those looking for a break from the formula alike can have a wonderful time watching Into the Spider-Verse. No, the film doesn't contain any of the epic drama of Raimi's first two films, nor is it thematically deep or interesting in any way, but Into the Spider-Verse is bolstered by unique animation and a highly entertaining script that pit the Spider-Man character into his most innovative and fun yet.
8/10
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Frizzo the Clown
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Post by Frizzo the Clown on Jan 21, 2019 6:33:21 GMT -5
Saw it yesterday afternoon. My daughter is a big Spider-Man fan, so we thought we'd surprise her with it. Man, it was so good.
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1godzillafan
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Post by 1godzillafan on Jan 23, 2019 15:04:20 GMT -5
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PG Cooper
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Post by PG Cooper on Jan 26, 2019 16:23:21 GMT -5
I'm enjoying this meme. No one outside of Dracula will understand this one, but it makes me laugh.
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PG Cooper
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Post by PG Cooper on Feb 17, 2019 9:57:34 GMT -5
In recent years, the Marvel Cinematic Universe has slowly started to be a bit more visually adventurous, but they still play things relatively safe and conventional. How exciting then, is Spider-Man: Into the Spider-Verse, a new animated film which fully embraces bright colours, energetic movement, and creative designs. Where a lot of superhero movies lean towards a sort of pseudo-realism, Spider-Verse embraces its comic book origins, with stylish panels and even some Adam West-style sound effects. Scott Pilgrim did similar tricks back in 2010, but seeing such visuals in animation does feel a lot more natural. The filmmakers use this style for some really fun set-pieces, but even the dialogue scenes show a great degree of creativity and energy. Perhaps more importantly, the characters here also really pop. Various Spider-Heroes we meet are all nicely defined and the bonds between protagonist Miles Morales, a middle-aged Peter Parker, and a teenaged Spider-Gwen are particularly well-written, while the supporting cast is a great deal of fun.
In general, Spider-Man: Into the Spider-Verse is hard to really complain about. It's colourful, fun, and accomplishes most everything it sets out to do. It's hyper-active style isn't totally to my taste and I do also feel like some key storytelling elements were rushed, but all told, the movie works quite well. The film is pretty predictable in spite of its weirdness, but it does tell a very good story for kids about finding your inner hero and even as an adult, I too found it pretty endearing.
A-
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