PG Cooper
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Post by PG Cooper on Dec 16, 2017 19:03:59 GMT -5
Like the rest of you, I'm kinda torn. The highs are really high, but the lows...well, maybe they aren't "really low", but the film certainly takes some major missteps. I was more or less really into everything involving Luke, Rey, and Kylo Ren. I thought the writing was strong, the story took some unexpected turns, and the actors all killed it. The throne room scene with Snoke kicked ass and Luke's final moments where equal parts touching and awesome. I kinda wanted Luke to live, if only for the film to be more surprising, but his death did carry a lot of power and was also beautifully shot.
Unfortunately, that's only half the movie. The other half is a scattered mess of different storylines which don't fully coalesce. There is a somewhat interesting theme which emerges involving failure, but this isn't really reflected fully. I was okay with the Poe stuff in theory, but it felt disparate from the rest of the action in a lot of ways. Worse though was Finn and Rose's adventure on the casino planet, which had some cringey stuff but more importantly just felt entirely pointless. There's some character development, but the action itself does not develop the characters and I didn't buy into their bond. Plus, watching these two lounge around the casino planet kind of kills the tension of the Resistance's desperate race for survival.
In general, the movie had a hard time finding shit for Finn to do. His fight with Phasma was equally pointless (why the fuck is this character still a thing?) and having BB-8 pilot an AT-ST is a bit much. For that matter, the comedy was problematic in this. I'm mostly okay with stuff like the Porgs, what annoyed me was the bathos that so often undercut the tension. Opening with that, "Holding for Hux" was lame and did not get the movie off to a promising start. Luke throwing the lightsaber away in comedic fashion was also an awful way of introducing his character conflict in this film. His reasons for abandoning the Jedi are pretty heavy; starting that off with a joke is fucking lame.
Interestingly I thought Hamill himself handled is written comedic bits pretty well, as did Carrie Fisher, but any of the big gags were generally lame and killed tension. Overall, it's tough to compare this to The Force Awakens. I pretty firmly believe the best scenes here are better than anything in The Force Awakens, but that film was much more consistent and focused. Leaning towards a B at the moment.
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PhantomKnight
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Post by PhantomKnight on Dec 16, 2017 19:51:28 GMT -5
Count me in among the "I liked it, but I'm kinda torn" crowd. I definitely plan on seeing it again because I really want to solidify my thoughts and also because when I first walked out it this afternoon, I was having trouble making heads or tails of my opinions. But in reading through a lot of the Likes/Dislikes brought up in this thread so far, I find myself agreeing with nearly every point brought up. I'll also just add that I thought the film felt overlong, the same plot could've been more concisely told with at least half an hour of less screentime, and toward the end, I thought it started to suffer somewhat from Return of the King syndrome. Was it just me, or did anybody else feel like there were, like, at least five or so times where it felt like the end credits were about to start, but then the movie just kept going? And when they finally DID, the moment they chose to end on was kind of...obligatory?
RIGHT NOW, if you asked me, I'd say I prefer The Force Awakens. It's more focused, tightly-paced and tonally consistent. Though there are certain scenes alone here that best that film. This is still also more compelling overall than Rogue One, which mainly suffered from underdeveloped characters. So...yeah. What a weird final product this turned out to be. Currently hovering around 3 out of 4 stars.
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IanTheCool
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Post by IanTheCool on Dec 16, 2017 23:20:00 GMT -5
Rey has really become a great movie hero. She is fantastic and every time she was on screen in this movie was great.
I'm not sure I really liked any of the new characters. They felt too... artificial.
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FShuttari
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Post by FShuttari on Dec 17, 2017 0:23:09 GMT -5
THE LAST JEDI - Review
SPOILERS IN THIS REVIEW. YOUVE BEEN WARNED!! IN FACT DONT BE IN THIS DISCUSSION TIL YOU SEE IT!!
I’ve had a day to collect my thoughts on the movie. I left the theater thinking – this made me feel like a kid again, watching a Star Wars movie. I finally see some of the issues and criticisms people have brought up. Now I think I see at least what they were trying to do – the key is in the conversation between Luke Skywalker and Yoda, where Yoda essentially says that failure is an important part of growth.
This is a movie where everyone fails.
Rey was convinced that she could turn Kylo Ren back into Ben Solo, and even stand up to Snoke. She tried and failed on both accounts. But we do see her better coming to terms with her own powers, and taking steps to make this journey on her own without relying on a father/mentor figure.
I wasn’t able to re-watch TFA, but IIRC Finn was never that big on the resistance. He’d become disillusioned with The First Order but was mostly in it thanks to his friendship or whatever it is with Rey. So we see him at the beginning this movie recognizing that the rebellion is f’ed and trying to sneak out and lead Rey away from them. He ends up getting drafted into a save the rebellion plot, and I think the casino scene was him seeing more of the “this universe needs someone to stand up for the little guy” kind of mentality. He fails in his mission, but ultimately embraces being a rebel soldier when he fights and defeats Phasma. By the end of the movie he’s gone from wanting to bail, to being willing to sacrifice his life for this fight. ...As for Rose and the whole romance thing, I don’t think she actually love loves him...remember at her beginning, she’s got a mild case of hero worship towards him. She’s also still broken up over losing her sister and probably a bit vulnerable/not wanting to lose more comrades. I don’t see this as her having fallen in love with him after half a day.
Poe starts off as the cocky, reckless hot shot who thinks he can do everything. He fails spectacularly with his plan and the mutiny. He has to learn to put more trust in his superiors, and that sometimes you can’t just shoot your way out of trouble. We see him having learned his lesson when he accepts the order to fall back on the battering ram cannon.
Luke failed Kylo as a teacher, and then failed Leia’s trust in taking care of her son. His self-imposed exile was him not really being able to deal with/address this failure, and it affected him so deeply that he was willing to let the entire Jedi culture die with him. He had to learn to accept it and move on, and he did as he talked with both Leia and Kylo, expressing his regrets over what happened. At the start of the movie he wants the Jedi to die out, but by the end he’s comfortable with passing the torch to Rey and trusting her, even if she may fail along the way.
So it’s a character story more than anything else, and I feel like the characters have made progress and grown through their failures. But I’m not sure if the movie really pulled it off successfully. I’ll need to see the movie a couple more times for a final verdict.
9/10
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IanTheCool
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Post by IanTheCool on Dec 17, 2017 9:04:33 GMT -5
The movie is thoroughly entertaining. Let’s establish that right off the bat. Now for the bad. It’s a cinematic blue ball. Rian Johnson set up an amazing Part 3 and then just said, “fuck it”, and tossed it out. We’ll get to that once we can have a spoiler filled discussion. For now, here’s the gist of it. While Rey is off on that Jedi planet with Luke, the Resistance sends out Finn on a special mission. No. No. No. It’s not a clone of Empire. Although it has a similar structure, the story itself is completely different because all the characters are spread out. Empire is compact. You have Luke & Yoda, Han & Leia and that morphs into Vader & Luke. Here, all these Force Awakens characters are off on their mini adventure. That’s the big flaw with the movie. It has no focal point. It was leading to one, but Johnson fucked it up. What we’re left with feels more like the midseason finale of a TV show than the middle chapter of a trilogy. These characters are tough to hate. The movie is difficult to hate. Most people are gonna have loads of fun watching it. But Star Wars is definitely heading in the direction of Marvel. It has no backbone. Exciting ideas are tossed out in favor of safe options. If you come into this movie expecting a “Luke I am your father” moment, you’re gonna be super disappointed. But hey! At least they didn’t blow up a planet. Oops! Did I spoil the movie for FShuttari ? What movie did you see?
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PG Cooper
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Post by PG Cooper on Dec 17, 2017 15:24:45 GMT -5
When I came out of The Force Awakens two years ago, my opinions of the film were pretty easy to discern. Overall, I thought that movie could stand to be more creative and had some little problems, but the greater package was clearly of value. That film did a really effective job laying the ground work a new trilogy while also working as a rock solid action-adventure movie. It had some issues, but it was also clear to me that The Force Awakens was a good film and my two rewatches since have played out pretty well exactly the same. Coming out of The Last Jedi, my feelings are a lot more conflicted. I still pretty firmly believe that the film is of value, but it’s difficult to gain a precise perspective given the discrepancy between “good” and “bad” is a lot more wide this time around.
This review is going to avoid spoilers, but talking about this movie does require talking about the plot to some extent, so if you haven’t see the film and wanna go in completely blind, stop reading now. Basically, The Last Jedi is structured similarly to the Empire Strikes Back, half the film is dedicated to a young would-be Jedi training with a strange hermit, while the other half deals with the rest of our heroes in a desperate race against the clutches of the Empire (or in this case The First Order). The stuff that works best here is easily the Jedi training scenes. Basically everything involving Luke, Rey, and Kylo Ren is very good, with much of it bordering on greatness. Luke’s character growth since Return of the Jedi is very well-drawn. The film also wisely explores what has become of Luke through his relationship with Rey, meaning that we as an audience learn what has become of Luke through her eyes, simultaneously seeing her grow as a character. Crucial to this is Kylo Ren, as we learn more about his relationship with Luke and how the ending of The Force Awakens has effected the character.
All three major actors involved in this plot line kill it. Mark Hamill is able to evoke the Luke Skywalker of old while simultaneously bringing a world weariness to the role this time around which is entirely appropriate. The result is a character who lives up to the mantle of a Jedi master while simultaneously subverting it, and Hamill also nails the films emotional beats (a moment shared with Carrie Fisher’s Princess Leia is especially touching). Rey is also challenged emotionally in new was and Daisy Ridley brings the right amount of pathos and humanity to the part. Finally, Adam Driver’s Kylo Ren continues to be the most complex of the new characters and elevates what I already loved about his performance in The Force Awakens. These storylines culminate in not one, but two excellent confrontations in the third act, both of which with creative twists and emotional resonance.
These are the moments where The Last Jedi is not only at its best, but is also able to top pretty well-everything in The Force Awakens. Unfortunately, that’s only half of the movie. The other half, dedicated to the resistance certainly has its moments, but it’s also full of mediocrity and a handful of bad decisions. The big problem here is filler. Finn (John Boyega) and new character Rose (Kelly Marie Tran) have an extended mission on their own which, though adding some character, is largely pointless to the overall emotional thrust of the movie and the bond which is supposed to develop between the new characters never really resonates. What’s more, not only is this section a bit of waste, but it’s goofier tone and more leisurely pace actively diffuses the tension of the First Order’s pursuit of the Resistance. Consequently, any scenes set on Resistance ships are actually kind of dull. In general, the movie has a hard time figuring out what to do with Finn. A later confrontation with Captain Phasma feels completely tacked on, especially given Finn confronting the order which trained him was already present in The Force Awakens. It’d be different if this confrontation between Finn and Phasma was able to present something new or if Finn’s arc in this movie had been set-up as to be about confronting his past with the First Order, but that isn’t really the case. In fact, I’m not totally sure what Finn’s arc was supposed to be here. It seems different at certain points and the note the film ends on is itself contradictory to an earlier scene.
One character who does have a clear arc is Poe Dameron (Oscar Isaac), and it does tie into the broader themes of the movie (how one deals with personal failure and its consequences), but it’s handled a little bit clumsily. Though the movie seems pretty firmly committed to presenting Poe’s personal failure and its major consequences, it’s ultimately brushed off as being more endearing than a genuine flaw. Poe still learns a lesson, but the impact is lessened by a desire to exonerate the character before the arc is even finished. The greater flaw at the heart of the non Jedi/force related stuff is these storylines don’t really have a central focus. So many characters are off doing their own thing and the script never really coalesces everything back together. Instead, sections of the film feel more like a collection of stuff. Some of it very good stuff. Later scenes of an infiltration mission with Finn and Rose are fairly effective in isolation, and I also dug Benicio del Toro’s more nihilistic and morally compromised character, but he didn’t really fit this movie. In fact, the character would have felt a lot more at home in Rogue One, where the character’s ambivalence to the war would have complimented the fatigue of that films cast, who too were exhausted by the struggle. Not only that, but he would have represented a type of temptation, something those rebels could become were they to give up their ideals and it would have added some tension to that movie. Here, the character, and the notion that all the fighting is pointless is introduced, but dropped shortly there after without really mattering. We a similar beat when the film introduces the notion of class disparity in the Star Wars universe, but then does nothing with it.
From a production standpoint, The Last Jedi is certainly impressive. The film’s action scenes generally work pretty well, the performances are universally good, I like the art direction, and generally speaking Rian Johnson does a very good job at the helm. Where he falters a bit is tone. Already, the humour in The Last Jedi has become a point of contention with fans and I wanna make clear that the comedy itself is not really the issue. There should be comedy in a Star Wars movie and some of it does work pretty well. The problem is certain specific uses of comedy. The film frequently indulges in bathos, which is essentially when a meaningful or dramatic moment is undercut for the sake of a laugh. There was a little bit of this in The Force Awakens, but it’s far more pronounced here and it leads to some moments losing their dramatic power. This is evident in the film’s opening scene, and it’s also how Johnson chooses to introduce Luke’s arc in the film. Both moments immediately undercut the drama, setting a goofier tone for elements which end up serving as the dramatic crux of the film.
Overall, it’s hard to know what to make of The Last Jedi. Its best moments are truly awesome but the missteps are vast. Beyond the nitpicks, beyond anyone accusing fans of being too attached to the originals, The Last Jedi does have serious problems in terms of writing, pacing, and tone. The very fact that large chunks of the movie are kind of disposable is a huge problem. These are things which are not easily ignored, nor should they be. And yet, I keep coming back to the moments of the film which work, which are highly impressive, exciting, and moving. I’m still not quite sure what to make of this movie. At the moment, I’m resigned to a gentleman’s B, but there’s definitely room for this grade to change in the future. Whatever happens, The Last Jedi is definitely something worth seeing, but I don’t see the masterpiece so many seem to be declaring.
B
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Frizzo the Clown
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Post by Frizzo the Clown on Dec 17, 2017 17:12:26 GMT -5
I found it throughly enjoyable, but not without its faults. I'm not much for making overly long reviews, so I'll just talk about a couple of things that popped in my head while I watching. I dunno about anyone else, but a majority of the Finn/Rose scenes seemed to be the most "prequel" like to me. For better or worse.
Also, maybe its just becuase I've played a bunch of Lego video games, but even without thinking I was breaking the movie down to exactly what each level of the Lego game will be like, from the ubiquitous vehicle levels, to even how the boss fights will go down. Again, I dunno if thats good or bad.
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Neverending
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Post by Neverending on Dec 17, 2017 18:05:05 GMT -5
STAR WARS: EPISODE VII - THE FORCE IS FLACCIDI knew Episode VII of the Star Wars saga was in trouble as soon as I read the opening text crawl. It revealed that Luke Skywalker vanished and a map was needed to find him. That's the plot? Really? The rumors from a year or two ago were a lot of more exciting. People thought the movie would begin with Luke's prosthetic hand being found in the desert and the rebel alliance trying to figure out what happened. Is he alive? Is he dead? Is he marooned somewhere? Was he captured by the enemy? But no, instead, we get Luke going to into exile and leaving a map behind so his friends can find him. Boring! Even more puzzling is the revelation of the backstory being more interesting than the main story. After the events of Episode VI, Luke tried to restore the Jedi's to their former glory, but failed when his nephew turned against him. THAT should have been the plot for Episode VII. Not only would it have been more dramatic and emotional, but it would have totally made up for the prequels. It's obvious that Luke's nephew, Kylo Ren, is modeled after Anakin Skywalker. He's a confused young man that falls for the temptations of the Dark Side. The Force Awakens could have been the movie that fans wanted 16 years ago. It could have also introduced the new characters and their stories more naturally. Take Rey for example. We assume that she's Luke's daughter and Kylo Ren's cousin, but we're never explicitly told so because some mysteries need to be left for the sequels. That's fine, I guess, but the problem is that she's an untrained Jedi who defeats Kylo Ren in a lightsaber fight. I don't care that he was injured. He's still a Jedi trained by Luke Skywalker. There was no reason for him to get his butt kicked. So wouldn't it have been better, and made more sense, for them to both have been students of Luke Skywalker and rivals from the get-go. Heck, why make them cousins? Why not siblings? Sibling rivalries could have been at the heart of this new trilogy. You have Luke Skywalker. His two best students are his children, or his nephew and niece, Rey and Kylo Ren. Kylo Ren betrays, and kills, Luke Skywalker, and Rey seeks revenge. Isn't that better than searching for a map? It would have also spared us from some questionable decisions like giving more screen time to Finn than Poe Dameron. Oscar Isaac is a rising star and his schedule may have not been great, but this is Star Wars, you make it happen. You can't introduce an awesome Han Solo esque character and push him aside for the human version of C-3PO. And who's that lady Stormtrooper? Why is she in the movie for 10 seconds? Again, why did they introduce such interesting characters and do nothing with them? Could it be that they're saving them for the sequel? Even though I've spent a lot of time complaining about a map, the REAL issue with Episode VII is what it represents. It's not a movie. It's the set-up for other movies. It's the equivalent of a TV show pilot. This series now relies on the talents of Rian Johnson and Colin Trevorrow. They have to take everything that J.J. Abrams set up and turn it into something that people will care about. Will they be successful? Time will tell. For the time being, I'll accept The Force Awakens, even though it's incredibly misguided. For what it is, it's really well done and it's definitely better than the prequels, and arguably, better than Return of the Jedi. For now, it's good enough. STAR WARS: EPISODE VIII - THE LAST BONERIs anyone gonna fuck in these movies? First, they cocktease us with Poe and Finn. Disney was destined to break new ground with the first ever male gay couple in a major Hollywood blockbuster. But nooooo... they had to throw in Rose. This ain't Titanic. Toss that bitch off the ship. Now they have a whole movie with sexual tension between Rey and Kylo Ren and it leads to nothing. This motherfucker killed Snoke for you. At least suck his dick. Speaking of which... what happened to Snoke? He was supposed to be this badass villain and he goes out like Darth Maul. This ain't the Phantom Menace. Did George Lucas break into Rian Johnson's house at night and secretly re-wrote his script? This is Episode 8. It's the middle chapter of the third trilogy. It's the cliffhanger. The audience is supposed to leave the theater hyped for the finale. Instead... there's nothing left to get excited about. Snoke is dead. Carrie Fisher is dead. Luke is a ghost now. Rey and Kylo Ren ain't fucking. What's gonna be the plot of Episode 9? Blow up another Death Star? People are complaining about Poe, Finn & Rose, Leia randomly using the Force and all sorts of nonsense. But all of that is the least of this movies problems. It killed all the tension halfway through the trilogy by ignoring the most logical plot point. Rey and Kylo Ren have to fuck. Hear me out, folks. Luke Skywalker is a dick. He runs away. He goes into hiding. He refuses to join Rey and the Resistance. That leads to the sexual tension between Rey and Kylo Ren. Instead of training to become a master Jedi, Rey spends the whole movie having Skype calls with a shirtless Kylo Ren. By the way, if your audience didn't laugh their ass off at shirtless Kylo Ren, you watched this movie with the wrong crowd. Anyway, Rey having been disillusioned by Luke, goes to join Kylo Ren and defeat Snoke. That's when you end the movie. When Kylo Ren turns to Rey and says, "you ain't a Skywalker or Solo. You're a nobody. Come join me and have a purpose in this story", that's when Rey is supposed to say yes and cue Episode 9. Instead we get this finale that feels like the conclusion of this particular saga. Other than Kylo Ren still being alive and the war still going on, nothing was set-up for Episode 9. The audience is left with this feeling of, "that's it? We're done?" Just because the war isn't over doesn't mean anything. This war has technically been going on since Revenge of the Sith. It's the personal stories that we care about. Right now, the stories are over. Rey is the new hope. Kylo Ren has embraced the dark side. Finn is no longer a coward. Poe has learned to be a better leader. Tell me. What's next? The final confrontation? Bo-ring. It doesn't matter if there's no emotional stakes. Let's hope J.J. Abrams can prove me wrong.
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Post by RedVader on Dec 17, 2017 18:15:02 GMT -5
If want a spoiler review of this film check out this youtube channel Blindwave they are just average movie goers that found success with Reactions too Game Of Thrones and Avatar who happen too be big Star Wars nerds. Ill post my spoiler free review Monday once i have time to process what i saw and to better rank all 9 films.
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Neverending
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Post by Neverending on Dec 17, 2017 18:19:04 GMT -5
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Post by RedVader on Dec 17, 2017 18:20:54 GMT -5
Rey has really become a great movie hero. She is fantastic and every time she was on screen in this movie was great. I'm not sure I really liked any of the new characters. They felt too... artificial. I feel the same way and Glad Disney didn't bow down too Mary Sue pressure to change Rey. But My one concern is Rey needs more wisdom cause she can get killed or betrayed easy by her trusting nature.
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Post by RedVader on Dec 17, 2017 18:24:12 GMT -5
Your welcome to fallow whatever review you like. i saw that video and really there not that funny and kinda bugged me with there rutine.
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Neverending
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Post by Neverending on Dec 17, 2017 18:28:13 GMT -5
i saw that video and really there not that funny
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Dracula
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Post by Dracula on Dec 17, 2017 18:32:21 GMT -5
It killed all the tension halfway through the trilogy by ignoring the most logical plot point. Rey and Kylo Ren have to fuck. Are we 100% sure these characters aren't siblings?
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Neverending
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Post by Neverending on Dec 17, 2017 18:40:31 GMT -5
Are we 100% sure these characters aren't siblings? How is that possible? They're roughly the same age. Don't you think Kylo would know his mom was knocked up? Or are you implying that Han Solo was getting his dick wet elsewhere? That doesn't really make sense either unless Han got together with another Jedi. What everyone expected was Rey being a Skywalker which clearly isn't the case because Luke doesn't know who she is. The answer is: Rey is a nobody. The ending with the little kid using the Force to broom the floor couldn't have made that more obvious. Rian Johnson is gonna make a new trilogy, apart from the Skywalker saga. Rey is the set-up to that. They're expanding the Force beyond the Skywalkers. If J.J. Abrams is gonna do anything clever for Episode 9, it's gonna be the return of the Jedi counsel. Rey could go on a mission to search for people who have the Force and try to accomplish what Luke couldn't.
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Dracula
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Post by Dracula on Dec 17, 2017 19:05:36 GMT -5
Are we 100% sure these characters aren't siblings? How is that possible? They're roughly the same age. Don't you think Kylo would know his mom was knocked up? Or are you implying that Han Solo was getting his dick wet elsewhere? That doesn't really make sense either unless Han got together with another Jedi. What everyone expected was Rey being a Skywalker which clearly isn't the case because Luke doesn't know who she is. The answer is: Rey is a nobody. The ending with the little kid using the Force to broom the floor couldn't have made that more obvious. Rian Johnson is gonna make a new trilogy, apart from the Skywalker saga. Rey is the set-up to that. They're expanding the Force beyond the Skywalkers. If J.J. Abrams is gonna do anything clever for Episode 9, it's gonna be the return of the Jedi counsel. Rey could go on a mission to search for people who have the Force and try to accomplish what Luke couldn't. Alright, but they could be cousins. Luke seemed to know where Jakku was, maybe he got drunk there and fucked Rey's mother.
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Post by RedVader on Dec 17, 2017 19:14:42 GMT -5
Are we 100% sure these characters aren't siblings? I think Kylo is doing Half Truth's or again his version or Point of view. Like most dark force users. I think Kylo Views Scavenger or Smugglers as well Nobodys and are vermin as a more or less dig too Han Solo aka his Dads profession. So im wondering what he tells rey is in his own mind and the true facts will be a 9 reveal when Reys meets her father or mother.
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Post by Jibbs on Dec 17, 2017 19:22:16 GMT -5
I'm with Neverending. Rey was nobody.
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Neverending
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Post by Neverending on Dec 17, 2017 19:28:49 GMT -5
How is that possible? They're roughly the same age. Don't you think Kylo would know his mom was knocked up? Or are you implying that Han Solo was getting his dick wet elsewhere? That doesn't really make sense either unless Han got together with another Jedi. What everyone expected was Rey being a Skywalker which clearly isn't the case because Luke doesn't know who she is. The answer is: Rey is a nobody. The ending with the little kid using the Force to broom the floor couldn't have made that more obvious. Rian Johnson is gonna make a new trilogy, apart from the Skywalker saga. Rey is the set-up to that. They're expanding the Force beyond the Skywalkers. If J.J. Abrams is gonna do anything clever for Episode 9, it's gonna be the return of the Jedi counsel. Rey could go on a mission to search for people who have the Force and try to accomplish what Luke couldn't. Alright, but they could be cousins. Luke seemed to know where Jakku was, maybe he got drunk there and fucked Rey's mother. Making them related goes against everything Rian Johnson created. Rey is a nobody is the point of the movie. This trilogy started on the notion that Luke Skywalker had to save the day. When Rey moved those rocks, which is totally stupid considering Leia has the Force, it signaled the new direction for the Resistance. That paralleled the Poe Dameron arc. He's the hot-head that's gonna get everyone killed. He devised a whole plan that was a giant failure. He learned to be more like Leia and have patience and use his brains more. Since Carrie Fisher is dead, Episode 9 is the Rey & Poe story. They're the Luke & Leia now. That's fine. J.J. Abrams can work with that. Where Rian Johnson fucked up is by not giving the movie emotional stakes. He solved everything at the end. There's no where for these characters to go emotionally. The conflicts have been resolved. We're just gonna solve the war aspect of things now.
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Wyldstaar
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Post by Wyldstaar on Dec 17, 2017 19:36:01 GMT -5
I don't understand why so many are obsessed with Rey's lineage. Why should she be the child of anyone of consequence? Nobody worries about who Obi-Wan's parents were, or Yoda's, or the Emperor's. Making Rey the child of Luke or Obi-Wan or Leia adds nothing to her as a character.
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Dracula
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Post by Dracula on Dec 17, 2017 19:42:08 GMT -5
I don't understand why so many are obsessed with Rey's lineage. Why should she be the child of anyone of consequence? Nobody worries about who Obi-Wan's parents were, or Yoda's, or the Emperor's. Making Rey the child of Luke or Obi-Wan or Leia adds nothing to her as a character. ... because she's the chosen one who the force is trying to push into the conflict, seems to have force powers overflowing, and everything about the previous six movies suggests that lineage matters quite a bit in such matters.
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Neverending
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Post by Neverending on Dec 17, 2017 19:44:40 GMT -5
I don't understand why so many are obsessed with Rey's lineage. Why should she be the child of anyone of consequence? Nobody worries about who Obi-Wan's parents were, or Yoda's, or the Emperor's. Making Rey the child of Luke or Obi-Wan or Leia adds nothing to her as a character. It's because Luke was the last Jedi. Anakin slaughtered everyone at the end of Sith. If Rey wasn't a Skywalker, what the fuck was she supposed to be? Johnson realized she had to be the rebirth. Luke tried to be that but he has that Skywalker blood tainting everything. That's why I think it makes sense for Rey and Kylo to fuck. Kylo is the last Skywalker. He needs to keep the blood alive. It makes sense for Rey to be tempted, and even join him for a period, for her to realize who she really is and what she really needs to do. Kylo has to die. That Skywalker lineage needs to end. It would have given Episode 9 more emotional resonance. Instead, she moves a bunch of rocks and now we're likely to get a generic action movie for Episode 9.
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PG Cooper
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And those who tasted the bite of his sword named him...The DOOM Slayer
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Post by PG Cooper on Dec 17, 2017 20:12:45 GMT -5
I'm with Wyldstaar on this one. I was relieved when she turned out to be a nobody.
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Post by Neverending on Dec 17, 2017 20:18:21 GMT -5
I'm with Wyldstaar on this one. I was relieved when she turned out to be a nobody.
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Dracula
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Post by Dracula on Dec 17, 2017 21:27:22 GMT -5
Fine, but if they're just going to make it so that her parents are "nobodies" why not just say that from the beginning instead of playing all these games with the audience just to pull the rug out from under them?
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