Neverending
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Post by Neverending on Jun 30, 2016 11:39:03 GMT -5
Doing his best Ridley Scott meets Terence Malick, David Yates' Tarzan is another movie where a white guy rescues black slaves. I'm being a dick right now, but the movie does open itself to criticism. For example, we learn that Jane, played by the boner inducing Margot Robbie, lives in Africa and teaches tribes how to speak English, but it's the white guy she falls in love with. You're gonna tell me she's surrounded by black penises all day long and she chooses the monkey fucking Tarzan? And if you think that insults your intelligence, Samuel L. Jackson plays a former American slave with enough diplomatic connections to set up a rescue mission for African slaves and get the Belgian government cited. Really, movie? Really? So, yeah, I'm being an asshole, but you can see why this film is getting bad reviews. It asked for it. Truth is, though, it isn't THAT bad. The marketing is terrible and misleading. People will be pleasantly surprised that the movie isn't two hours of Tarzan swinging through trees. They took a real life event and turned it into a not-too-insulting story. So, if you end up this 4th of July weekend watching this latest version of Tarzan, don't worry. You'll survive.
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IanTheCool
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Post by IanTheCool on Jul 3, 2016 10:15:33 GMT -5
I liked it. Does that make me a racist NE?
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FShuttari
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Post by FShuttari on Jul 3, 2016 10:19:13 GMT -5
My review summed up -
Jungle Book > Disneys Tarzan (Phil Collins) > Tarzan 2016
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Justin
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Post by Justin on Jul 3, 2016 11:41:47 GMT -5
I liked it. Does that make me a racist NE? Yes.
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IanTheCool
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Post by IanTheCool on Jul 3, 2016 12:48:25 GMT -5
Well shit.
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Justin
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Post by Justin on Jul 3, 2016 12:58:25 GMT -5
Might as well don that white hooded cloak Ian and pick up your tools to get that burning cross you've so desired over the years.
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IanTheCool
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Post by IanTheCool on Jul 4, 2016 9:02:00 GMT -5
Well, I'm surprised more people aren't talking about this movie, honestly. It has all the ingredients for entertaining summer fare: a well-known character, a strong cast, great visual effects, and a sense of adventure. This is a well-made movie which piques the imagination thrills the senses.
The Legend of Tarzan does not tell the usual Tarzan story we all know, but instead makes the decision to tell the story of him returning to the jungle after years living as an English lord. This was a wise decision. It gives us something different and adds a layer of this man who is trying to put him uncivilized past behind him, but keeps getting pulled back in. we still see the Tarzan origin in flashbacks, but they are well-placed and work for the most part.
I would say that the action scenes leave a lot to be desired, but may sound odd after I just said this is great summer entertainment, but its the truth. The fight scenes are not filmed very spectacularly and verge on the Snyder-style ramp-ups a little too much. The more jungly action, like swinging through the vines and avoiding stampedes are much more thrilling and interesting.
Legend of Tarzan sports an impressive cast, stemming from Alexander Skarsgard as the ape man himself, down to Margot Robbie as a Jane who holds her own, Sam Jackson as the everyman we can relate to, and Christoph Waltz doing his usual, but good, villain bit.
I really enjoyed the sense of adventure provided by this new Tarzan film. It uses its Congo setting well, with lots of animal encounters and historical issues of the time. Neverending says that its about a white man saving black people yet again, and perhaps there's something to this. I dont know how they could have avoided it other than changing the story, but it would have lost some stakes perhaps. But I also enjoyed watching this legendary man reluctantly re-exploring his fabled past, and there was certainly a more intimate story there. 8/10
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Neverending
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Post by Neverending on Jul 4, 2016 17:04:24 GMT -5
Well, I'm surprised more people aren't talking about this movie, honestly. It has all the ingredients for entertaining summer fare: a well-known character, a strong cast, great visual effects, and a sense of adventure. This is a well-made movie which piques the imagination thrills the senses. The Legend of Tarzan does not tell the usual Tarzan story we all know, but instead makes the decision to tell the story of him returning to the jungle after years living as an English lord. This was a wise decision. It gives us something different and adds a layer of this man who is trying to put him uncivilized past behind him, but keeps getting pulled back in. we still see the Tarzan origin in flashbacks, but they are well-placed and work for the most part. I would say that the action scenes leave a lot to be desired, but may sound odd after I just said this is great summer entertainment, but its the truth. The fight scenes are not filmed very spectacularly and verge on the Snyder-style ramp-ups a little too much. The more jungly action, like swinging through the vines and avoiding stampedes are much more thrilling and interesting. Legend of Tarzan sports an impressive cast, stemming from Alexander Skarsgard as the ape man himself, down to Margot Robbie as a Jane who holds her own, Sam Jackson as the everyman we can relate to, and Christoph Waltz doing his usual, but good, villain bit. I really enjoyed the sense of adventure provided by this new Tarzan film. It uses its Congo setting well, with lots of animal encounters and historical issues of the time. Neverending says that its about a white man saving black people yet again, and perhaps there's something to this. I dont know how they could have avoided it other than changing the story, but it would have lost some stakes perhaps. But I also enjoyed watching this legendary man reluctantly re-exploring his fabled past, and there was certainly a more intimate story there. 8/10 The trailers were awful. Anyone who sees it will be caught off guard by how good it is. But, ultimately, it's nothing special.
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PhantomKnight
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Post by PhantomKnight on Dec 12, 2016 21:11:00 GMT -5
While not anything great, The Legend of Tarzan is a movie I actually kind of regret not checking out in theaters over the summer. To be fair, the trailers made it look pretty bland and uninteresting, but having now actually seen the film, it was the trailers that were bland and uninteresting. The thing I like most about The Legend of Tarzan is the fact that it's a modern big budget studio film that has this old school, pulpy, swashbuckling feel to it rather than the aggressive tone a lot of the same kinds of movies nowadays can have. But also, thanks to director David Yates, there's a certain degree of intimacy to some of it and enough of a story to keep it from being just another mindless action-adventure movie; in some ways, it reminded me of 1998's The Mask of Zorro in that respect, even Raiders of the Lost Ark to a certain degree. Now, both of those are much better films, but The Legend of Tarzan at least is a nice imitation of those kinds of sensibilities. The cast is all relatively strong, from Alexander Skarsgard and Margot Robbie to Christoh Waltz (who desperately needs to get away from these villain roles). Samuel L. Jackson's character is one I'm of two minds about: on one hand, he's a decent form of comic relief with some good one-liners, on the other, his character may feel a bit too modern for a film set in the late 1880's/early 1890's. The film also has some noticeably distracting CGI at times (was this really the best a $180 million budget could get?). But overall, The Legend of Tarzan is fun, involving enough and fast-paced and I quite enjoyed it.
***/****
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PG Cooper
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Post by PG Cooper on Dec 18, 2016 17:00:55 GMT -5
Wrote this back in July.
Of all the recent adaptations of public domain literature adaptations we’ve seen lately, Tarzan seems like it would be the most promising, at least on paper. This character has a long history in novel form and while his adventures have been adapted for the screen many times, there isn’t really a definite cinematic portrayal of Tarzan. Disney’s animated film from 1999 is probably the most famous, but it doesn’t define the work the same way Victor Fleming’s The Wizard of Oz or Disney’s Cinderella seem to define their source material in the popular culture. So, does The Legend of Tarzan step up as the ultimate cinematic portrayal of the legendary hero? Not even close, but it is slightly better than the film’s marketing would lead one to believe.
The film takes place in the late 1800s following the Berlin conference which divided the Congo among Belgium and Great Britain. Working on behalf of King Leopold of Belgium, Léon Rom (Christoph Waltz) is sent to the Congo to exploit the country’s diamonds through slavery and coercion. The city of Omar is rich in diamonds, but the tribe leader Mbonga (Djimon Hounsou) will only offer them if Rom can provide him the legendary Tarzan, whom Mbonga seeks vengeance on. Tarzan (Alexander Skarsgård) has since returned to England and has been living as an English lord under his birth name; John Clayton III. Rom extends what seems to be a diplomatic invitation to visit the Congo. Clayton is hesitant, but his wife Jane (Margot Robbie) is eager to return as she misses old friends and feels that is where she really belongs. Aided by American envoy George Washington Williams (Samuel L. Jackson), the group make the journey where they are quickly attacked and Jane is kidnaped by Rom. Tarzan must return to his roots and save her while he and Williams fight against the atrocities occurring in the Congo.
First and foremost, it’s unfortunate that this had to come out the same year as Jon Favreau’s The Jungle Book as the two share a number of similarities and comparisons are inevitable. In particular, The Legend of Tarzan will not be viewed as the visual effects spectacle the same way Favreau’s film was. There’s definitely a lot of visual effects here and while most of them are solid, there are also moments of artificiality. The backgrounds often look false and the live action actors don’t always mesh well with the CGI characters. I also think The Jungle Book was stronger in terms of set-pieces. The action scenes here are mostly serviceable, but they’re sometimes over busy and often shot too close.
Despite being a mostly unflattering comparison, I do think The Legend of Tarzan does certain things better than The Jungle Book. In particular, I think that this film does a better job conveying a sense of danger about the jungle. The animals never talk and remain imposing even when not in direct conflict with the film’s heroes. In fact generally speaking I think director David Yates does a good job nailing the right tone. There’s definitely a sense of weight and stakes to the proceedings, but this is primarily an adventure movie and Yates maintains a good sense of fun. This is in large part thanks to the screenplay, which isn’t afraid to mix in the horrors of King Leopold’s reign over the Congo and issues of slavery, but also knows not to dive too deeply into such territory.
The Legend of Tarzan definitely feels like an old-school adventure film, with virtuous and admirable heroes and loathsome villains. There is some window dressing to some darker histories for both Tarzan and Wallace, but the characters remain pretty simplistic. Samuel L. Jackson makes for a really fun sidekick and while I wasn’t crazy about Margot Robbie’s work at first, she had charmed me by the end. Christoph Waltz is also pretty effective as the villain. He’s doing his usual schtick, but it works here. Unfortunately the cast has a big Achilles heel in Tarzan himself, who is just boring. I don’t entirely blame Alexander Skarsgård as there isn’t really much on the page, but at the same time Skarsgård brings nothing to it aside from an impressive physique. The character just mopes around and I didn’t really buy the transition from English lord with an identity crisis to the traditional vision of Tarzan. This is a pretty major problem as it makes it difficult to the central adventure and it also leads to the film’s first act and dénouement feeling a little pointless.
The Legend of Tarzan has a lot of the ingredients for a fun blockbuster, but it can’t fully deliver. At the end of the day, it’s hard to recommend a summer adventure film with a boring hero and mediocre action scenes. Having said that, this is better than I really expected it to be. That fun tone is maintained through most of the film and there’s some decent work from the supporting cast. I don’t know, I haven’t been to the theater in a while, maybe I was just in the mood for some light fun, but this struck me as an inoffensive enough way to pass the time. I wouldn’t recommend anyone rush out to see it, but if you do for whatever reason, you might be surprised. I feel like this is the kind of film destine to be seen on TV on rainy Sundays and be described as, “not that bad”. And you know, despite its flaws, it really isn’t that bad.
C-
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Neverending
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Post by Neverending on Feb 1, 2024 12:48:17 GMT -5
www.forbes.com/sites/maryroeloffs/2024/01/31/forgotten-margot-robbie-movie-legend-of-tarzan-soars-in-popularity-on-netflix-almost-8-years-after-debut/Forgotten Margot Robbie Movie ‘Legend Of Tarzan’ Soars In Popularity On Netflix—Almost 8 Years After DebutA critically panned and largely forgotten 2016 retelling of the Tarzan story starring Margot Robbie and Alexander Skarsgård has spent two weeks in Netflix’s 10 most-watched English movies, recent data from the streamer shows, adding the film to a list of older titles that have enjoyed a surge in popularity as its stars make headlines for other works. “The Legend of Tarzan,” originally released in 2016, was the sixth most-watched English film on Netflix in the week ending Jan. 28 with 7.6 million streaming hours, a drop from the week before, when it was the second most-watched English film with 14.4 million hours viewed. The surge in popularity comes amid award season buzz for both actors for other works—”Barbie,” starring Robbie, is up for an Academy Award for Best Picture despite her individual snub for Best Actress, and Skarsgård scored a best supporting actor Golden Globe nomination for his role in hit series "Succession." “Tarzan” became available on Netflix in early January and joins several other older films to enjoy a spike in viewership thanks to their move to the platform—2023 films "The Kitchen," "The Hill," and "Dumb Money" made the list of most-watched films last week thanks to their recent availability, as did 2018's "The Favourite," which hit the streamer on Jan. 23. The most-watched film of last week was, for the third week in a row, Netflix original action flick "Lift," which has been viewed for 154 million hours between its Jan. 12 release date and Jan. 28. The top-10 list for Jan. 22 to Jan. 28 was rounded out by 2022 thriller "Mindcage," "The Super Mario Bros. Movie" (2023), "Queenpins" (2021) and "Leo" (2023). "The Legend of Tarzan" was slammed by critics for its "generic plot or sluggish pace" (it has a 35% critics score on Rotten Tomatoes) despite its relative box office success—the movie earned $357 million worldwide, on par with the inflation-adjusted earnings of recent films like "John Wick: Chapter 4," "Transformers: Rise of the Beasts" and "Ant-Man and the Wasp: Quantumania." Based in 1880s England, the film follows Tarzan's (Skarsgård) return to Africa almost a decade after he left to live in England with his American wife, Jane (Robbie). The movie also stars Samuel L. Jackson, Djimon Hounsou and Christoph Waltz and was directed by David Yates, who rose to fame as the director of the last four films in the original "Harry Potter" series. "The Legend of Tarzan" is just the latest in a series of titles that have been given a second life after joining the lineup of Netflix or other streamers. Over Christmas week, 1990 film "Pretty Woman" was the second most-watched English film of the week on Netflix, falling only to the platform’s original thriller "Leave The World Behind"—which also stars A-list actor Julia Roberts. Nielsen streaming data shows that of the top-10 most-streamed shows of 2023, only five are still in production. The most-streamed program of the year, "Suits,” ended its television run in 2019, as did “The Big Bang Theory,” the 6th most-streamed show of the year. "Gilmore Girls," "Friends" and "Supernatural" (the seventh, eighth and 10th most-streamed shows of 2023, respectively) also ended their runs well before they earned the accolade. The most-streamed programs of 2023 still in production were "Bluey," "NCIS," "Grey's Anatomy," "Cocomelon" and "Heartland."
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frankyt
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Post by frankyt on Feb 1, 2024 14:30:05 GMT -5
I'm gonna need you guys who liked it to watch again... This is another piece of bland film making from Yates that further proves his creative ineptitude.
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