Dracula
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Post by Dracula on Oct 16, 2024 18:17:08 GMT -5
Film Sixteen: Manhattan Baby (1982)  Manhattan Baby was Lucio Fulci’s follow-up to The New York Ripper, but despite the shared Big Apple setting the two movies are pretty different. This is a supernatural horror movie rather than a slasher and is one of the director’s less violent entries in the genre. The story concerns an archeologist whose daughter essentially gets possessed by an evil Egyptian spirit unleashed by an amulet he brought back form a dig. Apparently Fulci himself hated this movie and only made it to appease his producer, but I’d say he was being a bit hard on himself. If nothing else the movie mostly looks pretty good; it has some nice widescreen compositions and captures the city of New York reasonably well as well as the Egyptian deserts in the bookending scenes set over there. The film isn’t particularly scary but there are some neat if mild horror images to be found here and there throughout the film including some bits with scorpions and some bits with people not showing up in photographs. Having said that the movie often feels more like it sets the stage set for a more interesting movie than what it actually delivers. I certainly doesn’t deliver the visceral thrills people expect out of Lucio Fulci, and even without the expectations that name brings I’m not sure how people looking for the more aggressive horror movie the film’s misleading poster implies. **1/2 out of Five |
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Neverending
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Post by Neverending on Oct 16, 2024 19:09:41 GMT -5
SWAMP THING (1982)Under the right direction, Swamp Thing could have been an amusing B-movie, a tragic monster film, or a combination of both. Instead, it’s a cut-and-dry movie by Wes Craven. You can tell he had no passion for the project and just did it for the paycheck. Or maybe just to get his foot in Hollywood’s doorstep. Nonetheless, I do enjoy the make-up effects and some of the action sequences. Plus, Adrienne Barbeau is fun to look at. So if curiosity gets the best of you, at least you won’t be bored. ’s favorite director, Jim Wynorski, helms this follow-up to the Wes Craven original which is only known because Adrienne Barbeau shows her boobs in the European version. Surely we get nudity from Heather Locklear here? No? How about Ursa from Superman II? Not her either? Monique Gabrielle?? Not even her? What happened? Oh, they blew the budget on licensing Born on the Bayou by Creedence Clearwater Revival? Classic Wynorski. Louis Jourdan (Octopussy) returns as the villain from the first movie. He’s still attempting to create an army of human-animal hybrids, but also trying to find a way to reverse the aging process. Swamp Thing is just there to engage in a shoving match with the henchmen and the occasional monster. Nothing of interest occurs except that Lethal Weapon 3 ripped off a scene in which two lovers compare their scars as foreplay. Whoever made that decision (the scriptwriter? a producer? Richard Donner?) knew that no one would notice or care. Swamp Thing 2 is boring and mostly lame. Tired plot. Paper thin characters. Embarrassing monsters. Bad action scenes. Only parts I liked are the two little kids that serve as comic relief, and of course, the ladies are nice to look at. For better Wynorski… CHOPPING MALL (1986) From Doomsday's favorite director, Jim Wynorski, comes this Roger Corman produced schlockfest about teens battling killer robots at the mall. It's a romp filled with thrills, hot babes and the dude from Deathstalker II chowing gum. Best of all, it's under 90 minutes! This is one of those movies best watched with a group or crowd. If covid ruined your Halloween plans, set up a virtual viewing party and have a wonderful socially distanced evening. hates Chopping Mall, but I think he watched Swamp Thing 2 by accident. Easy mistake to make. They’re practically the same movie. |
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IanTheCool
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Post by IanTheCool on Oct 16, 2024 19:19:14 GMT -5
Oct 15 Little Shop of Horrors 1986 Musicals aren't my thing, but I am opening myself up to them much more than I used to (that does NOT mean I'm watching Joker 2 Neverending ). And when this one started I was really feeling like I was going to be in for a painful experience. Luckily that did not turn out to be the case. Now, I don't love it by any stretch, but when I think about it there's quite a lot about it I liked quite a bit. I liked the 3 singers acting like the narrators. I also really liked Steve Martin's performance as an evil dentist. And the puppetry of the plant is outstanding. Very cool stuff. So ultimately I liked it.
7.10
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frankyt
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Post by frankyt on Oct 16, 2024 20:13:30 GMT -5
Absolute classic. Very little filler for songs - that soundtrack gets regular play from me.
A 9/10 for me.
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Doomsday
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Post by Doomsday on Oct 16, 2024 23:15:43 GMT -5
Oct 15 Little Shop of Horrors 1986 Musicals aren't my thing, but I am opening myself up to them much more than I used to (that does NOT mean I'm watching Joker 2 Neverending ). And when this one started I was really feeling like I was going to be in for a painful experience. Luckily that did not turn out to be the case. Now, I don't love it by any stretch, but when I think about it there's quite a lot about it I liked quite a bit. I liked the 3 singers acting like the narrators. I also really liked Steve Martin's performance as an evil dentist. And the puppetry of the plant is outstanding. Very cool stuff. So ultimately I liked it.
7.10
I've got this slated for the end of the month. |
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Neverending
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Post by Neverending on Oct 17, 2024 0:02:49 GMT -5
I've got this slated for the end of the month. Your kids will love it. And don’t forget Hocus Pocus, Casper and the Addams Family movies. And if you really wanna test them… |
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PhantomKnight
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Post by PhantomKnight on Oct 17, 2024 9:51:27 GMT -5
Day Seventeen: Longlegs (2024)
I know why they do it, but I really wish horror movie marketing would stop leaning into quotes like "The scariest movie of the decade!" in their marketing, because of inherent expectations. So, let's clear the air here: no, Longlegs is NOT the scariest movie of the decade, but that doesn't de-legitimize its ultimate effect any, either. Very much cut from the same cloth as 90's serial killer horror films like The Silence of the Lambs and Seven, Longlegs details a fresh FBI agent's hunt for a serial killer in the 90's who may have occult connections. A killer who calls himself Longlegs. This movie heavily deals in atmosphere and tension to create unease and creepiness, something which writer/director Osgood Perkins seems to have a pretty firm grasp on. I haven't seen any of his other films, but here with Longlegs, he makes you feel uneasy right from the start, in an opening scene that "introduces" its titular killer in a way that firmly establishes the tone we're in for. Perkins and first-time cinematographer Andres Arochi bathe this film in yellows, oranges and browns that serve the atmosphere well, and they also frame and block scenes in ways in which you reflexively catch your eyes drifting to unoccupied spaces behind characters, waiting for something ominous to lurk onscreen. The atmosphere serves the story well, too. It is pretty routine serial killer hunt trappings, but full of conviction and style. And I personally liked the ways in which more supernatural overtones gradually crept into the plot. By the end, it gave the film a more unique quality in comparison with other similar movies that I think it pulled off effectively. Also worth noting, of course, is Nicolas Cage, who plays Longlegs. Perkins makes the decision for the first half of the movie to mostly keep his face obscured or not fully shown (save for one or two cheats) that I feel add to the mystique of the character. It also helps that it's the kind of bananas Nicolas Cage performance that's dialed up to just the right level, and the movie accordingly uses him just the right amount. Cage definitely leans into the Cage-isms that we all know and love by now, but he and Perkins manage to make them legitimately creepy here. And that extends to the rest of Longlegs as well: nothing particularly groundbreaking or new, but quite creepy, eerie and effective all the same.
***/****
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SnoBorderZero
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Post by SnoBorderZero on Oct 17, 2024 11:20:49 GMT -5
Christine (John Carpenter, 1983)- 7/10
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Neverending
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Post by Neverending on Oct 17, 2024 11:44:59 GMT -5
Christine (John Carpenter, 1983)- 7/10 CHRISTINE (1983) Christine is exactly what you expect it to be... a movie about a killer car. Under the wrong hands, Christine would either be bad or hilariously bad. Luckily, we have Stephen King behind the keyboard and John Carpenter behind the director's chair, so the movie is somewhere in the middle. It's silly, but fun. B |
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SnoBorderZero
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Post by SnoBorderZero on Oct 17, 2024 12:14:52 GMT -5
I was pleasantly surprised by Christine. I had held off on watching it because I figured it wouldn't be any good, but Carpenter proved me wrong. Funny enough the first half was superior to the second half when the demon car starts killing people. I found the depictions of the high school to be nuanced and real, and the young cast did a much better job than I anticipated. The movie is absurd and never scary, but Carpenter does a great job setting things up so I found myself not really caring. Great special effects work too. I've now seen all of his theatrical work aside from Invisible Man and Ghosts of Mars. Both are on Tubi, so don't worry Neverending I will be watching them to make you proud. |
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Neverending
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Post by Neverending on Oct 17, 2024 12:17:11 GMT -5
I was pleasantly surprised by Christine. I had held off on watching it because I figured it wouldn't be any good, but Carpenter proved me wrong. Funny enough the first half was superior to the second half when the demon car starts killing people. I found the depictions of the high school to be nuanced and real, and the young cast did a much better job than I anticipated. The movie is absurd and never scary, but Carpenter does a great job setting things up so I found myself not really caring. Great special effects work too. I've now seen all of his theatrical work aside from Invisible Man and Ghosts of Mars. Both are on Tubi, so don't worry Neverending I will be watching them to make you proud. Yay! |
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Neverending
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Post by Neverending on Oct 17, 2024 12:43:00 GMT -5
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Dracula
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Post by Dracula on Oct 17, 2024 17:54:58 GMT -5
Film Seventeen: Dark Age (1987)  Australia, the land of Steve Irwin and Crocodile Dundee, was always going to be the natural home for crocodellian cinema in large part because it’s home to the world’s largest of all crocodellian: the Saltwater Crocodile. Granted these humongous crocs also live all over the coasts of Southeast Asia and even eastern India (being able to swin in salt water will have that effect) but the ones in Australia tend to be the most publicized. Aside from perhaps Russell Mulcahy’s Razorback are likely the country’s most famous creature features in no small part becaue it focuses on these large reptiles, but it also has a much different tone than you’d usually expect from a creature feature. In fact it’s almost certainly the most pro-crocodile movies I’ll be watching during my trek through crocodellian cinema. The film begins with a giant saltwater crocodile attacking a group of poachers who were tyring to hunt the crocodile which sets off something of a killing spree by the crocodile in question. Our hero, a herpetologist played by John Jarratt, is tasked with killing the crocodile in question and reluctantly accepts the task on the belief that taking out the killer crocodile will keep the angry populous from killing every other croc trying to find it. His aboriginal friends, however, tell him this is not the right approach in part because they believe this crocodile has a mystical connection to their community. As such he and his group decide to try to capture the crocodile alive, but will need to fight his way through poachers to keep it safe. So what we’ve got here is a creature feature with a stong respect for nature conservation which is in some ways a contradiction and the movie could be accused of wanting to have its cake and eat it too given that it definitely wants this giant croc to be scary and violent despite the film’s attempts to save him. It mostly works though, in part because the movie mostly takes more of an adventure movie than it is a Jaws wannabe horror movie and also because it’s just a generally well made little movie with reasonably likable characters and decent effects for what it’s doing. ***1/2 out of Five
Bonus Film: Black Water (2007)  Black Water belongs to a sort of sub-genre of the creature feature in which people in remote areas find themselves trapped and pinned down in a single location by the creature and need to find a way to escape from their predicament without getting eaten. Call it the Cujo-formula. This one is set in a mangrove swamp in Northern Australia, which is a special kind of wetland habitat where mangrove trees are growing out of water creating a special kind of canopy. We see four people going boating through this mangrove only to have the boat knocked over by a giant saltwater crocodile that eats one of them as the other three scrambles to hide in a mangrove tree and with no one likely to come to save them they need to find a way out of this situation. So for a lot of the movie, especially the first half the crocodile is hidden beneath the water (which is literally black) and thus off screen as the film focuses in on the psychological tension of being trapped and trying to come up with a way out of the situation. The cast here feels a bit “central casting” and I also rather disliked the film’s cinematography, which looked very “shot on digital in 2007,” but the crocodile itself looks pretty decent when it does show up. There’s one particularly memorable moment when the croc leaps really high out of the water to snap at the people overhead, and while there was definitely CGI used here it didn’t look too fake. The overall movie is nothing too special and I don’t think it’s going to have too much of a legacy (it already doesn’t) but as modern creature features go you can certainly do a lot worse.
*** out of Five
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Doomsday
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Post by Doomsday on Oct 17, 2024 18:35:52 GMT -5
And now, Doomsday continues his ongoing series of watching horror movies he's never seen before for Halloween......
Phantasm (1979)
 One of the main reasons I put this movie on my list was because there's a big Phantasm poster in my hallway at work. I wasn't too anxious to watch it but I knew that it's a somewhat recognizable franchise and my thought is that at the very least, I should knock out the first installment of some of these horror franchises like Friday the 13th, Nightmare on Elm Street and, to a lesser extent, Phantasm. This movie opens with two people having sex in a graveyard. Every horror movie should open like this as a rule. Graveyards. Sex. It's got everything I need in the opening frames. I was hoping that it hadn't peaked in the opening seconds but I'm sorry to say, it fell victim to its own early climax. It happens to the best of us. Phantasm features two brothers who notice some strange goings-on at their local cemetery after 'supposedly' burying their friends, the same guy who was having sex with a hot lady in the cemetery but was killed by the same woman. Boner killer indeed. They soon discover that the 'owner' of the cemetery, an unnamed character who I found out later is referred to in the franchise as 'The Tall Man,' is this...undead...monster...super strong...I don't quite know. And he's stealing bodies to make them into these rabid Jawa-esque monsters to...enslave them to do...something in some other dimension. It's all kind of unclear but most of the movie features the brothers driving back and forth between their house and the cemetery, back and forth then back and forth again. Between trips they drop dialogue like 'I heard some sounds,' 'You sure it wasn't that retarded kid Timmy up the street?' I think the scene that sums up the movie perfectly is when the younger brother is going through his own house and a maid (or a woman I assume is a maid) jumps out of the corner for a cheap jump scare. But we've never seen her. We never see her again. She is there for one jump scare. Phantasm has an inherent cheapness to it but some of the ideas presented are pretty cool. Unfortunately, they're only presented and don't amount to much of anything. It served its purpose of allowing me to scratch a franchise introduction off the list and that's about all its good for. By this time next year I suspect the graveyard sex scene is about all I'll remember.
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PG Cooper
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Post by PG Cooper on Oct 17, 2024 20:58:10 GMT -5
Day Seventeen: Criterion Channel's Giallo Playlist, Part TwoDeath Walks at Midnight I have to assume Death Walks at Midnight was an influence on Malignant given this is a giallo film who sees visions of a black-gloved killer committing a brutal murder, in this case using a metallic fist covered in spikes. The opening set-pieces which introduces this high concept is pretty sweet and there are a couple of other suspenseful scenes moving forward but the movie slows down a lot through the middle. Things do at least pick-up for the climax, a chase/punch-out on the roof of a building which feels more like the end of an action movie than a horror film but at least Death Walks at Midnight ends on something of a high. Still, this was pretty forgettable. CDon't Torture a Duckling Don't Torture a Duckling is certainly one of the darkest giallos I've ever seen. That our black-gloved killer is murdering children rather than adults makes for a far sadder tale and Lucio Fulci wisely avoids making set-pieces out of those kills for the most part. For some giallos that would be the kiss of death given elaborate death set-pieces are a big part of the genre's usual appeal but Don't Torture a Duckling overcomes this in part by having an actually engaging mystery plotline. We get a lot of potential subjects and pursuing each thread is rewarding, culminating in an eventual reveal which is highly provocative and cannily teased by the filmmaking throughout. I should also stress that we do get one elaborate murder scene but it doesn't involve the villain. Instead, a group of parents form a mob and kill who they think is responsible, set to upbeat pop-music. It's a brutal scene in its own right and the complete indifference the victim is shown later is even more sickening. More than just an exercise in style, Don't Torture a Duckling reveals a rather cynical worldview, Fulci indicting the masses as superstitious, easily swayed by mob violence, and fundamentally corrupt. The one downside to all this is the film largely lacks a protagonist for something like 80% of its runtime. That's less of an issue than you might think but it's not nothing. That said, the movie concludes on a frankly spectacular bit of violence I doubt I'll ever forget. The movie would be worth watching for that alone. Thankfully the rest is also pretty darn good. B+
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Neverending
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Post by Neverending on Oct 18, 2024 2:14:57 GMT -5
And now, Doomsday continues his ongoing series of watching horror movies he's never seen before for Halloween......
Phantasm (1979)
One of the main reasons I put this movie on my list was because there's a big Phantasm poster in my hallway at work. I wasn't too anxious to watch it but I knew that it's a somewhat recognizable franchise and my thought is that at the very least, I should knock out the first installment of some of these horror franchises like Friday the 13th, Nightmare on Elm Street and, to a lesser extent, Phantasm. This movie opens with two people having sex in a graveyard. Every horror movie should open like this as a rule. Graveyards. Sex. It's got everything I need in the opening frames. I was hoping that it hadn't peaked in the opening seconds but I'm sorry to say, it fell victim to its own early climax. It happens to the best of us. Phantasm features two brothers who notice some strange goings-on at their local cemetery after 'supposedly' burying their friends, the same guy who was having sex with a hot lady in the cemetery but was killed by the same woman. Boner killer indeed. They soon discover that the 'owner' of the cemetery, an unnamed character who I found out later is referred to in the franchise as 'The Tall Man,' is this...undead...monster...super strong...I don't quite know. And he's stealing bodies to make them into these rabid Jawa-esque monsters to...enslave them to do...something in some other dimension. It's all kind of unclear but most of the movie features the brothers driving back and forth between their house and the cemetery, back and forth then back and forth again. Between trips they drop dialogue like 'I heard some sounds,' 'You sure it wasn't that retarded kid Timmy up the street?' I think the scene that sums up the movie perfectly is when the younger brother is going through his own house and a maid (or a woman I assume is a maid) jumps out of the corner for a cheap jump scare. But we've never seen her. We never see her again. She is there for one jump scare. Phantasm has an inherent cheapness to it but some of the ideas presented are pretty cool. Unfortunately, they're only presented and don't amount to much of anything. It served its purpose of allowing me to scratch a franchise introduction off the list and that's about all its good for. By this time next year I suspect the graveyard sex scene is about all I'll remember. — — — — — 31 DAYS OF HALLOWEENPHANTASM (1979) One day Don Coscarelli watched Dario Argento's Suspiria and thought to himself, "yeah - I can do that too." Can you, Don? Can you? Phantasm is about a boy, who's grieving the death of his parents, encountering a bunch of weird stuff and no one believing him. Turns out, a strange old man is turning corpses into dwarfs and ordering them to kill everyone. Seriously. That's the plot. It's presented in a nightmarish and Argento-esque style, but it mostly comes across as nonsense. That being said, for a low-budget and independently made film, Phantasm is REALLY well done. If someone told you it was made by a major studio, you'd believe it. The cinematography, the locations, the special effects, the editing and music are fantastic. And now, it has been remastered by J.J. Abrams' Bad Robot and it looks spectacular. I highly, highly, highly recommend it. Although keep in mind, it is a stupid movie. Argento's work is also really stupid. I'm not pitting American vs Italian. This is just a reminder that this is a film you watch for the visuals and music. Don't expect a good script and good characters. Just sit back or lay back and immerse yourself. Deexan PhantomKnight SnoBorderZero Justin PG Cooper My first introduction to Phantasm was watching part II with my older brother when I was 10 or so. The eeriness, dreamlike quality, and trick ending blew my young mind. My first introduction to Phantasm was watching part II with my older brother when I was 10 or so. The eeriness, dreamlike quality, and trick ending blew my young mind. Yeah, Phantasm II was my first introduction to the franchise at about the same age. It was such a fun and different horror film, and blew my mind as well at the time. So many unique and wtf elements, the spheres, the dwarfs, the gas mask guy, the Tall Man. It was crazy, didn't make a lot of sense, and was so much fun. I think I need to revisit this series. Yeah, Phantasm II was my first introduction to the franchise at about the same age. It was such a fun and different horror film, and blew my mind as well at the time. So many unique and wtf elements, the spheres, the dwarfs, the gas mask guy, the Tall Man. It was crazy, didn't make a lot of sense, and was so much fun. I think I need to revisit this series. So you guys are saying Doomsday should watch Phantasm II? Doomsday , go watch Nightmare on Elm Street 4, The Adventures of Ford Fairlane and Phantasm II. But what about Bram Stoker's Dracula and Rocky Horror?? Pfft. Lesser movies. And add Sleepaway Camp II into the fold for your line of questioning. Movies for Doomsday to watch: 1. Sleepaway Camp 2. Sleepaway Camp II 3. Nightmare on Elm Street 4 4. Phantasm II 5. The Rocky Horror Picture Show 6. Bram Stoker's Dracula Then in November watch Ford Fairlane, the Rock n Roll detective. Movies for Doomsday to watch: 1. Sleepaway Camp 2. Sleepaway Camp II 3. Nightmare on Elm Street 4 4. Phantasm II 5. The Rocky Horror Picture Show 6. Bram Stoker's Dracula Then in November watch Ford Fairlane, the Rock n Roll detective. Such a solid list. Impenetrable. Such a solid list. Impenetrable. We did good work today.
PHANTASM II (1988) This movie is shit. The original was no pristine toilet but at least someone flushed it. Without the Argento inspired style, Phantasm II is just a run of the mill late 80’s horror movie. |
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thebtskink
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Post by thebtskink on Oct 18, 2024 7:52:36 GMT -5
Doomsday should really watch Phantasm II, though.
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frankyt
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Post by frankyt on Oct 18, 2024 10:14:03 GMT -5
Watched deadstream the other day from shudder a few years ago I think - this was pretty solid. One of those streamers spends a night on a haunted house kinda thing, the scares are pretty legitimate jump scares and are rather effective. The ghosts or spirits or whatever manifest in different ways and are all pretty interesting to start but get pretty silly as it leans into both the horror and comedy aspect of the story.
Overall a solid Halloween watch has spooks and giggles - if you have a shudder account for the month I'd put this one towards the top of the list for a crowd.
7.5/10
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Doomsday
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Post by Doomsday on Oct 18, 2024 11:50:29 GMT -5
Doomsday should really watch Phantasm II, though. Maybe I'll add it to the 2025 list. Maybe. |
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PhantomKnight
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Post by PhantomKnight on Oct 18, 2024 12:02:16 GMT -5
Day Eighteen: The Blackcoat's Daughter (2015)
Being a fan of this year's Longlegs, I definitely wanted to check out more of Osgood Perkins' work, so here I am at what is, in fact, his debut feature (despite its release shuffle): The Blackcoat's Daughter. And if anything, this movie proved right out of the gate that Perkins has always had a natural ability for tone and atmosphere...but at the same time, this also definitely feels like a debut feature. For as intriguing as the story is and as palpable as the atmosphere can be, the script feels needlessly non-linear, in the kind of way that a first-time writer/director would do to try and "prove themselves". Thematically, I can sort of get why Perkins did this, but at the same time, I just don't think it ultimately has the impact that he was going for. That's not to say it doesn't bolster the performances, because those are all solid throughout. Kiernan Shipka, Emma Roberts, Lucy Boynton, James Remar...they're all muted in a complimentary way towards the tone laced with both mysterious dread and understated sadness. They help ensure that the film remains watchable at the very least, and the movie certainly isn't without its good scenes or even intriguing ideas. It's just that The Blackcoat's Daughter could've used some smoothing around the edges to get it where Osgood Perkins intended it to be. That said, it certainly offers up a solid look at what he would strive for as his career developed, so it is an intriguing announcement, if nothing else.
**/****
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Neverending
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Post by Neverending on Oct 18, 2024 13:16:25 GMT -5
Doomsday should really watch Phantasm II, though. Maybe I'll add it to the 2025 list. Maybe. Don’t forget Sleepaway Camp and Sleepaway Camp II. |
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Post by Doomsday on Oct 18, 2024 13:27:01 GMT -5
This time EVERYONE has a dong! |
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Neverending
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Post by Neverending on Oct 18, 2024 14:19:08 GMT -5
This time EVERYONE has a dong! After you watch Sydney Sweeney in that boxing movie, you might be asking to get pegged. |
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Neverending
CS! Platinum
Join Date: Jul 2003
Posts: 65,773
Likes: 8,648
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Last Online Nov 22, 2024 18:30:10 GMT -5
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Post by Neverending on Oct 18, 2024 14:38:09 GMT -5
This movie opens with two people having sex in a graveyard. Every horror movie should open like this as a rule. Graveyards. Sex. It's got everything I need in the opening frames. I was hoping that it hadn't peaked in the opening seconds but I'm sorry to say, it fell victim to its own early climax. It happens to the best of us.  Vampyres is a British softcore porno from the mid 1970’s about two bisexual female vampires that haunt the English countryside. It has hilariously bad sex scenes. The “actors” should feel embarrassed. But the violence is noteworthy. Typically, vampires, especially at this point in cinema, were rather tame. They would drink their victim’s blood by sucking on their necks. These two vampires here are animalistic, almost cannibalistic. It’s nothing compared to what you might see in a more contemporary film, but for the 70’s, it’s pretty hardcore. As an odd curiosity, Vampyres is worth checking out, but bear in mind that it’s a bad porno. You’re mostly watching it to laugh at it. |
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thebtskink
CS! Silver
Join Date: Jul 2000
It puts the lotion on its skin or else it gets the hose again.
Posts: 19,462
Likes: 4,984
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Last Online Nov 22, 2024 15:43:24 GMT -5
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Post by thebtskink on Oct 18, 2024 16:26:49 GMT -5
This time EVERYONE has a dong! You can skip III in both franchises. Yeesh. |
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