David Zaslav Shenanigans

Discovery Channel laid off all the important people at Turner Classic Movies and put Michael De Luca (former head of New Line Cinema) in charge.

deadline.com/2023/06/turner-classic-movies-michael-de-luca-pamela-abdy-now-to-oversee-channel-1235423615/

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www.hollywoodreporter.com/movies/movie-news/aquaman-and-the-lost-kingdom-reshoots-1235532158/


Warner Bros.’ Quest to Build a Better ‘Aquaman’ Sequel: 3 Reshoots, Two Batmans and Non-Stop Test Screenings

To some insiders, the fact that the Warners is willing to keep spending money to make the film better shows that the studio has faith in 'Aquaman and the Lost Kingdom,' James Wan's sequel to his $1 billion hit.

Aquaman and the Lost Kingdom is in uncharted waters, with the next several weeks potentially setting its course, for good or for ill.

The sequel to Warner Bros.’ 2018 DC movie is coming off a round of reshoots that occurred in New Zealand in mid-June and involved stars including Jason Momoa and Patrick Wilson, according to multiple sources.

This is the third round of reshoots for the movie, directed by James Wan. That is almost an unprecedented number, even for a movie of this scale.

Lost Kingdom has faced several headwinds as it swims toward a Dec. 20 release date. It was postponed several times (it originally was due to bow in December 2022), and like its DC movie brother The Flash, its making has now spanned three regimes at Warners.

The movie was greenlit under the Warners regime led by former film boss Toby Emmerich and his lieutenant, DC Films head Walter Hamada, as a sequel to Aquaman, which proved to be a surprise hit and stands as the highest-grossing DC movie of all time with $1.148 billion.

Principal photography wrapped in January 2022, but by summer, Emmerich was out (Hamada soon followed), both casualties of the merger that created Warner Bros. Discovery.

The movie was in the middle of postproduction and beginning test screenings that summer. While a timeline is not clear, from summer 2022 to the beginning of 2023, The Lost Kingdom underwent two rounds of reshoots and held several uninspiring test screenings.

After one round of test screenings, new Warners film bosses Michael De Luca and Pamela Abdy got involved, as they were running point on DC until Warner Bros. Discovery CEO David Zaslav could find a permanent DC boss to replace Hamada. Sources say that in the fall, Abdy took a strong creative stance and got involved in the editing of one cut. However, when that version tested, it scored lower than the previous version. That led to another round of reshoots.

Different visions of executives notwithstanding, it is unclear what the problems were, but one insider said the issue of story clarity has been an ongoing concern.

Also a concern: Batman.

Hamada wanted Michael Keaton’s version of the character to be akin to Samuel L. Jackson’s Nick Fury in the Marvel movies — an elder statesman who could pop up in various films, including the now-shelved Batgirl, as well as The Lost Kingdom. But shifting release dates muddled things. At one point, The Lost Kingdom was set to open in March 2023, several months before Keaton’s return in June 2023’s The Flash. So in late July 2022, two months after Abdy and De Luca took over Warners, Ben Affleck joined a round of reshoots as Bruce Wayne, to replace a scene Keaton shot. But then the movie was moved again, this time to after Flash, putting Affleck’s appearance in question. The latest cut of the film features neither version of the Dark Knight, according to sources, as new DC heads James Gunn and Peter Safran do not want to promise a movie universe that will not come to fruition, nor tie it down excessively to past failures. “It was pretty chaotic,” said one source.

(And some of the chaos may not have been the studio’s or filmmakers’ fault. Some of the calendar moves were due to overloaded visual effects houses, a phenomenon that occurred during the pandemic and that affected both Flash and Lost Kingdom, causing a cascade of release date pushes.)

More test screenings of cuts occurred in February, and again in April. By this time, Safran, a producer on the first Aquaman as well as The Lost Kingdom, had become co-head of the newly created DC Studios, along with Gunn.

It is unclear how Safran’s transition shifted the movie’s fortunes, if at all. Insiders say that the filmmakers were in the dumps over the seemingly never-ending postproduction process and water-logged test scores. However, the skies may have cleared with the new reshoots.

Gunn is said to have weighed in on the most recent cut, and the leadership approved a five-day shoot. Sources say the shoot went so well that Wan and company completed what they needed in only four.

And to some, the fact that Warners is willing to keep spending money to make the film better shows that the studio has faith in The Lost Kingdom. (In February, according to sources, the filmmakers of Blue Beetle, the other remaining DC movie that was made during the AT&T era and comes out in August, asked for and received two days of additional shooting. Safran had also been a producer on Beetle before his ascension to the executive ranks.)

Lost Kingdom is already an expensive production. It was greenlit at a $205 million budget and shot during the pandemic, which was a burdensome expense on tentpole productions. Additionally, every frame of the movie involves visual effects, another major cost. The reshoots have only raised that overall budget.

Lost Kingdom is the final movie of the DC Extended Universe, which launched a decade ago with Zack Snyder’s Man of Steel. Its December release date approaches as Warners’ DC movies are flopping at an unmatched level. October’s Black Adam, March’s Shazam! Fury of the Gods (also produced by Safran) and last month’s The Flash were money losers in their theatrical runs. Though Gunn and Safran plan on rebooting DC films with Superman: Legacy, that title won’t be out until July 2025. No one wants another miss, and there are questions as to how much more bruising the DC movie brand can take.

The filmmakers and studio know the value that smart postproduction can bring. The first Aquaman was also facing turbulent waves and is said to have found its footing only in post, when a new ending was burnished and the movie tightened to a zippier two hours and 23 minutes.

As for Wan, he was upbeat when he spoke to THR in April as he continued to work on the film: “This movie has something to talk about [climate change], but it’s still a fun action-fantasy movie.”

Zaslav will take any excuse to stop production on something so that terrible movie with Alison brie was prob enough to shut it down.

I was just about to say…anyone working in post at some of these major studios have probably started stashing clean cuts on a thumb drive for reasons like this. I wouldn’t be surprised if Batgirl made its way online at some point.

Doomsday SnoBorderZero

Paramount and MGM-Amazon (both home to SnoBorderZero) in the running for Coyote vs Acme.

deadline.com/2023/12/coyote-vs-acme-paramount-amazon-contenders-1235658240/


Exclusive Footage of Doomsday and SnoBorderZero at the bidding room for Coyote vs Acme.

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Warner Bros-Paramount in merger talks

variety.com/2023/biz/news/warner-bros-discovery-paramount-merger-talks-1235847958/

What… the… fuck??

The Disney-Fox merge was a shit show. Yes. Yes. Marvel fanboys got their X-Men and Fantastic Four in the MCU. But it was a shit show in every other regard. Twentieth Century Fox, in essence, no longer exists.

A merger between Warner Bros and Paramount feels like an even bigger tragedy. I don’t think Paramount would survive this. And then there’s the question of HBO and Showtime. I think the Department of Justice will force them to sell one of them. Will Showtime be left out in the wild? What happens to Turner? Cartoon Network and Nickelodeon? Would Turner Classic Movies even survive this? TCM barely survived the Discovery merger. No way they survive this.

Very true.  All we have at the moment is the potential for the X-Men and the Fantastic Four in the MCU, and if the ending of The Marvels (2023) is anything to go by, the X-Men may not be in the same timeline as the rest of the MCU.  As for the FF, I'm hoping they'll get around their absence from the MCU by having them travel in time from 1961.  They are a product of The Space Race/Cold War, not the modern day, and their characters really ought to reflect that.

Here is my early Christmas gift for IanTheCool.

www.hollywoodreporter.com/business/business-news/cnn-cbs-news-merger-1235767683/



Unlike Doomsday and SnoBorderZero, who are being held at gunpoint by Kathleen Kennedy and Eddie Murphy, Sumner Redstone has been dead for over three years. I am Django Unleashed.

We are less than 48 hours from Christmas Day (on the East Coast) and I find this article offensive. If CNN and CBS News were to merge, thousands of people will lose their jobs, not dozens.

Once upon a time... not in Hollywood... I worked at Viacom.

Fun side story, during the 2007 writer's strike when CBS decided to air broadcast edited reruns of the Showtime series Dexter, I was at the bottom of totem pole and was assigned the task of dealing with the outraged zealots of family values. I can only think of the poor soul that had to deal with these people when Dennis Franz showed his ass on NYPD Blue.

Anyhoo, I was there when the WB and UPN merged into the CW. I don't recall if it was like this nationwide, but in my market, CBS took over WB and MyNetworkTV (owned by Fox) took over UPN. And by "takeover", I mean that WB and UPN seized to exist. CBS and CW were housed in the same station and run by the same people. Literally, every single person that worked at WB lost their job. Even the 10pm WB News was made by the same people that did the 11pm CBS News. And no one at CBS gave a fuck about the CW. The merger came with the syndication rights for the Simpsons, Seinfeld and Friends. We later acquired 4Kids Entertainment. Those and sports made up the bulk of programming. For the rest, they came to me, the bottom of the totem pole, and gave me a list of movies we had the rights to. That random movie you watched before the infomercials, that was me, baby.

Meanwhile, I am certain that the great people at WB that gave us local shows and curated syndicated programming loved the CW. I am certain that loyal viewers loved watching marathons of Friends. And I am certain that Dracula is gonna love the CNN takeover of 60 Minutes.

Right now, Tubi has all the content that Max didn’t want to pay royalties for. That’ll get moved to Pluto.

Great news, SnoBorderZero!

David Ellison (Skydance) trying to get controlling interest of Paramount.

www.bloomberg.com/news/articles/2024-01-24/david-ellison-makes-offer-for-redstone-family-s-media-empire

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ESPN, FS1 and Turner creating a joint streaming app. It's like Hulu but for sports!

variety.com/2024/tv/news/warner-fox-espn-streaming-spots-joint-venture-1235900161/