Neverending
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Post by Neverending on Sept 1, 2021 3:39:17 GMT -5
I had zero expectations for this movie and yet it absolutely wowed me. For a long time Marvel stuck to formula but they’ve taken some calculated risks lately and it has paid off. I don’t know if I’d even call Shang Chi a superhero movie. It’s very much a martial arts fantasy film. But it’s also kind of a soap opera. I found myself caught up in these character’s drama and got emotionally invested. I don’t know if I just happened to be in the right mood or if this is just hokey stuff but it hit all the right beats for me. I really enjoyed myself and I highly recommend it.
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1godzillafan
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Post by 1godzillafan on Sept 1, 2021 3:57:52 GMT -5
Better or worse than Venom: Let There Be Carnage?
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thebtskink
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Post by thebtskink on Sept 1, 2021 8:43:52 GMT -5
This is either a surprisingly earnest review or a well placed troll.
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Doomsday
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Post by Doomsday on Sept 1, 2021 9:30:11 GMT -5
This is actually getting surprisingly good reviews. I think everyone expected yet another origin story rehash that we've seen ten times but apparently/hopefully there's more to it than that. Then again we went through this with Black Panther which is just another origin story rehash so I guess we'll have to watch it to find out.
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Neverending
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Post by Neverending on Sept 1, 2021 10:48:59 GMT -5
Better or worse than Venom: Let There Be Carnage? Not even Citizen Kane is better than Venom: Let There Be Carnage This is either a surprisingly earnest review or a well placed troll. The Mandarin is a lady now. This is actually getting surprisingly good reviews. I think everyone expected yet another origin story rehash that we've seen ten times but apparently/hopefully there's more to it than that. Then again we went through this with Black Panther which is just another origin story rehash so I guess we'll have to watch it to find out. 20 years ago this would have been a Jet Li movie but with DMX in the Awkwafina role.
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frankyt
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Post by frankyt on Sept 1, 2021 12:35:37 GMT -5
Is that a spoiler?
Rate it compared to other origin stories. I'm always half asleep during them.
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Fanible
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Post by Fanible on Sept 1, 2021 12:58:02 GMT -5
The reviews definitely have me more excited to see it. Hopefully not to a point of being overhyped. Consensus appears to be that the trailers were bad marketing, with the movie taking many by surprise.
My mother is a Chinese movie nut and has been looking forward to it for some of the actors, so I was going to see it no matter what.
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PhantomKnight
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Post by PhantomKnight on Sept 1, 2021 13:09:20 GMT -5
Yeah, the marketing for this movie has been very "meh" at best, but the word of mouth on this thing has me pretty hyped. I'm gonna be out of town from Saturday to Wednesday, so I'm hoping to squeeze this in beforehand Friday afternoon.
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1godzillafan
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Post by 1godzillafan on Sept 2, 2021 21:34:43 GMT -5
I had a lot of fun. The action choreography is probably the best you'll see in an MCU flick.
That said, the plot changes on a dime quite often during the first few acts then just stays rapid fire until it settles down for the third act. The movie isn't afraid to leave you behind and just jump from new thing to new thing.
A little disappointed that their portrayal of the Ten Rings was "They just do blasty shit," but I guess they didn't want to make them too much like the Infinity Stones.
I think my favorite superhero flick this year is still Suicide Squad, and I might even rank this below Black Widow, but this is a pretty solid flick.
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1godzillafan
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Post by 1godzillafan on Sept 2, 2021 21:38:40 GMT -5
Also this is further proof that Trevor Slattery is the best character of the MCU.
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thebtskink
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Post by thebtskink on Sept 4, 2021 18:17:43 GMT -5
This is their best fight choreography since Winter Soldier. Or Civil War?
Anyways the big CGI spoolge at the end didn't bother me as much as it usually would.
Solid flick.
8/10 on the sliding genre scale.
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frankyt
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Post by frankyt on Sept 13, 2021 15:32:09 GMT -5
Man the allegory of losing your elderly parent to voices (maybe a little fox news whispering) was so prescient.
And martial arts are def top 3 overall arts. MCU needed em so bad, and simu looked fast as hell.
I liked it for an origin, now let's team him up cuz solo super hero movies are for the fucking birds.
7.5/10
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Post by Dracula on Sept 20, 2021 8:18:40 GMT -5
Shang-Chi and the Legend of the Ten Rings(9/9/2021)
As of late Marvel has been adapting some of their less well known characters but I think Shang-Chi is the first title character they’ve brought to screen that I straight-up hadn’t heard of before since Guardians of the Galaxy. He’s a truly obscure character created in 1973 as a blatant attempt to cash in on the popularity of Bruce Lee and as far as I can tell had only been used sporadically between the early 80s and his recent resurgence in the run-up to this film. Within the odd niche of Kung Fu themed Marvel characters he was generally overshadowed by another character named Iron Fist, who the MCU kind of squandered their shot at in a bad Netflix show. It does not, however, take a genius to guess why Marvel was so interested in digging this character up: the Chinese market. Everyone knows that there’s billions to be made in The Middle Kingdom and it would be foolish not to seek it out but at the same attempts to cynically pander to that audience have frequently blown up in people’s faces. Anyone remember The Great Wall? That was supposed to unite American and Chinese audiences but mostly just alienated both of them. Then there was the disastrous attempt to put a Chinese character into that Monster Hunter and of course there was also Disney’s own recent debacle with Mulan, which flopped in China despite clearly having been tailored to appease local censors. Audiences there seem to be able to smell out sino-centric pandering and have frequently sent the message to Hollywood that it should stay in its lane instead of trying to compete with their domestic filmmakers, also the nationalists there can be prickly and become offended by unexpected issues (often related to the backgrounds of various actors). In fact it’s still not entirely clear if Shang-Chi will open in that country despite clearly trying to reach out to it. Despite all that, China has a rich culture to mine and even if it’s not going to be the easy stepping stone into a lucrative foreign market that certain studios thing it will there is value in making movies that draw on that country’s mythology and filmmaking legacy just for its own sake and with that in mind I was excited to see what Marvel would do with Shang-Chi and the Legend of the Ten Rings.
The film begins by establishing a backstory for the film’s villain Xu Wenwu (Tony Leung), a Chinese warlord who has lived for centuries using the power of ten rings he keeps on his forearms and can use to do kung fu stuff. Wenwu has also been called The Mandarin at times and it is established here that the bootleg version of The Mandarin we saw in Iron Man 3 was inspired by this true version of the character. Then we move to the present and meet Xu Shang-Chi (Simu Liu), who is living in San Francisco and has been going by the name “Shaun” and has generally been embracing a life of under-achievement alongside a friend named Katy (Awkwafina). Then everything changes for him when he’s attacked by a group of assassins on a bus attempting to steal a pendant he’s wearing on his neck. He fights them back but loses the pendant which forces him to admit to Katy that he has a secret past: he’s the son of Xu Wenwu and was trained to be a martial arts assassin at a young age and with the Ten Rings re-emerges in his life he needs to fly to Macau and find his long lost sister, who has a pendant of her own and may be their next target.
One of the things making Chinese nationalists leery about the film is that the original comic book iteration of Shang-Chi’s origin was that he was an estranged son of Fu Manchu, the racist stock villain from the pulp novels of old. They certainly wanted to avoid that association for both progressive reasons and reasons of copyright so instead they’ve made his father an original character that is a version of The Mandarin, an Iron Man villain from the silver age who also has some problematic aspects. So it was clearly important to them that they make their villain distinct from all that and I think it may have made them rather awkwardly go too far in the other direction because they’ve made Xu Wenwu into what they expect to be an oddly sympathetic figure for a guy who acted as a warlord for centuries before then forming a shadowy assassination league. It’s the kind of approach that is perhaps understandable given that this is a character that’s related to the protagonist and obviously it’s generally good to give your villains shades of grey, but I’m not sure they really pulled it off here. His motives are rather nebulous and a bit removed from his, uh, usual criminal career.
As for Shang-Chi himself… I don’t know, he seems alright. For most of the movie he doesn’t really have superpowers aside from his kung fu skills, making this the second straight Marvel film (the other being Black Widow) to be about a hero who’s basically human, though there is a fairly substantial amount of magical stuff in the surrounding story. As for the action scenes, they’re a bit of a mixed bag. The opening action scene, a fight in the Jackie Chan style between Shang-Chi and some thugs on a moving bus, is awesome and is almost singlehandedly worth the price of admission, but the rest of the movie never really lives up to that first action scene and the film’s finale (which involves CGI dragons fighting each other) is particularly woozy. The film’s overall aesthetic seems to be trying to do for Chinese culture what Black Panther did with African culture, but that seems a lot less special here given that China has a rather long tradition of big budget filmmaking that Africa does not and in many ways this can only really feel like something of diluted and westernized version of the martial arts movies that we’ve seen coming from China for decades and people who know their wuxia and their Jackie Chan will see the reference points this is drawing on.
I should probably disclose that I was in a bit of a grumpy mood when I saw this and that might have affected my take slightly. I think this review is coming off a bit more negative than I mean it to. There are some neat things here, I liked Awkwafina a lot as the sidekick here and even in concept it’s very cool to be seeing Hong Kong legends Tony Leung and Michelle Yeoh working in a high profile Hollywood franchise blockbuster like this: paychecks well earned. Still this never really gave me that giddy feeling that MCU films gave off when they’re in top form like they often were leading up to the final Avengers movies. In many ways it feels like they’re putting more of their ambition into their Disney+ TV shows than they are into their movies at the moment while their actual movies are kind of feeling perfunctory. “WandaVision” felt far more adventurous than this and “Loki” felt far more important to the overall MCU story going forward while this just kind of felt like a run of the mill origin story about a character whose origin only moderately interested me. Still I do think that with the origin out of the way Shang-Chi himself may prove far more interesting in future sequels and crossover projects.
*** out of Five
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PG Cooper
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Post by PG Cooper on Sept 20, 2021 13:21:49 GMT -5
Still haven't seen this. Maybe later this week.
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PhantomKnight
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Post by PhantomKnight on Sept 20, 2021 15:07:34 GMT -5
Ever since Avengers: Endgame brought the first decade-plus-spanning story of the MCU to a close, the prevailing question is clearly, "Well...what now?" Disney+ shows like WandaVision and Loki have certainly been a bit bolder creative swings than what we're used to seeing from the MCU -- to rewarding effect -- while Spider-Man: Far From Home and recently Black Widow, their first movies after Endgame, still dealt with or took place within the Infinity Saga and/or its fallout. Shang-Chi and the Legend of the Ten Rings represents the MCU formerly hitting the Refresh button in a way, and I gotta say...it's a very promising start for the MCU's new era. Coming into it, though, my expectations were a bit tempered because the marketing campaign for this movie was very "meh" at best. Well, turns out that may have been intentional, because a big part of the fun of this movie is discovering for yourself just how cool and fantasy-leaning it ultimately is -- in a good way. Structurally, this movie isn't all that different from your typical sort of superhero origin story, but the real beauty of Shang-Chi lies in its more human aspects and the mythology/world-building. As is the case with nearly all MCU movies, this one picks a certain new-for-the-MCU subgenre and uses that to accentuate the film. In this case, it's a Crouching Tiger, Hidden Dragon-style epic with cultural fantasy and mythology thrown in and the end result is something that had me surprisingly caught up in the story and characters, rather than simply being entertained on a blanket level. One of the strengths of the MCU has always been developing its important characters/players well, while one of their consistent weaknesses has been bland villains. This time, it's sort of reversed. Simu Liu's Shang-Chi certainly has charisma and you do come to like him, but the most interesting character here is Tony Leung's villain...who also happens to be Shang-Chi's father. That relationship right there is really the core of the movie, and what keeps things so interesting. Tony Leung's Mandarin is easily able to join the ranks of Thanos, Kilmonger and Loki as one of the MCU's most interesting villains because the movie does a great job of fleshing him out and providing him with ultimately sympathetic motivations for what he's trying to do. For example, his relationship with Shang-Chi's mother is given pretty ample time and development and proves to be a very integral pillar for the film. By the time the film reaches its expectedly effects-heavy climax, the strong characters and emotional arcs really do give the Third Act an added heft rather than just be another Marvel climax off the assembly line with obligatory stakes. And speaking of the action, all those scenes are very energetic and exciting. Shang-Chi and the Legend of the Ten Rings functions as much as a family drama as it does a Marvel superhero movie, sometimes even more so. But director Destin Daniel Cretton still finds a rather impressive balance between both and delivers a very satisfying movie. I didn't love it as much as I do some of the heavyhitters in this genre, but still, I can't wait to see more of this mythology and these characters.
***1/2 /****
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SnoBorderZero
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Post by SnoBorderZero on Sept 20, 2021 22:49:33 GMT -5
After the astronomical success and expectations of Avengers: Endgame providing a bookend to over a decade of movies, characters, and interwoven storylines that Kevin Feige and his team at Marvel intricately planned for and turned into a blockbuster powerhouse the likes of which movies have never seen before, the question surrounding the MCU's future is a warranted one. If we've reached the coda of this journey, how wise of a decision is it to continue these stories into the next phase, especially since attempting to top this success seems like an impossible challenge. Adding to the curiosity is that while the first decade of the MCU was bolstered by some of the biggest intellectual properties the brand offers, we're launching this post-Endgame phase with characters that have little to no brand awareness at all. Black Widow a few months ago kicked things off, and while the film was certainly minor MCU and likely doesn't need to exist at all, I found it to be a solid standalone film for the character that leaned on the charm of its cast and some strong action sequences to at least quell the skepticism somewhat. Black Widow, however, is a character we've seen in numerous films up to her solo entry, which is certainly not the case for the MCU's latest offering, Shang-Chi and the Legend of the Ten Rings. I'm not much of a comic book guy myself, and I had absolutely never heard of Shang-Chi before this film and went into this film pretty blind regarding who the character is and what sort of MCU world they inhabit. It was touted as boasting some of the best action choreography of the MCU and to establish the character as one of the new faces of this latest phase that we'll come to know as well as Iron Man in due time. While early on I was intrigued and entertained by what this fresh face had to offer, Shang-Chi unfortunately falls into predictable formula and silly mythology instead of developing the protagonist that we know so little about and giving us a reason to embrace these new heroes and forget the old ones. Shang-Chi offers plenty to admire, and of course it's nice to see some strong representation and handling of culture devoid of blatant stereotyping or pandering, but ultimately it's a forgettable adventure that squanders its terrific cast by offering poor narrative stakes and burying its action in outlandish CGI battles.
Shang-Chi (Simu Liu) is born to a great warlord (Tony Leung) who over the last thousand years has wielded the Ten Rings (which he has also named his faction of assassins) to shape the balance of power in the world. While searching for the mythical village of Ta Lo, a place where a form of martial arts "taught by the gods" reigns supreme, the warlord Xu Wenwu encounters Ying Li (Fala Chen), who engages him in battle after denying him access to the village. They fall in love, and Wenwu puts down the rings in order to be a father to Shang-Chi and his sister, Xialing (Meng'er Zhang). Wenwu trains Shang-Chi to be an assassin, while overlooking his daughter. Things turn south though when a group of men seeking revenge against Wenwu kill Ying Li, resulting in Wenwu taking up the rings again. Later as an adult, Shang-Chi is living in San Francisco and working as a valet with his best friend, Katy (Awkwafina). Their ordinary life is turned upside-down when a group of thugs attack Shang-Chi on a bus and take the pendant around his neck. After dispatching them in spectacular fashion, Shang-Chi can no longer hide who he is and leaves the city with Katy to track down his sister, who he fears they'll go after next. The plot from here takes some fairly predictable turns, and after a strong start struggles to match it, bogging itself down in half-realized family drama and a journey to the village of Ta Lo that's not brimming with the sort of world building one would hope for either. Perhaps most apparent in Shang-Chi is that there are really no stakes at play here whatsoever. While I've certainly been one to criticize the MCU's over-the-top, go-to plot lines of a villain seeking to destroy the world or rule the world or whatever other generic, comic book musing the antagonists take on offer, at least they're generally clear and palpable. Shang-Chi's journey never feels like a progressive flow and more relies on meeting a new character and having them point them in the next direction.
I suspect that a lot of this is because Shang-Chi just isn't a very interesting character, or maybe he is but the movie essentially abandons attempting to develop him after the first act fun. It's too bad, because Simu Liu is incredibly charming in the role and clearly can handle the sort of character dynamics necessary to make all of this work. This isn't helped by the lackluster reunion between him and his estranged sister, Xialing. They don't entirely reconcile their differences, nor do they display the sort of "I'm bitter you left but we can sort it out after we dispatch these bad guys" banter that would give us more insight into the family issues that are the thematic backbone of the film. Black Widow, for example, did a much better job of tackling the family abandonment for the pursuit of a greater goal idea, and it's not so much that it doesn't work in Shang-Chi but more that they don't really even attempt to give it a fair shot. Annoyingly, a lot of Xialing's feelings towards her father and brother are relayed through Katy, an objective character in the middle of it all that can't really offer much in response. The movie is brimming with great talent, from the hilarious quips of Awkwafina to the seriousness of its villain by the masterful Tony Leung. But none of these characters ever feel complete or expanded on, and the movie instead feels content to just keep adding more characters to each scene. It doesn't work, which is too bad considering the MCU has proven to be highly adept at juggling several characters while still squeezing in development and narrative acuity that feels lacking here.
Another disappointing element is the action itself. The bus sequence in San Francisco is utterly fantastic, offering the sort of John Wick escapism that feels like a lost art amidst the endless green screen and CGI monotony that comprise most Hollywood action offerings today. But after that, there's nothing that stands out. Worst of all, as the film progresses it moves further and further away from the practical action that we've been promised for the aforementioned CGI slog. The movie really loses all intrigue when they reach Ta Lo, a village that isn't so much as wondrous as it is half-developed. I don't really understand the function of this place or its dynamics. These people just live across the water from a mountain housing a dangerous dragon? I suppose it's to keep the region protected in case it breaks out, but they have no lines of defense built up and it just feels like a creatively inept green screen piece that offers none of the mystique that Wenwu has been chasing after. Compared to a place like Wakanda, Ta Lo just doesn't have anything to muster up any response towards. This culminates in the movie really becoming another movie entirely, to the point where we have two dragons battling each other in the sky. While it's sort of badass to see, I caught myself and asked how the hell did we get to this point? For a movie that touted itself as a return to the sort of root fundamentals of martial arts films (albeit while still functioning as an MCU movie), the climax is anything but and feels more like The Battle of the Five Armies, which is not a compliment. The climax doesn't work, satisfying neither the final confrontation between Shang-Chi and his father nor in presenting Shang-Chi as a character with a signature moment. The film attempts to sort of laugh-explain away its own absurdities, such as Katy being adept at a bow-and-arrow within a few hours of training, but it's easy to see through this veneer as them trying to get ahead of the film's own contrived elements before the internet does.
This is a fairly negative review, but I do want to explain that for the most part I enjoyed this movie. And why shouldn't I, that's what it was factory-assembled to elicit from its audience. The cast is likable and superbly talented (anytime you get to watch Tony Leung is a treat), the humor mostly lands, and you could do a lot worse when it comes to popcorn entertainment. But in terms of serving as an origin story for a character that few people know much about, Shang-Chi is only moderately successful and comes undone by the end in its attempt to overstuff his first venture with too many characters and not enough focus on its principals. It delivers some of the action goods promised, but ultimately succumbs to CGI madness and is disappointing in that regard too. This was in fairness always going to be perceived as minor MCU, and it is. It's just too bad that Shang-Chi doesn't get the origin story that his character deserved.
6/10
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IanTheCool
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Post by IanTheCool on Sept 26, 2021 10:14:37 GMT -5
It got pretty outlandish at the end there, hey?
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thebtskink
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Post by thebtskink on Sept 26, 2021 10:35:59 GMT -5
It got pretty outlandish at the end there, hey? I would've hated it if it weren't tied to Chinese folklore. But it was, do it was kinda dope for me One guy went out like a punk though.
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Neverending
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Post by Neverending on Sept 26, 2021 13:31:31 GMT -5
It got pretty outlandish at the end there, hey? At least they didn’t blow up a city.
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1godzillafan
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Post by 1godzillafan on Nov 14, 2021 1:06:00 GMT -5
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Doomsday
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Post by Doomsday on Nov 15, 2021 12:45:27 GMT -5
Wow, this is on Disney+ already.
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PhantomKnight
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Post by PhantomKnight on Nov 15, 2021 13:12:07 GMT -5
Wow, this is on Disney+ already. 45-day theatrical exclusive window is the new normal.
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Doomsday
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Post by Doomsday on Nov 15, 2021 13:59:39 GMT -5
I'm mostly just replying now so we can get to page 2 and I don't have to scroll past the 7 mile long twitter post that hooligan godzilla posted.
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frankyt
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Post by frankyt on Nov 15, 2021 14:00:39 GMT -5
I'm doing my part.
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Doomsday
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Post by Doomsday on Nov 15, 2021 14:01:40 GMT -5
We all appreciate that franky.
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