PG Cooper
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And those who tasted the bite of his sword named him...The DOOM Slayer
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Post by PG Cooper on May 28, 2018 9:32:35 GMT -5
I didn't love the first Deadpool, but I did think it was a fun little diversion which stood out when compared to the state of superhero films in the 2010s. I had an open mind in the sequel too, especially given a bigger budget and the prior success to dive deeper into the comic book storylines. And to their credit, the filmmakers did. Deadpool 2 is way more competent as an action movie than the first film, in no small part thanks to John Wick alumni David Leitch behind the camera, and we also get a weirder collection of characters, namely Josh Brolin's Cable. Unfortunately, the film also suffers from a lot of comedy sequels suffer from; it just isn't that funny a second time around. Deadpool's schtick is kind of one-note, and by the end of this movie I had kind of grown tired of the snark, pop-culture references, and the fourth wall breaking. Honestly though, nevermind the type of comedy, I think the real problem here is the writing just isn't very strong. I had a few chuckles here and there, but no big laughs, made noticeable for the plethora of jokes that landed with a hollow thud.
Comedy is very subjective so your mileage may well vary, but for me, Deadpool 2 failed as a comedy, and that largely sinks the whole thing. The action scenes may be well-executed, but Deadpool is basically an indestructible killing machine and as such the movie can't really function as a full-fledged action movie, while the snark is too pronounced to the story to work on any sincere level. The film does have some solid performances from Josh Brolin, Julian Dennison, and Zazie Beetz, and the movie does pass the time well enough, but the movie is ultimately a hollow exorcise that I haven't thought about once since the theater.
D+
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PhantomKnight
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Post by PhantomKnight on May 28, 2018 13:57:02 GMT -5
Tone-wise, this movie's a little wonky in the First Act, for obvious reasons, but after that it settled back into the Deadpool groove and became a total blasty blast. I still prefer the first movie, but Deadpool 2 has tons of stuff that had me laughing pretty hard and regularly, not to mention entertaining action, and like the first, it also still has a heart. Good movie.
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frankyt
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Post by frankyt on May 30, 2018 22:40:50 GMT -5
I had fun with it. It won't be in my top ten or anything, and the self referencial humor got a little annoying at times. And just going for obvious jokes when they didn't have to was obnoxious at times. But Deadpool has always been an annoying douche since he was introduced. And these movies embrace that. I can't fault em for that.
I'll see the sequel for sure. And adding cable into the universe really kinda adds another level of awesome that they can tap into for future storylines.
Thumbs up. 6.5/10 for me.
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Dracula
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Post by Dracula on Jul 3, 2018 23:35:11 GMT -5
Another review I realized I never actually posted here.
Deadpool 2(5/21/2018)
Let it be known, while I look pretty closely at box office figures week to week I am not always that great at predicting what’s going to catch on and how big. That was certainly the case of the first Deadpool film, which I expected to find an audience but I never imagined it would make $132 million in its opening weekend and go on to make nearly $800 million worldwide. There might have been a little personal bias there because by 2016 I’d been pretty frustrated by the “comic book adaptation with attitude” genre as exemplified by such films as Wanted, Kick-Ass, and Kingsmen: The Secret Service. As such I skipped Deadpool in theaters and when I finally caught up with the movie on Blu-ray I can’t say I particularly regretted that decision. Deadpool was a fun movie but it certainly didn’t stand out to me as any kind of zeitgeist capturing triumph. Some of its profane fourth-wall breaking antics were amusing but hardly the funniest thing I’d ever seen and ignoring the jokes it was a pretty dull origin story with a bland villain and it’s lower budget was readily apparent in its small-scale action scenes which couldn’t really compete with the giant superhero spectacles that Hollywood has been regularly churning out. And yet, I find myself more inclined to see the film’s sequel in theaters than I was for the original, which maybe has less to do with the movies themselves and more to do with the fact that Hollywood didn’t have the balls to put out anything in the two weeks following Avengers: Infinity War and I was jonesing for an action movie.
Deadpool 2 picks up a few months after the end of its predecessor and Deadpool (Ryan Reynolds) has embraced a life of doing mercenary work against criminals while easing into his relationship with his fiancé Vanessa (Morena Baccarin) until one day one of his enemies follows him home and kills Vanessa in front of him. Deadpool dispatches the responsible parties quickly but is overcome with guilt and tries to kill himself explosively only to have his healing powers save him once again. Seeing that Deadpool is hurting Colossus (Stefan Kapičić) and Negasonic Teenage Warhead (Brianna Hildebrand) try to rescue him and bring him into the X-Men fold once again. Deadpool plays along, but on his very first mission he finds himself shooting someone to save a troubled mutant teen named Firefist (Julian Dennison) and both he and his friend are arrested and placed into a special mutant prison where everyone wears collars that suppress their powers. All hope seems lost when the prison is attacked by a time traveling mutant named Cable (Josh Brolin) who seems oddly hellbent on killing Firefist.
One of my biggest problems with the original Deadpool is that is just seemed kind of, well, cheap. I got why it was cheap, the studios were clearly as skeptical as I was about how much of a mass audience the Deadpool character could draw, but given that it was competing with any number of actual blockbuster superhero films its rather meager action scenes were a problem. That has been solved in the sequel, which is perhaps to be expected given that the budget has almost doubled and one of the guys behind the “John Wick” series has been brought on to direct. It would have been a massive disappointment if the action scenes in this thing weren’t a major step up, but they are. That’s not to say that this is some kind of action movie classic but on scales of spectacle it does hold its own against most the other more conventional superhero movies and the R-ratedness of the film’s violence does give it a flavor that most of those movies don’t have.
This time it’s actually the comedy I’m a bit shaky about. Having only watched the original Deadpool in a fairly casual fashion I didn’t really have firm opinions about the comedic stylings of the series but watching this sequel it’s clear that what’s basically going on here is that the movies are taking the “throw everything at the wall” approach to comedy that movies like Airplane! took except that it’s working with a much larger budget and only one character is really allowed to break the fourth wall. As tends to be the case with this approach some jokes work and some don’t, and in this movie I’d say the ratio is maybe one in three landed jokes, which could be worse, but some of the jokes that don’t work are kind of cringey. The movie really wants to seem cool and subversive but in many ways its not as smart as it thinks it is and you can really see the way it does things that seem aimed at a very wide and frankly kind of basic audience. Like, this is a movie that feels the need to throw in parodies of the boombox scene from Say Anything and the interrogation scene from Basic Instinct as if the world didn’t already have enough of both and even feels the need to announce exactly the movie they’re referencing in the latter example. The weird thing is that every once in the blue moon the movie actually will reference something that’s a little bit more obscure like when someone casually brings up the 2005 Australian film The Proposition or when Deadpool makes the occasional inside joke about the comic books, but a lot of these jokes just seem kind of like low hanging fruit rather than subversive digs.
The constant jokes and digressions here certainly leads to some amusing moments but they also sort of undercut the occasional moments where the movie semi-ironically tries to actually play something straight. The moments in the film where it tries to fight for the soul of a child and prevent him from becoming a killer seem particularly hypocritical given the general disregard for human life that is otherwise on display in the movie. This is a movie that begs you not to take it seriously outside of its overwhelming irreverence and given that I kind of wish it had gone for the jugular even more. The film certainly isn’t making any kind of statement about society and while it does make certain digs at the comic book genre I’m not sure they’re all that biting either. Of course this isn’t to say that the movie is a complete failure or even a failure at all really. As summer entertainment goes the movie mostly succeeds and I think there is reason to say that it offers more to the viewer than some of the more cookie-cutter of the Marvel movies. I’d be lying if I said I didn’t enjoy it. That said I don’t really respect the movie in spite of its entertainment value. At the end of the day it’s a rather immature work and I don’t think it’s going to age we, but again, there are worse ways to spend your time.
*** out of Five
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Neverending
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Post by Neverending on Aug 21, 2018 13:16:13 GMT -5
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Neverending
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Post by Neverending on Aug 26, 2018 1:55:41 GMT -5
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Neverending
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Post by Neverending on Dec 10, 2018 15:32:35 GMT -5
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Neverending
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Post by Neverending on Dec 21, 2018 5:08:52 GMT -5
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Fanible
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Post by Fanible on Feb 2, 2019 12:05:43 GMT -5
Deadpool 1 and 2 are now officially the two highest grossing movies in the entire X-Men franchise. Deadpool 2 (albeit the PG-13 version) finally released in China, which just nudged it up.
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